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The Moody Blues - Days Of Future Passed

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Days Of Future Passed

The Moody Blues

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This album marked the formal debut of the psychedelic-era Moody Blues; though they'd made a pair of singles featuring new (as of 1966) members Justin Hayward and John Lodge, Days of Future Passed was a lot bolder and more ambitious. What surprises first-time listeners -- and delighted them at the time -- is the degree to which the group shares the spotlight with the London Festival Orchestra without compromising their sound or getting lost in the lush mix of sounds. That's mostly because they came to this album with the strongest, most cohesive body of songs in their history, having spent the previous year working up a new stage act and a new body of material (and working the bugs out of it on-stage), the best of which ended up here. Decca Records had wanted a rock version of Dvorak's "New World Symphony" to showcase its enhanced stereo-sound technology, but at the behest of the band, producer Tony Clarke (with engineer Derek Varnals aiding and abetting) hijacked the project and instead cut the group's new repertory, with conductor/arranger Peter Knight adding the orchestral accompaniment and devising the bridge sections between the songs' and the album's grandiose opening and closing sections. The record company didn't know what to do with the resulting album, which was neither classical nor pop, but following its release in December of 1967, audiences found their way to it as one of the first pieces of heavily orchestrated, album-length psychedelic rock to come out of England in the wake of the Beatles' Sgt. Pepper's and Magical Mystery Tour albums. What's more, it was refreshingly original, rather than an attempt to mimic the Beatles; sandwiched among the playful lyricism of "Another Morning" and the mysticism of "The Sunset," songs like "Tuesday Afternoon" and "Twilight Time" (which remained in their concert repertory for three years) were pounding rockers within the British psychedelic milieu, and the harmony singing (another new attribute for the group) made the band's sound unique. With "Tuesday Afternoon" and "Nights in White Satin" to drive sales, Days of Future Passed became one of the defining documents of the blossoming psychedelic era, and one of the most enduringly popular albums of its era.
© Bruce Eder /TiVo

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Days Of Future Passed

The Moody Blues

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1
The Day Begins (Remastered 2017)
00:05:47

Peter Knight, Conductor, ComposerLyricist - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Spoken Word, AssociatedPerformer - Graeme Edge, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2017 Universal Music Operations Limited

2
Dawn: Dawn Is A Feeling (Remastered 2017)
00:03:47

Peter Knight, Conductor - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Percussion, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2017 Universal Music Operations Limited

3
The Morning: Another Morning (Remastered 2017)
00:03:40

Peter Knight, Conductor - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2017 Universal Music Operations Limited

4
Lunch Break: Peak Hour (Remastered 2017)
00:05:16

Peter Knight, Conductor - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Ray Thomas, Flute, Percussion, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2017 Universal Music Operations Limited

5
The Afternoon (Remastered 2017)
00:08:24

Peter Knight, Conductor - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Piano, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Ray Thomas, Flute, Percussion, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, Background Vocalist, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2017 Universal Music Operations Limited

6
Evening (Remastered 2017)
00:06:37

Peter Knight, Conductor - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Piano, Vocals, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2017 Universal Music Operations Limited

7
The Night (Remastered 2017)
00:07:43

Peter Knight, Conductor - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Mellotron, Background Vocalist, Spoken Word, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, Percussion, AssociatedPerformer, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2017 Universal Music Operations Limited

8
Long Summer Days
00:03:16

MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 1977 Universal Music Operations Limited

9
Please Think About It
00:03:44

MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 1977 Universal Music Operations Limited

10
Don't Let Me Be Misunderstood (BBC Saturday Club Session)
00:02:24

Gloria Caldwell, ComposerLyricist - BENNIE BENJAMIN, ComposerLyricist - Sol Marcus, ComposerLyricist - The Moody Blues, MainArtist

℗ 2005 BBC

11
Love And Beauty (BBC Easybeat Session)
00:02:13

Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist

℗ 2005 BBC

12
Leave This Man Alone (BBC Easybeat Session)
00:02:53

Justin Hayward, ComposerLyricist - The Moody Blues, MainArtist

℗ 2005 BBC

13
Peak Hour (BBC Easybeat Session)
00:03:22

John Lodge, ComposerLyricist - The Moody Blues, MainArtist

℗ 2005 BBC

14
Nights In White Satin (BBC Dave Symonds Session)
00:03:49

Justin Hayward, ComposerLyricist - The Moody Blues, MainArtist

℗ 2005 BBC

15
Fly Me High (BBC Dave Symonds Session)
00:02:44

Justin Hayward, ComposerLyricist - The Moody Blues, MainArtist

℗ 2005 BBC

16
Twilight Time (BBC Dave Symonds Session)
00:02:10

Ray Thomas, ComposerLyricist - The Moody Blues, MainArtist

℗ 2005 BBC

DISCO 2

1
The Day Begins (Remastered 2006)
00:05:50

Peter Knight, Conductor, ComposerLyricist - London Festival Orchestra, Orchestra - MIKE PINDER, Spoken Word, AssociatedPerformer - Graeme Edge, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Alberto Parodi, Mastering Engineer, StudioPersonnel - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2006 Universal Music Operations Limited

2
Dawn: Dawn Is A Feeling (Remastered 2006)
00:03:49

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Percussion, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Alberto Parodi, Mastering Engineer, StudioPersonnel - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2006 Universal Music Operations Limited

3
The Morning: Another Morning (Remastered 2006)
00:03:56

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Alberto Parodi, Mastering Engineer, StudioPersonnel - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2006 Universal Music Operations Limited

4
Lunch Break: Peak Hour (Remastered 2006)
00:05:29

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Ray Thomas, Flute, Percussion, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Alberto Parodi, Mastering Engineer, StudioPersonnel - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2006 Universal Music Operations Limited

5
The Afternoon (Remastered 2006)
00:08:23

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Ray Thomas, Flute, Percussion, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, Background Vocalist, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Alberto Parodi, Mastering Engineer, StudioPersonnel - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2006 Universal Music Operations Limited

6
Evening (Remastered 2006)
00:06:40

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Alberto Parodi, Mastering Engineer, StudioPersonnel - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2006 Universal Music Operations Limited

7
The Night (Remastered 2006)
00:07:27

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Vocals, AssociatedPerformer - Ray Thomas, Flute, Percussion, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, Background Vocalist, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Alberto Parodi, Mastering Engineer, StudioPersonnel - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2006 Universal Music Operations Limited

8
Tuesday Afternoon (Alternate Mix)
00:04:20

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Flute, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2005 Universal Music Operations Limited

9
Dawn: Dawn Is A Feeling (Alternate Version)
00:02:20

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Percussion, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2005 Universal Music Operations Limited

10
The Sun Set (Alternate Version)
00:02:50

MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, AssociatedPerformer - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2005 Universal Music Operations Limited

11
Twilight Time (Alternate Vocal Mix)
00:02:28

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 2005 Universal Music Operations Limited

12
Fly Me High (Mono Mix)
00:02:55

MIKE PINDER, Piano, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Tambourine, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

A UMC recording; ℗ 1967 Universal Music Operations Limited

13
I Really Haven't Got The Time (Mono Mix)
00:03:08

Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer

UMC, a division of Universal Music Operations Limited; ℗ 1967 Universal Music Operations Limited

14
Love And Beauty (Mono Mix)
00:02:24

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Tambourine, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

A UMC recording; ℗ 1967 Universal Music Operations Limited

15
Leave This Man Alone (Mono Mix)
00:03:00

MIKE PINDER, Piano, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Tambourine, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

A UMC recording; ℗ 1967 Universal Music Operations Limited

16
Nights In White Satin (Single Version / Mono Mix)
00:04:29

MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

UMC, a division of Universal Music Operations Limited; ℗ 1967 Universal Music Operations Limited

17
Cities (Mono Mix)
00:02:24

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Percussion, AssociatedPerformer - Justin Hayward, Composer, Guitar, Vocals, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

A UMC recording; ℗ 1967 Universal Music Operations Limited

Descripción del álbum

This album marked the formal debut of the psychedelic-era Moody Blues; though they'd made a pair of singles featuring new (as of 1966) members Justin Hayward and John Lodge, Days of Future Passed was a lot bolder and more ambitious. What surprises first-time listeners -- and delighted them at the time -- is the degree to which the group shares the spotlight with the London Festival Orchestra without compromising their sound or getting lost in the lush mix of sounds. That's mostly because they came to this album with the strongest, most cohesive body of songs in their history, having spent the previous year working up a new stage act and a new body of material (and working the bugs out of it on-stage), the best of which ended up here. Decca Records had wanted a rock version of Dvorak's "New World Symphony" to showcase its enhanced stereo-sound technology, but at the behest of the band, producer Tony Clarke (with engineer Derek Varnals aiding and abetting) hijacked the project and instead cut the group's new repertory, with conductor/arranger Peter Knight adding the orchestral accompaniment and devising the bridge sections between the songs' and the album's grandiose opening and closing sections. The record company didn't know what to do with the resulting album, which was neither classical nor pop, but following its release in December of 1967, audiences found their way to it as one of the first pieces of heavily orchestrated, album-length psychedelic rock to come out of England in the wake of the Beatles' Sgt. Pepper's and Magical Mystery Tour albums. What's more, it was refreshingly original, rather than an attempt to mimic the Beatles; sandwiched among the playful lyricism of "Another Morning" and the mysticism of "The Sunset," songs like "Tuesday Afternoon" and "Twilight Time" (which remained in their concert repertory for three years) were pounding rockers within the British psychedelic milieu, and the harmony singing (another new attribute for the group) made the band's sound unique. With "Tuesday Afternoon" and "Nights in White Satin" to drive sales, Days of Future Passed became one of the defining documents of the blossoming psychedelic era, and one of the most enduringly popular albums of its era.
© Bruce Eder /TiVo

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