Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
A Woman a Man Walked By arrived just a year and a half after PJ Harvey's equally difficult and brilliant White Chalk. That alone makes it notable, since the last time she released albums in such quick succession was the early to mid-'90s, around the same time of her last songwriting collaboration with John Parish, Dance Hall at Louse Point. That album's unbridled experiments provided a sharp contrast to the subversive polish of its predecessor, To Bring You My Love; while A Woman a Man Walked By isn't quite as overt an about-face from White Chalk, the difference is still distinct. Here, Harvey and Parish (who played on and co-produced White Chalk) trade sublime, sustained eeriness for freewheeling vignettes that cover a wider range of sounds and moods than her music has in years. They begin with "Black Hearted Love," the equivalent of Dance Hall at Louse Point's "This Was My Veil" -- that is, the album's most accessible moment: guitar-heavy yet sleek, its riffs full of pregnant pauses as Harvey hones in on the one she wants, the song's sinister romance initially seems dangerously close to melodrama ("When you call out my name in rapture/I volunteer my soul for murder"), but she sings "you are my black-hearted love" so tenderly and knowingly that it transcends cliché.
This immediacy just makes the swift twists and turns the rest of A Woman a Man Walked By takes even more striking. The wildly jangling acoustic guitar and breathless vocals of the following track, "Sixteen Fifteen Fourteen," make that clear right away, but despite its nervy intensity, the song -- and the rest of the album -- is remarkably direct. Similarly, Harvey's character studies are just as vivid as other artists' really real, from-the-soul lyrics, and she embodies them just as completely: on "The Soldier," she sings of "walking on the faces of dead women" with haunted fragility; on "Daniel," she's a mother so devastated by loss that she can only mention it by name at the last possible moment. A Woman a Man Walked By also boasts songs that rank among Harvey's most intimate and seemingly confessional. From its shimmering guitar and mournful flute to its carefully observed words ("you slept facing the wall"), "Passionless, Pointless" captures a dying romance with dreamy desolation, while "Cracks in the Canvas" closes the album with the beautifully simple yet open-ended admission "I'm looking for an answer, me and a million others."
Best of all, though, are A Woman a Man Walked By's furious -- and surprisingly hilarious -- moments, which leave conventional notions about sex and sexuality trampled in their wake. The first part of "A Woman a Man Walked By/The Crow Knows Where All the Little Children Go" finds Harvey deriding and lusting after a "woman man" with "lily-livered little parts," switching between a guttural snarl and fey soprano as she tears him to pieces (the second, instrumental part is Parish's only solo credit on the album, a riot of pianos and twitchy percussion that's nearly as wound-up as what came before it). "Pig Will Not" is even rawer, mixing Rid of Me-like firepower with a wicked sense of humor and feral barking with lines like "true love is what we're doing now." Even the far quieter "Leaving California" reveals a surprising amount of mischief, invoking some of White Chalk's mist and gloom for its ironic kiss-off to the Golden State. Despite the album's many dark and evocative moments, there's a playfulness and liberated spirit underlying A Woman a Man Walked By. Parish and Harvey's idea of fun might be very different than that of many other artists, but hearing them cover so much musical and emotional territory is often exhilarating.
© Heather Phares /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Catherine Marks, Assistant Mixer, StudioPersonnel - Flood, Mixer, StudioPersonnel - John Dent, Mastering Engineer, StudioPersonnel - Carla Azar, Drums, AssociatedPerformer - John Parish, Producer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Eric Drew Feldman, Bass Guitar, AssociatedPerformer - PJ Harvey, Producer, Vocals, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Giovanni Ferrario, Guitar, AssociatedPerformer - Andrew Savours, Assistant Mixer, StudioPersonnel - Ali Chant, Recording Engineer, StudioPersonnel
℗ 2008 Universal Island Records Ltd. A Universal Music Company.
Catherine Marks, Assistant Mixer, StudioPersonnel - Flood, Mixer, StudioPersonnel - John Dent, Mastering Engineer, StudioPersonnel - John Parish, Producer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - PJ Harvey, Producer, Vocals, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Andrew Savours, Assistant Mixer, StudioPersonnel - Ali Chant, Recording Engineer, StudioPersonnel
℗ 2008 Universal Island Records Ltd. A Universal Music Company.
Catherine Marks, Assistant Mixer, StudioPersonnel - Flood, Mixer, StudioPersonnel - John Dent, Mastering Engineer, StudioPersonnel - John Parish, Producer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - PJ Harvey, Producer, Vocals, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Andrew Savours, Assistant Mixer, StudioPersonnel - Ali Chant, Recording Engineer, StudioPersonnel
℗ 2008 Universal Island Records Ltd. A Universal Music Company.
Catherine Marks, Assistant Mixer, StudioPersonnel - Flood, Mixer, StudioPersonnel - John Dent, Mastering Engineer, StudioPersonnel - John Parish, Producer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - PJ Harvey, Producer, Vocals, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Andrew Savours, Assistant Mixer, StudioPersonnel - Ali Chant, Recording Engineer, StudioPersonnel
℗ 2008 Universal Island Records Ltd. A Universal Music Company.
Catherine Marks, Assistant Mixer, StudioPersonnel - Flood, Mixer, StudioPersonnel - John Dent, Mastering Engineer, StudioPersonnel - Carla Azar, Drums, AssociatedPerformer - John Parish, Producer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Eric Drew Feldman, Keyboards, AssociatedPerformer - PJ Harvey, Producer, Vocals, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Giovanni Ferrario, Bass Guitar, AssociatedPerformer - Andrew Savours, Assistant Mixer, StudioPersonnel - Ali Chant, Recording Engineer, StudioPersonnel
℗ 2008 Universal Island Records Ltd. A Universal Music Company.
Catherine Marks, Assistant Mixer, StudioPersonnel - Flood, Mixer, StudioPersonnel - John Dent, Mastering Engineer, StudioPersonnel - John Parish, Producer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - PJ Harvey, Producer, Vocals, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Andrew Savours, Assistant Mixer, StudioPersonnel - Ali Chant, Recording Engineer, StudioPersonnel
℗ 2008 Universal Island Records Ltd. A Universal Music Company.
Catherine Marks, Assistant Mixer, StudioPersonnel - Flood, Mixer, StudioPersonnel - John Dent, Mastering Engineer, StudioPersonnel - John Parish, Producer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - PJ Harvey, Producer, Vocals, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Andrew Savours, Assistant Mixer, StudioPersonnel - Ali Chant, Recording Engineer, StudioPersonnel
℗ 2008 Universal Island Records Ltd. A Universal Music Company.
Catherine Marks, Assistant Mixer, StudioPersonnel - Flood, Mixer, StudioPersonnel - John Dent, Mastering Engineer, StudioPersonnel - John Parish, Producer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - PJ Harvey, Producer, Vocals, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Andrew Savours, Assistant Mixer, StudioPersonnel - Ali Chant, Recording Engineer, StudioPersonnel
℗ 2008 Universal Island Records Ltd. A Universal Music Company.
Catherine Marks, Assistant Mixer, StudioPersonnel - Flood, Mixer, StudioPersonnel - John Dent, Mastering Engineer, StudioPersonnel - John Parish, Producer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - PJ Harvey, Producer, Vocals, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Andrew Savours, Assistant Mixer, StudioPersonnel - Ali Chant, Recording Engineer, StudioPersonnel
℗ 2008 Universal Island Records Ltd. A Universal Music Company.
Catherine Marks, Assistant Mixer, StudioPersonnel - Flood, Mixer, StudioPersonnel - John Dent, Mastering Engineer, StudioPersonnel - John Parish, Producer, Guitar, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - PJ Harvey, Producer, Vocals, Recording Engineer, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Andrew Savours, Assistant Mixer, StudioPersonnel - Ali Chant, Recording Engineer, StudioPersonnel
℗ 2008 Universal Island Records Ltd. A Universal Music Company.
Presentación del Álbum
A Woman a Man Walked By arrived just a year and a half after PJ Harvey's equally difficult and brilliant White Chalk. That alone makes it notable, since the last time she released albums in such quick succession was the early to mid-'90s, around the same time of her last songwriting collaboration with John Parish, Dance Hall at Louse Point. That album's unbridled experiments provided a sharp contrast to the subversive polish of its predecessor, To Bring You My Love; while A Woman a Man Walked By isn't quite as overt an about-face from White Chalk, the difference is still distinct. Here, Harvey and Parish (who played on and co-produced White Chalk) trade sublime, sustained eeriness for freewheeling vignettes that cover a wider range of sounds and moods than her music has in years. They begin with "Black Hearted Love," the equivalent of Dance Hall at Louse Point's "This Was My Veil" -- that is, the album's most accessible moment: guitar-heavy yet sleek, its riffs full of pregnant pauses as Harvey hones in on the one she wants, the song's sinister romance initially seems dangerously close to melodrama ("When you call out my name in rapture/I volunteer my soul for murder"), but she sings "you are my black-hearted love" so tenderly and knowingly that it transcends cliché.
This immediacy just makes the swift twists and turns the rest of A Woman a Man Walked By takes even more striking. The wildly jangling acoustic guitar and breathless vocals of the following track, "Sixteen Fifteen Fourteen," make that clear right away, but despite its nervy intensity, the song -- and the rest of the album -- is remarkably direct. Similarly, Harvey's character studies are just as vivid as other artists' really real, from-the-soul lyrics, and she embodies them just as completely: on "The Soldier," she sings of "walking on the faces of dead women" with haunted fragility; on "Daniel," she's a mother so devastated by loss that she can only mention it by name at the last possible moment. A Woman a Man Walked By also boasts songs that rank among Harvey's most intimate and seemingly confessional. From its shimmering guitar and mournful flute to its carefully observed words ("you slept facing the wall"), "Passionless, Pointless" captures a dying romance with dreamy desolation, while "Cracks in the Canvas" closes the album with the beautifully simple yet open-ended admission "I'm looking for an answer, me and a million others."
Best of all, though, are A Woman a Man Walked By's furious -- and surprisingly hilarious -- moments, which leave conventional notions about sex and sexuality trampled in their wake. The first part of "A Woman a Man Walked By/The Crow Knows Where All the Little Children Go" finds Harvey deriding and lusting after a "woman man" with "lily-livered little parts," switching between a guttural snarl and fey soprano as she tears him to pieces (the second, instrumental part is Parish's only solo credit on the album, a riot of pianos and twitchy percussion that's nearly as wound-up as what came before it). "Pig Will Not" is even rawer, mixing Rid of Me-like firepower with a wicked sense of humor and feral barking with lines like "true love is what we're doing now." Even the far quieter "Leaving California" reveals a surprising amount of mischief, invoking some of White Chalk's mist and gloom for its ironic kiss-off to the Golden State. Despite the album's many dark and evocative moments, there's a playfulness and liberated spirit underlying A Woman a Man Walked By. Parish and Harvey's idea of fun might be very different than that of many other artists, but hearing them cover so much musical and emotional territory is often exhilarating.
© Heather Phares /TiVo
Acerca del álbum
- 1 disco(s) - 10 pista(s)
- Duración total: 00:37:26
- Artistas principales: PJ Harvey John Parish
- Compositor: Various Composers
- Sello: Universal-Island Records Ltd.
- Género Pop/Rock Rock Alternativa & Indie
© 2009 Universal Island Records Ltd. A Universal Music Company. ℗ 2009 Universal Island Records Ltd. A Universal Music Company.
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.