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AfroCubism|Afrocubism

Afrocubism

AfroCubism

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Cast your mind back to 1996 for a moment. A group of old-school Cuban musicians are assembled -- with some help from Ry Cooder -- for a recording intended to introduce the rest of the world to classic Cuban music. The resulting Buena Vista Social Club album -- aided by a documentary about the process -- becomes a worldwide phenomenon, inspiring an unprecedented degree of interest not only in Cuban music, but international music of all kinds. A brilliant idea works out perfectly, right? Sure, except that this wasn't actually the original plan. Initially, World Circuit Records' producer Nick Gold had planned for Cooder and the Cubans to be joined by lute player Bassekou Kouyate and guitarist Djelimady Tounkara, two of Mali's finest musicians. At the last minute, the Malians were unable to secure visas to travel to Cuba for the session, and the agenda was re-jiggered. Fast-forward 16 years into the future -- the plans for that original Cuban/Malian crossover are finally realized with the recording of Afrocubism. And this time, not only are Kouyate and Tounkara on hand, interacting with an all-star cast of Cuban players like singer/guitarist Eliades Ochoa and percussionist Jorge Maturell, but there's an additional batch of Mali's finest, including renowned kora master Toumani Diabaté and innovative balafon player Lassana Diabaté (no relation to Toumani). But Afrocubism shouldn't be viewed as some sort of alternative-universe version of Buena Vista Social Club -- it has its own very singular sonic identity. The most immediately striking element is the way the tumbling riffs of the Malians -- particularly Kouyate and both Diabatés -- seem to fall so naturally into the percolating Cuban polyrhythms underlined by Maturell and elaborated upon by Ochoa. There's a lot of listening going on in both camps, and an obvious musical empathy between them. Whether they're playing more Malian-leaning compositions like Djelimady's "Nima Diyala" (where Lassana makes amazing use of dual balafons tuned a semitone apart) or a Cuban classic like the late Beny Moré's "La Culebra," the Afrocubism ensemble puts a whole new slant on the "Afro-Cuban" tag, making for a true musical meeting of minds between the two cultures.

© J. Allen /TiVo

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Afrocubism

AfroCubism

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1
Mali-Cuba
00:05:38

Jerry Boys, Mixer, RecordingEngineer - Toumani Diabate, Composer, Guitar - Tom Leader, MasteringEngineer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

2
Al Vaivén de Mi Carreta
00:05:00

Jerry Boys, Mixer, RecordingEngineer - Ñico Saquito, Composer - Toumani Diabate, Guitar - Tom Leader, MasteringEngineer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

3
Karamo
00:06:55

Jerry Boys, Mixer, RecordingEngineer - Bassekou Kouyate, Composer, Writer - Toumani Diabate, Guitar - Tom Leader, MasteringEngineer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

4
Djelimady Rumba
00:03:10

Jerry Boys, Mixer, RecordingEngineer - Toumani Diabate, Guitar - Tom Leader, MasteringEngineer - Djelimady Tounkara, Composer, Writer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

5
La Culebra
00:03:33

Benny Moré, Composer, Writer - Jerry Boys, Mixer, RecordingEngineer - Toumani Diabate, Guitar - Tom Leader, MasteringEngineer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

6
Jarabi
00:05:57

Jerry Boys, Mixer, RecordingEngineer - Toumani Diabate, Composer, Guitar, Writer - Tom Leader, MasteringEngineer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

7
Eliades Tumbao 27
00:01:16

Jerry Boys, Mixer, RecordingEngineer - Toumani Diabate, Guitar - Tom Leader, MasteringEngineer - Eliades Ochoa, Composer, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

8
Dakan
00:02:14

Jerry Boys, Mixer, RecordingEngineer - Toumani Diabate, Guitar - Tom Leader, MasteringEngineer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist - Baba Sissoko, Composer, Writer

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

9
Nima Diyala
00:03:36

Jerry Boys, Mixer, RecordingEngineer - Toumani Diabate, Guitar - Tom Leader, MasteringEngineer - Djelimady Tounkara, Composer, Writer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

10
A La Luna Yo Me Voy
00:03:58

Jerry Boys, Mixer, RecordingEngineer - Tom Leader, MasteringEngineer - Eliades Ochoa, Composer, Electric Guitar, Writer - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

11
Mariama
00:04:00

Jerry Boys, Mixer, RecordingEngineer - Bassekou Kouyate, Composer, Writer - Toumani Diabate, Guitar - Tom Leader, MasteringEngineer - Eliades Ochoa, Composer, Electric Guitar, Writer - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

12
Para los Pinares Se Va Montoro
00:04:13

Jerry Boys, Mixer, RecordingEngineer - Lorenzo Hierrezuelo, Composer, Writer - Francisco Repilado, Composer - Toumani Diabate, Guitar - Tom Leader, MasteringEngineer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist - Fransisco Repilado, Writer

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

13
Benséma
00:04:57

Jerry Boys, Mixer, RecordingEngineer - Toumani Diabate, Guitar - Tom Leader, MasteringEngineer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist - Kasse Mady Diabate, Composer, Writer

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

14
Guantanamera
00:04:05

Jerry Boys, Mixer, RecordingEngineer - Joseito Fernández, Composer, Writer - Toumani Diabate, Guitar - Tom Leader, MasteringEngineer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

15
Que No Te Digan Muñeca
00:05:59

Jerry Boys, Mixer, RecordingEngineer - Toumani Diabate, Composer, Guitar - Tom Leader, MasteringEngineer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

16
Keme Bourana
00:05:14

Jerry Boys, Mixer, RecordingEngineer - Toumani Diabate, Composer, Guitar - Tom Leader, MasteringEngineer - Eliades Ochoa, Electric Guitar - Nick Gold, Producer - AfroCubism, MainArtist

© 2010 World Circuit Limited, a BMG Company ℗ 2010 World Circuit Limited, a BMG Company

Presentación del Álbum

Cast your mind back to 1996 for a moment. A group of old-school Cuban musicians are assembled -- with some help from Ry Cooder -- for a recording intended to introduce the rest of the world to classic Cuban music. The resulting Buena Vista Social Club album -- aided by a documentary about the process -- becomes a worldwide phenomenon, inspiring an unprecedented degree of interest not only in Cuban music, but international music of all kinds. A brilliant idea works out perfectly, right? Sure, except that this wasn't actually the original plan. Initially, World Circuit Records' producer Nick Gold had planned for Cooder and the Cubans to be joined by lute player Bassekou Kouyate and guitarist Djelimady Tounkara, two of Mali's finest musicians. At the last minute, the Malians were unable to secure visas to travel to Cuba for the session, and the agenda was re-jiggered. Fast-forward 16 years into the future -- the plans for that original Cuban/Malian crossover are finally realized with the recording of Afrocubism. And this time, not only are Kouyate and Tounkara on hand, interacting with an all-star cast of Cuban players like singer/guitarist Eliades Ochoa and percussionist Jorge Maturell, but there's an additional batch of Mali's finest, including renowned kora master Toumani Diabaté and innovative balafon player Lassana Diabaté (no relation to Toumani). But Afrocubism shouldn't be viewed as some sort of alternative-universe version of Buena Vista Social Club -- it has its own very singular sonic identity. The most immediately striking element is the way the tumbling riffs of the Malians -- particularly Kouyate and both Diabatés -- seem to fall so naturally into the percolating Cuban polyrhythms underlined by Maturell and elaborated upon by Ochoa. There's a lot of listening going on in both camps, and an obvious musical empathy between them. Whether they're playing more Malian-leaning compositions like Djelimady's "Nima Diyala" (where Lassana makes amazing use of dual balafons tuned a semitone apart) or a Cuban classic like the late Beny Moré's "La Culebra," the Afrocubism ensemble puts a whole new slant on the "Afro-Cuban" tag, making for a true musical meeting of minds between the two cultures.

© J. Allen /TiVo

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