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Dana Zemtsov - Essentia

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Essentia

Dana Zemtsov

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Idioma disponible: inglés

"One of the biggest dilemmas of our generation is where are we from, who are we, what is our identity? Globalization has made the whole world closer, bringing our cultures more and more together. I myself am a product of this mix, being born in Mexico to Russian parents with a Jewish background, having studied at a French school in Norway and grown up in Holland. Consequently I have often thought about these questions: which culture is closest to me? What am I? I could feel at home and relate to all these cultures and yet I am not really part of any of them.
The music on this album explores the opposite perspective; each piece is very strong influenced by the composer’s culture. One can immediately smell the Hungarian landscape in Bartok’s Viola Concerto, Italian roots in the Carnevale di Venezia, the Jewish soul in Bloch’s Nigun and Russian Orthodox chants in Kugel’s Preghiera. However there is a deeper meaning to the title of this album, as the programme also touches the spiritual and carnal nature of the human being. During the process of compiling this programme I suddenly realized the strong religious connection between the second movement of the Bartok concerto and the two prayers that follow. This is followed by the contrasting ‘danse macabre’ in the third movement, which for me is very much associated with the carnal ritual of a carnival, when one is allowed to release one’s most primitive instincts. I believe each of these pieces explores the deepest roots of humankind, that core that will be there, no matter where we go or what we do." (Dana Zemtsov)
© Channel Classics

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Essentia

Dana Zemtsov

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1
Moderato
00:14:52

Dana Zemtsov, Viola - Estonian National Symphony Orchestra - Daniel Raiskin, Conductor - Béla Bartók, Composer

(C) 2018 Channel Classics Records (P) 2018 Channel Classics Records

2
Adagio religioso – Allegretto
00:04:27

Dana Zemtsov, Viola - Estonian National Symphony Orchestra - Daniel Raiskin, Conductor - Béla Bartók, Composer

(C) 2018 Channel Classics Records (P) 2018 Channel Classics Records

3
Allegro vivace
00:04:46

Dana Zemtsov, Viola - Estonian National Symphony Orchestra - Daniel Raiskin, Conductor - Béla Bartók, Composer

(C) 2018 Channel Classics Records (P) 2018 Channel Classics Records

4
Preghiera for Viola and String Orchestra
00:08:14

Dana Zemtsov, Viola - Estonian National Symphony Orchestra - Daniel Raiskin, Conductor - Michael Kugel, Composer

(C) 2018 Channel Classics Records (P) 2018 Channel Classics Records

5
Hungarian Dance no. 5 for Orchestra
00:03:55

Dana Zemtsov, Viola - Estonian National Symphony Orchestra - Daniel Raiskin, Conductor - Johannes Brahms, Composer

(C) 2018 Channel Classics Records (P) 2018 Channel Classics Records

6
Baal Shem: 3 Pictures of Hassidic life arr. Michael Kugel for Viola and String Orchestra
00:07:01

Dana Zemtsov, Viola - Estonian National Symphony Orchestra - Daniel Raiskin, Conductor - Ernest Bloch, Composer

(C) 2018 Channel Classics Records (P) 2018 Channel Classics Records

7
Variations on ‘O mamma, mamma cara’ (based on ‘Il carnevale di Venezia’), Op.10 (1829) arr. Michael Kugel (2002) for Viola and Orchestra
00:17:29

Dana Zemtsov, Viola - Estonian National Symphony Orchestra - Daniel Raiskin, Conductor - Niccolò Paganini, Composer

(C) 2018 Channel Classics Records (P) 2018 Channel Classics Records

Descripción del álbum

"One of the biggest dilemmas of our generation is where are we from, who are we, what is our identity? Globalization has made the whole world closer, bringing our cultures more and more together. I myself am a product of this mix, being born in Mexico to Russian parents with a Jewish background, having studied at a French school in Norway and grown up in Holland. Consequently I have often thought about these questions: which culture is closest to me? What am I? I could feel at home and relate to all these cultures and yet I am not really part of any of them.
The music on this album explores the opposite perspective; each piece is very strong influenced by the composer’s culture. One can immediately smell the Hungarian landscape in Bartok’s Viola Concerto, Italian roots in the Carnevale di Venezia, the Jewish soul in Bloch’s Nigun and Russian Orthodox chants in Kugel’s Preghiera. However there is a deeper meaning to the title of this album, as the programme also touches the spiritual and carnal nature of the human being. During the process of compiling this programme I suddenly realized the strong religious connection between the second movement of the Bartok concerto and the two prayers that follow. This is followed by the contrasting ‘danse macabre’ in the third movement, which for me is very much associated with the carnal ritual of a carnival, when one is allowed to release one’s most primitive instincts. I believe each of these pieces explores the deepest roots of humankind, that core that will be there, no matter where we go or what we do." (Dana Zemtsov)
© Channel Classics

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