Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
It takes a good deal of confidence to record these two most familiar of all the Romantic violin concertos, especially if you have recorded them both before, as violinist Christian Tetzlaff has. Confidence is what Tetzlaff is all about here, and it gives him the wherewithal to create a genuinely original reading of the Beethoven Violin Concerto in D major, Op. 61. His tempos are fast, but others have taken the concerto fast. He de-romanticizes Beethoven's big melodies: although there's no hint of historical performance here, the sparing use of vibrato is common enough these days, partly as a result of that influence. If you imagine a 20th century Beethoven violin concerto performance from the Eastern European-Israeli sphere, say that of Itzhak Perlman, you will find Tetzlaff at the opposite extreme. So far, so good, and you can take your pick among recordings according to whether you favor these tendencies. Where Tetzlaff demands attention is in his overall structuring of the concerto, which seems to unfold as a single set of grand gestures. At least, that is, up to the cadenzas, which are adapted from the ones Beethoven wrote for the alternative piano version of the concerto. This may seem a stretch, but tune in to Tetzlaff's mood, and you'll find that the music has built up enough momentum to support these unusual, irregular cadenzas. The Deutsches Symphonie-Orchester Berlin under Robin Ticciati keeps up well with Tetzlaff's interpretation and never drags, which in this case is a bit of a tall order. The Sibelius Violin Concerto in D minor, Op. 47, is a bit closer to the mainstream, although even here, Tetzlaff is taking pains to dissociate himself from the big Romantic tradition: sample the finale, where you may wish for something a bit more rousing in the main theme. Impressively bold, and well worth your time.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Violin Concerto in D Major, Op. 61 (Ludwig van Beethoven)
Christian Tetzlaff, Violin - Deutsches Symphonie-Orchester Berlin - Robin Ticciati, Conductor - Ludwig van Beethoven, Composer
(C) 2019 Ondine (P) 2019 Ondine
Christian Tetzlaff, Violin - Deutsches Symphonie-Orchester Berlin - Robin Ticciati, Conductor - Ludwig van Beethoven, Composer
(C) 2019 Ondine (P) 2019 Ondine
Christian Tetzlaff, Violin - Deutsches Symphonie-Orchester Berlin - Robin Ticciati, Conductor - Ludwig van Beethoven, Composer
(C) 2019 Ondine (P) 2019 Ondine
Violin Concerto in D Minor, Op. 47 (Jean Sibelius)
Christian Tetzlaff, Violin - Deutsches Symphonie-Orchester Berlin - Robin Ticciati, Conductor - Jean Sibelius, Composer
(C) 2019 Ondine (P) 2019 Ondine
Christian Tetzlaff, Violin - Deutsches Symphonie-Orchester Berlin - Robin Ticciati, Conductor - Jean Sibelius, Composer
(C) 2019 Ondine (P) 2019 Ondine
Christian Tetzlaff, Violin - Deutsches Symphonie-Orchester Berlin - Robin Ticciati, Conductor - Jean Sibelius, Composer
(C) 2019 Ondine (P) 2019 Ondine
Presentación del Álbum
It takes a good deal of confidence to record these two most familiar of all the Romantic violin concertos, especially if you have recorded them both before, as violinist Christian Tetzlaff has. Confidence is what Tetzlaff is all about here, and it gives him the wherewithal to create a genuinely original reading of the Beethoven Violin Concerto in D major, Op. 61. His tempos are fast, but others have taken the concerto fast. He de-romanticizes Beethoven's big melodies: although there's no hint of historical performance here, the sparing use of vibrato is common enough these days, partly as a result of that influence. If you imagine a 20th century Beethoven violin concerto performance from the Eastern European-Israeli sphere, say that of Itzhak Perlman, you will find Tetzlaff at the opposite extreme. So far, so good, and you can take your pick among recordings according to whether you favor these tendencies. Where Tetzlaff demands attention is in his overall structuring of the concerto, which seems to unfold as a single set of grand gestures. At least, that is, up to the cadenzas, which are adapted from the ones Beethoven wrote for the alternative piano version of the concerto. This may seem a stretch, but tune in to Tetzlaff's mood, and you'll find that the music has built up enough momentum to support these unusual, irregular cadenzas. The Deutsches Symphonie-Orchester Berlin under Robin Ticciati keeps up well with Tetzlaff's interpretation and never drags, which in this case is a bit of a tall order. The Sibelius Violin Concerto in D minor, Op. 47, is a bit closer to the mainstream, although even here, Tetzlaff is taking pains to dissociate himself from the big Romantic tradition: sample the finale, where you may wish for something a bit more rousing in the main theme. Impressively bold, and well worth your time.
© TiVo
Acerca del álbum
- 1 disco(s) - 6 pista(s)
- Duración total: 01:11:05
- 1 Libreto digital
- Artistas principales: Christian Tetzlaff Robin Ticciati Berlin Deutsches Symphony Orchestra
- Compositor: Various Composers
- Sello: Ondine
- Género Clásica Música concertante Conciertos para violín
(C) 2019 Ondine (P) 2019 Ondine
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.