Keith Jarrett, Dewey Redman, Charlie Haden, PAUL MOTIAN Byablue

Byablue

Keith Jarrett, Dewey Redman, Charlie Haden, PAUL MOTIAN

Publicado el 1 de mayo de 2015 en Verve Reissues

Artista principal: Keith Jarrett

Género: Jazz

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Amid rumored tension within the band, Keith Jarrett's American Quartet met for one last marathon recording date before disbanding, and Impulse made the most of it by spreading the music out over two separate releases. From the evidence of this the band certainly doesn't sound as if it was ready to break up; the interplay is telepathic, the musical ideas are still fresh, and there is a willingness to experiment. "Rainbow," credited to Margot Jarrett, is top-flight lyrical Keith, while "Trieste" evokes the mood and some of the language of the spiritual Coltrane. There is adventure, too; with Dewey Redman and Jarrett wailing on tenor and soprano respectively, "Konya" sounds almost like a muezzin call to prayer, and "Yahllah" is a rare, brave, moving merger of jazz and the Middle East. Highly recommended. ~ Richard S. Ginell
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Álbum : 1 disco - 7 pistas Duración total : 00:42:09

  1. 1 Byablue (Take 1)

    Charlie Haden, Upright Bass, AssociatedPerformer - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - PAUL MOTIAN, Composer, Drums, AssociatedPerformer - Dewey Redman, Tenor Saxophone, AssociatedPerformer - Esmond Edwards, Producer Copyright : ℗ 1977 The Verve Music Group, a Division of UMG Recordings, Inc.

  2. 2 Konya (Take 1)

    Charlie Haden, Upright Bass, AssociatedPerformer - Keith Jarrett, Composer, MainArtist - PAUL MOTIAN, Percussion, AssociatedPerformer - Dewey Redman, Tenor Saxophone, AssociatedPerformer - Esmond Edwards, Producer Copyright : ℗ 1977 The Verve Music Group, a Division of UMG Recordings, Inc.

  3. 3 Rainbow (Take 3)

    Charlie Haden, Upright Bass, AssociatedPerformer - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - PAUL MOTIAN, Drums, AssociatedPerformer - Esmond Edwards, Producer - Margot Jarrett, Composer Copyright : ℗ 1977 The Verve Music Group, a Division of UMG Recordings, Inc.

  4. 4 Trieste (Take 2)

    Charlie Haden, Upright Bass, AssociatedPerformer - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - PAUL MOTIAN, Composer, Drums, AssociatedPerformer - Dewey Redman, Tenor Saxophone, AssociatedPerformer - Esmond Edwards, Producer Copyright : ℗ 1977 The Verve Music Group, a Division of UMG Recordings, Inc.

  5. 5 Fantasm (Take 7)

    Charlie Haden, Upright Bass, AssociatedPerformer - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - PAUL MOTIAN, Composer - Dewey Redman, Tenor Saxophone, AssociatedPerformer - Esmond Edwards, Producer Copyright : ℗ 1977 The Verve Music Group, a Division of UMG Recordings, Inc.

  6. 6 Yahllah (Take 2)

    Charlie Haden, Upright Bass, AssociatedPerformer - Keith Jarrett, Percussion, Piano, Soprano Saxophone, MainArtist, AssociatedPerformer - PAUL MOTIAN, Composer, Drums, AssociatedPerformer - Dewey Redman, Musette, AssociatedPerformer - Esmond Edwards, Producer Copyright : ℗ 1977 The Verve Music Group, a Division of UMG Recordings, Inc.

  7. 7 Byablue (Alt. Version)

    Keith Jarrett, Piano, MainArtist, AssociatedPerformer - PAUL MOTIAN, Composer - Esmond Edwards, Producer Copyright : ℗ 1977 The Verve Music Group, a Division of UMG Recordings, Inc.

  • Descripción del álbum
  • Amid rumored tension within the band, Keith Jarrett's American Quartet met for one last marathon recording date before disbanding, and Impulse made the most of it by spreading the music out over two separate releases. From the evidence of this the band certainly doesn't sound as if it was ready to break up; the interplay is telepathic, the musical ideas are still fresh, and there is a willingness to experiment. "Rainbow," credited to Margot Jarrett, is top-flight lyrical Keith, while "Trieste" evokes the mood and some of the language of the spiritual Coltrane. There is adventure, too; with Dewey Redman and Jarrett wailing on tenor and soprano respectively, "Konya" sounds almost like a muezzin call to prayer, and "Yahllah" is a rare, brave, moving merger of jazz and the Middle East. Highly recommended. ~ Richard S. Ginell

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