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Ólafur Arnalds|Living Room Songs

Living Room Songs

Ólafur Arnalds

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Living Room Songs

Ólafur Arnalds

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1
Fyrsta
00:04:16

Ólafur Arnalds, Composer, MainArtist

2011 Erased Tapes Records Ltd. 2011 Erased Tapes Records Ltd.

2
Near Light
00:03:28

Ólafur Arnalds, Composer, MainArtist

2011 Erased Tapes Records Ltd. 2011 Erased Tapes Records Ltd.

3
Film Credits
00:03:24

Ólafur Arnalds, Composer, MainArtist

2011 Erased Tapes Records Ltd. 2011 Erased Tapes Records Ltd.

4
Tomorrow's Song
00:03:07

Ólafur Arnalds, Composer, MainArtist

2011 Erased Tapes Records Ltd. 2011 Erased Tapes Records Ltd.

5
Ágúst
00:03:06

Ólafur Arnalds, Composer, MainArtist

2011 Erased Tapes Records Ltd. 2011 Erased Tapes Records Ltd.

6
Lag Fyrir Ömmu
00:03:32

Ólafur Arnalds, Composer, MainArtist

2011 Erased Tapes Records Ltd. 2011 Erased Tapes Records Ltd.

7
This Place Is a Shelter
00:02:18

Ólafur Arnalds, Composer, MainArtist

2011 Erased Tapes Records Ltd. 2011 Erased Tapes Records Ltd.

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Erased Tapes, a Not-so-classic Label

Since its birth in 2007, Erased Tapes has made a name for itself as one of the most innovative labels of the last 15 years and enjoyed great commercial success. Although some fail to see past its neoclassical shopfront (Nils Frahm, Ólafur Arnalds), the London-based label explores the outer limits of ambient, electronica and experimental with a catalogue that's smoothly curated by the German Robert Raths. Qobuz takes a closer look.

Neoclassicism: The New World Between Classical Music and Electro

Ólafur Arnalds, Nils Frahm, Max Richter, Poppy Ackroyd, Peter Broderick, Joana Gama... In recent years, these popular names have all been grouped under the vast and imprecise label "neoclassical". In truth, this "scene" looks more like a motley crew of curious artists who mix classical instruments with electronic production. Drawing influence from American minimalism, these musicians tantalise the senses and expand horizons on both sides of the musical spectrum.

Nils Frahm, an Atypical Piano Master

Hailed by critics of classical music as well as amateurs of the electronic genre, Nils Frahm’s talent has brought harmony between the two worlds for the last ten years. Whether he plays on a church organ or a synthesiser fitted with effect pedals, the German pianist is always looking forward, and that’s what makes him so appealing.

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