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Peter Tosh - Can't Blame The Youth

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Can't Blame The Youth

Peter Tosh

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The JAD label has worked hard scouring out the corners of the Wailers' canon, from which they've created sumptuous box sets dedicated to the band's post-Studio One, pre-Island recordings, a complex era that the enclosed booklets carefully dissected, following the band from producer to producer and label to label. Now, with Can't Blame the Youth, JAD takes a look specifically at Peter Tosh's work with the Wailers and on his own during this period. Obviously, this 18-song set is not definitive -- Tosh composed and performed many more songs than are included here, including the one considered his solo debut, "Pound Get a Blow." However, this compilation does present a grand overview of the artist's oeuvre. Tosh's reputation as "The Toughest" of the tough was reinforced by songs like "Them a Fi Get a Beatin'," but it was militant numbers like the title track, "Arise Blackman," "Four Hundred Years," and "Here Comes the Judge" that singled the artist out as one of the island's top social commentators. In contrast to those blistering cultural numbers were surprising pop covers, ones not foisted on him by money-hungry producers but chosen by Tosh himself. Thus, listeners find a laid-back version of the Beatles' "Here Comes the Sun" and a truly terrifying cover of "Little Green Apples." And the same singer who snarled out a vitriolic version of Bessie Smith's "'Tain't Nobody's Bizness If I Do" (under the title "Leave My Business") composed and sang the pretty romantic ballad "Love." In later years, Tosh's own guitar would feature ever more heavily on his records, but back at this time he was attempting to pass himself off as a keyboardist. The last four tracks on this set, all instrumentals featuring a soloing Tosh on melodica, give ample evidence why the Wailer would never garner renown in this arena, but does offer more proof of his pop leanings. Time simplifies all, and the Wailers' legacy now boils down to the peaceful and loving Bob Marley, the devout Bunny Wailer, and the angry, militant Tosh. Can't Blame the Youth helps reveal a much more complex artist and person than such stereotyping allows.
© Jo-Ann Greene /TiVo

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Can't Blame The Youth

Peter Tosh

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1
Can't Blame The Youth JAD
00:03:11

Peter Tosh, MainArtist, ComposerLyricist

℗ 2004 JAD Record Company, Inc.

2
Arise Blackman JAD
00:02:38

Peter Tosh, MainArtist, ComposerLyricist

℗ 2004 JAD Record Company, Inc.

3
Lion JAD
00:03:45

Peter Tosh, MainArtist, ComposerLyricist

℗ 2004 JAD Record Company, Inc.

4
Maga Dog JAD
00:02:46

Peter Tosh, MainArtist, ComposerLyricist

℗ 2004 JAD Record Company, Inc.

5
Go Tell It To The Mountain JAD
00:03:12

Bob Marley, ComposerLyricist - Peter Tosh, MainArtist - The Wailers, MainArtist

℗ 2004 JAD Record Company, Inc.

6
Here Comes The Judge JAD
00:03:28

Peter Tosh, MainArtist, ComposerLyricist

℗ 2004 JAD Record Company, Inc.

7
Four Hundred Years JAD
00:02:30

Peter Tosh, MainArtist, ComposerLyricist - The Wailers, MainArtist

℗ 2004 JAD Record Company, Inc.

8
Soon Come JAD
00:02:20

Peter Tosh, MainArtist, ComposerLyricist - The Wailers, MainArtist

℗ 2004 JAD Record Company, Inc.

9
Here Comes The Sun JAD
00:03:12

GEORGE HARRISON, ComposerLyricist - Peter Tosh, MainArtist

℗ 2004 JAD Record Company, Inc.

10
Little Green Apples JAD
00:02:34

Bob Russell, ComposerLyricist - Peter Tosh, MainArtist

℗ 2004 Universal International Music B.V.

11
Them A Fi Get A Beatin' JAD
00:01:50

Peter Tosh, MainArtist, ComposerLyricist

℗ 2004 JAD Record Company, Inc.

12
You Can't fool Me Again JAD
00:02:31

Peter Tosh, MainArtist, ComposerLyricist

℗ 2004 JAD Record Company, Inc.

13
Leave My Business JAD
00:03:20

Peter Tosh, MainArtist, ComposerLyricist

℗ 2004 JAD Record Company, Inc.

14
Love JAD
00:02:51

Peter Tosh, MainArtist, ComposerLyricist - The Wailers, MainArtist

℗ 2004 JAD Record Company, Inc.

15
A Little Love - Version 4 JAD
00:02:38

Peter Tosh, MainArtist, ComposerLyricist

℗ 2004 JAD Record Company, Inc.

16
We Can Make It Uptight JAD
00:02:53

Peter Tosh, MainArtist, ComposerLyricist

℗ 2004 JAD Record Company, Inc.

17
Evil Version JAD
00:02:11

Peter Tosh, MainArtist, ComposerLyricist

℗ 2004 JAD Record Company, Inc.

18
My Sympathy JAD
00:02:21

Peter Tosh, MainArtist, ComposerLyricist - The Wailers, MainArtist

℗ 2004 JAD Record Company, Inc.

Descripción del álbum

The JAD label has worked hard scouring out the corners of the Wailers' canon, from which they've created sumptuous box sets dedicated to the band's post-Studio One, pre-Island recordings, a complex era that the enclosed booklets carefully dissected, following the band from producer to producer and label to label. Now, with Can't Blame the Youth, JAD takes a look specifically at Peter Tosh's work with the Wailers and on his own during this period. Obviously, this 18-song set is not definitive -- Tosh composed and performed many more songs than are included here, including the one considered his solo debut, "Pound Get a Blow." However, this compilation does present a grand overview of the artist's oeuvre. Tosh's reputation as "The Toughest" of the tough was reinforced by songs like "Them a Fi Get a Beatin'," but it was militant numbers like the title track, "Arise Blackman," "Four Hundred Years," and "Here Comes the Judge" that singled the artist out as one of the island's top social commentators. In contrast to those blistering cultural numbers were surprising pop covers, ones not foisted on him by money-hungry producers but chosen by Tosh himself. Thus, listeners find a laid-back version of the Beatles' "Here Comes the Sun" and a truly terrifying cover of "Little Green Apples." And the same singer who snarled out a vitriolic version of Bessie Smith's "'Tain't Nobody's Bizness If I Do" (under the title "Leave My Business") composed and sang the pretty romantic ballad "Love." In later years, Tosh's own guitar would feature ever more heavily on his records, but back at this time he was attempting to pass himself off as a keyboardist. The last four tracks on this set, all instrumentals featuring a soloing Tosh on melodica, give ample evidence why the Wailer would never garner renown in this arena, but does offer more proof of his pop leanings. Time simplifies all, and the Wailers' legacy now boils down to the peaceful and loving Bob Marley, the devout Bunny Wailer, and the angry, militant Tosh. Can't Blame the Youth helps reveal a much more complex artist and person than such stereotyping allows.
© Jo-Ann Greene /TiVo

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