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Ann Hallenberg - Carnevale 1729

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Carnevale 1729

Ann Hallenberg

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The Carnival of Venice in 1729 was quite unlike any other. Over a period of two months, opera houses went into a frenzy of competition to show off the most famous singers of the day, including the legendary castrato Farinelli who made his astonishing Venetian debut. Several of the most fashionable composers rose to the occasion, writing ravishing music for spectacular productions which often pitted the singers against each other in breathtaking displays of virtuosity. The results were sensational; one tour de force followed another in an atmosphere of fevered excitement and the adoring public lapped it up.

The carnival opened with a star-studded cast in Leonardo Leo’s tragedy Cantone in Utica from which the dazzling aria Soffre talor del vento and the more gentle Ombra adorata are taken. Farinelli triumphed in Nicolo Porpora’s opera Semiramide, the perfect vehicle for his extraordinary technique. By contrast Adelaide by Giuseppe Maria Orlandini, another premiere, contains show-stopping displays for Farinelli’s arch rival Faustina Bordoni. And Germiano Giacomelli’s elegant opera Gianguir contains the achingly beautiful aria Mi par sentir la bella. Most of these rediscovered works are recorded here for the first time. (c) Pentatone

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Carnevale 1729

Ann Hallenberg

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DISCO 1

Gianguir (Geminiano Giacomelli)

1
Gianguir: Mi par sentir la bella 00:09:43

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Apostolo Zeno, Lyricist - Geminiano Giacomelli, Composer

2017 PentaTone

6
Gianguir: Vanne, si, di al mio diletto 00:07:12

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Apostolo Zeno, Lyricist - Geminiano Giacomelli, Composer

2017 PentaTone

Adelaide (Giuseppe Maria Orlandini)

2
Adelaide: Non sempre invendicata 00:05:39

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Antonio Salvi, Lyricist - Giuseppe Maria Orlandini, Composer

2017 PentaTone

3
Adelaide: O del mio caro sposo... Quanto bello agl'occhi miei 00:15:22

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Antonio Salvi, Lyricist - Giuseppe Maria Orlandini, Composer

2017 PentaTone

4
Adelaide: Scherza in mar la navicella 00:05:45

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Antonio Salvi, Lyricist - Giuseppe Maria Orlandini, Composer

2017 PentaTone

5
Adelaide: Vedrò più liete e belle 00:08:41

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Antonio Salvi, Lyricist - Giuseppe Maria Orlandini, Composer

2017 PentaTone

DISCO 2

Filandro (Tomaso Giovanni Albinoni)

1
Filandro: Il tuo core in dono accetto 00:04:07

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Tomaso Giovanni Albinoni, Composer - Vincenzo Cassani, Lyricist

2017 PentaTone

2
Filandro: Fior, ch'a spuntar si vede 00:03:32

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Tomaso Giovanni Albinoni, Composer - Vincenzo Cassani, Lyricist

2017 PentaTone

Semiramide riconosciuta (Nicola Porpora)

3
Semiramide riconosciuta: Il pastor se torna aprile 00:06:28

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Nicola Porpora, Composer - Pietro Metastasio, Lyricist

2017 PentaTone

4
Semiramide riconosciuta: In braccio a mille furie 00:03:04

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Nicola Porpora, Composer - Pietro Metastasio, Lyricist

2017 PentaTone

5
Semiramide riconosciuta: Bel piacer saria d'un core 00:08:36

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Nicola Porpora, Composer - Pietro Metastasio, Lyricist

2017 PentaTone

Catone in Utica (Leonardo Leo)

6
Catone in Utica: Soffre talor del vento 00:06:48

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Leonardo Leo, Composer - Pietro Metastasio, Lyricist

2017 PentaTone

7
Catone in Utica: Ombra cara, ombra adorata 00:09:22

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Leonardo Leo, Composer - Pietro Metastasio, Lyricist

2017 PentaTone

L'abbandono di Armida (Leonardo Vinci)

8
L'abbandono di Armida: Nave altera che in mezzo all'onde 00:04:17

Ann Hallenberg, Performer - Il Pomo D'oro, Ensemble - Stefano Montanari, Conductor - Anonymous, Lyricist - Leonardo Vinci, Composer

2017 PentaTone

Descripción del álbum

The Carnival of Venice in 1729 was quite unlike any other. Over a period of two months, opera houses went into a frenzy of competition to show off the most famous singers of the day, including the legendary castrato Farinelli who made his astonishing Venetian debut. Several of the most fashionable composers rose to the occasion, writing ravishing music for spectacular productions which often pitted the singers against each other in breathtaking displays of virtuosity. The results were sensational; one tour de force followed another in an atmosphere of fevered excitement and the adoring public lapped it up.

The carnival opened with a star-studded cast in Leonardo Leo’s tragedy Cantone in Utica from which the dazzling aria Soffre talor del vento and the more gentle Ombra adorata are taken. Farinelli triumphed in Nicolo Porpora’s opera Semiramide, the perfect vehicle for his extraordinary technique. By contrast Adelaide by Giuseppe Maria Orlandini, another premiere, contains show-stopping displays for Farinelli’s arch rival Faustina Bordoni. And Germiano Giacomelli’s elegant opera Gianguir contains the achingly beautiful aria Mi par sentir la bella. Most of these rediscovered works are recorded here for the first time. (c) Pentatone

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