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The Armed|ULTRAPOP: Live at the Masonic

ULTRAPOP: Live at the Masonic

The Armed

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Since emerging in 2009, the Armed have released three innovative and often impenetrable albums that show little interest in adhering to the traditional punk rock idiom. The band's recalcitrant nature -- outlandish stunts, performance art pieces, and general media misdirection -- has kept them in the headlines, but they have yet to cast a line into the mainstream. True to form, Ultrapop sees the anonymous and anachronistic Detroit-based collective deliver a dizzying 12-song set that pairs glitchy and discordant soundscapes and adenoid-tearing vocals with melodies that run the gamut from apocalyptic to downright majestic. Commencing with the lush title cut, which falls somewhere between the nightmarish AI-metal of Poppy, the narcotic dream pop of Mercury Rev, and the genre-less outflow of the group's closest stylistic contemporary, Fucked Up, Ultrapop gets down to business with haste. The band cycles through genres like they're being chased by death itself, leaving in their wake a street strewn with the remnants of noise-rock, hardcore, garage punk, electronicore, pop, and post-punk. The kinetic "All Futures" and "Masunaga Vapors" mirror the unpredictable urban punk emissions of Scotland's Young Fathers, while the knotty "Big Shell" and "Real Folk Blues" evoke the socio-political art-punk of Crass. That being said, those comparisons are merely touchstones, as the Armed's particular brand of maximalist experimental pop feels vital and rooted in the current zeitgeist. Aptly named, Ultrapop administers a constant barrage of sonic information that shows no delineation between discomfort, reassurance, pain, or pleasure.
© James Christopher Monger /TiVo

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ULTRAPOP: Live at the Masonic

The Armed

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1
OFF JUPITER (Dan Greene's Theme)
00:01:52

Ben Chisholm, Composer, Writer - The Armed, MainArtist - Dan Greene, Composer, Writer - Anthony Wolski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

2
ULTRAPOP (Live)
00:02:50

Ben Chisholm, Composer, Writer - The Armed, MainArtist - Dan Greene, Composer, Writer - Urian Hackney, Composer, Writer - Randall Kupfer, Composer, Writer - Anthony Wolski, Composer, Writer - Kenneth Szymanski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

3
TWIIN ASCENSION (Live)
00:00:46

Ben Chisholm, Composer, Writer - The Armed, MainArtist - Dan Greene, Composer, Writer - Anthony Wolski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

4
ALL FUTURES (Live) Explicit
00:03:05

Ben Chisholm, Composer, Writer - The Armed, MainArtist - Dan Greene, Composer, Writer - Urian Hackney, Composer, Writer - Randall Kupfer, Composer, Writer - Anthony Wolski, Composer, Writer - Kenneth Szymanski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

5
MASUNAGA VAPORS (Live)
00:02:34

Ben Chisholm, Composer, Writer - The Armed, MainArtist - Dan Greene, Composer, Writer - Urian Hackney, Composer, Writer - Randall Kupfer, Composer, Writer - Anthony Wolski, Composer, Writer - Kenneth Szymanski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

6
AN ITERATION (Live)
00:03:03

Ben Chisholm, Composer, Writer - The Armed, MainArtist - Dan Greene, Composer, Writer - Urian Hackney, Composer, Writer - Randall Kupfer, Composer, Writer - Anthony Wolski, Composer, Writer - Kenneth Szymanski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

7
AVERAGE DEATH (Live)
00:04:22

Ben Chisholm, Composer, Writer - The Armed, MainArtist - Dan Greene, Composer, Writer - Urian Hackney, Composer, Writer - Randall Kupfer, Composer, Writer - Anthony Wolski, Composer, Writer - Kenneth Szymanski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

8
MOTHER (Gold Jade's Theme)
00:01:47

Ben Chisholm, Composer, Writer - The Armed, MainArtist - Dan Greene, Composer, Writer - Anthony Wolski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

9
NIGHT CITY ALIENS (Live)
00:03:07

The Armed, MainArtist - Dan Greene, Composer, Writer - Randall Kupfer, Composer, Writer - Anthony Wolski, Composer, Writer - Kenneth Szymanski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

10
FORTUNE'S DAUGHTER (Live)
00:03:14

Ben Koller, Composer, Writer - The Armed, MainArtist - Dan Greene, Composer, Writer - Randall Kupfer, Composer, Writer - Anthony Wolski, Composer, Writer - Kenneth Szymanski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

11
WHERE MAN KNOWS WANT (Live)
00:02:57

Ben Chisholm, Composer, Writer - The Armed, MainArtist - Dan Greene, Composer, Writer - Urian Hackney, Composer, Writer - Randall Kupfer, Composer, Writer - Anthony Wolski, Composer, Writer - Kenneth Szymanski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

12
AT THE MOMENT OF BEING HEARD
00:02:30

Ben Chisholm, Composer, Writer - The Armed, MainArtist - Dan Greene, Composer, Writer - Anthony Wolski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

13
ON JUPITER (Live)
00:05:52

Ben Koller, Composer, Writer - The Armed, MainArtist - Dan Greene, Composer, Writer - Randall Kupfer, Composer, Writer - Anthony Wolski, Composer, Writer - Kenneth Szymanski, Composer, Writer

© 2022 Sargent House ℗ 2022 Sargent House

Album review

Since emerging in 2009, the Armed have released three innovative and often impenetrable albums that show little interest in adhering to the traditional punk rock idiom. The band's recalcitrant nature -- outlandish stunts, performance art pieces, and general media misdirection -- has kept them in the headlines, but they have yet to cast a line into the mainstream. True to form, Ultrapop sees the anonymous and anachronistic Detroit-based collective deliver a dizzying 12-song set that pairs glitchy and discordant soundscapes and adenoid-tearing vocals with melodies that run the gamut from apocalyptic to downright majestic. Commencing with the lush title cut, which falls somewhere between the nightmarish AI-metal of Poppy, the narcotic dream pop of Mercury Rev, and the genre-less outflow of the group's closest stylistic contemporary, Fucked Up, Ultrapop gets down to business with haste. The band cycles through genres like they're being chased by death itself, leaving in their wake a street strewn with the remnants of noise-rock, hardcore, garage punk, electronicore, pop, and post-punk. The kinetic "All Futures" and "Masunaga Vapors" mirror the unpredictable urban punk emissions of Scotland's Young Fathers, while the knotty "Big Shell" and "Real Folk Blues" evoke the socio-political art-punk of Crass. That being said, those comparisons are merely touchstones, as the Armed's particular brand of maximalist experimental pop feels vital and rooted in the current zeitgeist. Aptly named, Ultrapop administers a constant barrage of sonic information that shows no delineation between discomfort, reassurance, pain, or pleasure.
© James Christopher Monger /TiVo

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