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Marvin Gaye|Let's Get It On

Let's Get It On

Marvin Gaye

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After brilliantly surveying the social, political, and spiritual landscape with What's Going On, Marvin Gaye turned to more intimate matters with Let's Get It On, a record unparalleled in its sheer sensuality and carnal energy. Always a sexually charged performer, Gaye's passions reach their boiling point on tracks like the magnificent title hit (a number one smash) and "You Sure Love to Ball"; silky and shimmering, the music is seductive in the most literal sense, its fluid grooves so perfectly designed for romance as to border on parody. With each performance laced with innuendo, each lyric a come-on, and each rhythm throbbing with lust, perhaps no other record has ever achieved the kind of sheer erotic force of Let's Get It On, and it remains the blueprint for all of the slow jams to follow decades later -- much copied, but never imitated.

© Jason Ankeny /TiVo

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Let's Get It On

Marvin Gaye

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1
Let's Get It On
00:04:52

Cal Harris, Mix Engineer, StudioPersonnel - Marvin Gaye, Producer, MainArtist, ComposerLyricist - Ed Townsend, Producer - Edward Townsend, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - William McMeekin, Recording Engineer, StudioPersonnel

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

2
Please Don’t Stay (Once You Go Away)
00:03:29

Cal Harris, Recording Engineer, Mix Engineer, StudioPersonnel - Marvin Gaye, Producer, MainArtist, ComposerLyricist - Ed Townsend, Producer, ComposerLyricist - Art Stewart, Mix Engineer, StudioPersonnel

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

3
If I Should Die Tonight
00:04:01

Cal Harris, Mix Engineer, StudioPersonnel - Marvin Gaye, Producer, MainArtist, ComposerLyricist - Ed Townsend, Producer, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - William McMeekin, Recording Engineer, StudioPersonnel

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

4
Keep Gettin' It On
00:03:13

Cal Harris, Mix Engineer, StudioPersonnel - Marvin Gaye, Producer, MainArtist, ComposerLyricist - Ed Townsend, Producer, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - William McMeekin, Recording Engineer, StudioPersonnel

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

5
Come Get To This
00:02:42

Cal Harris, Recording Engineer, Mix Engineer, StudioPersonnel - Steve Smith, Recording Engineer, StudioPersonnel - Marvin Gaye, Producer, MainArtist, ComposerLyricist - Art Stewart, Mix Engineer, StudioPersonnel

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

6
Distant Lover
00:04:16

Gwen Gordy Fuqua, ComposerLyricist - Cal Harris, Recording Engineer, Mix Engineer, StudioPersonnel - Steve Smith, Recording Engineer, StudioPersonnel - Marvin Gaye, Producer, MainArtist, ComposerLyricist - Sandra Elaine Greene, ComposerLyricist - Art Stewart, Mix Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, StudioPersonnel

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

7
You Sure Love To Ball
00:04:45

Cal Harris, Recording Engineer, Mix Engineer, StudioPersonnel - Marvin Gaye, Producer, MainArtist, ComposerLyricist - Art Stewart, Mix Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, StudioPersonnel

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

8
Just To Keep You Satisfied
00:04:26

Anna Gordy Gaye, ComposerLyricist - Elgie Stover, ComposerLyricist - Cal Harris, Recording Engineer, Mix Engineer, StudioPersonnel - Steve Smith, Recording Engineer, StudioPersonnel - Marvin Gaye, Producer, MainArtist, ComposerLyricist - Art Stewart, Mix Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, StudioPersonnel

℗ 2003 Motown Records, a Division of UMG Recordings, Inc.

Album review

After brilliantly surveying the social, political, and spiritual landscape with What's Going On, Marvin Gaye turned to more intimate matters with Let's Get It On, a record unparalleled in its sheer sensuality and carnal energy. Always a sexually charged performer, Gaye's passions reach their boiling point on tracks like the magnificent title hit (a number one smash) and "You Sure Love to Ball"; silky and shimmering, the music is seductive in the most literal sense, its fluid grooves so perfectly designed for romance as to border on parody. With each performance laced with innuendo, each lyric a come-on, and each rhythm throbbing with lust, perhaps no other record has ever achieved the kind of sheer erotic force of Let's Get It On, and it remains the blueprint for all of the slow jams to follow decades later -- much copied, but never imitated.

© Jason Ankeny /TiVo

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