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Leila Schayegh|Leclair : Violin Concertos

Leclair : Violin Concertos

Leila Schayegh - La Cetra Barockorchester Basel

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With a quartet of violin concertos by Jean-Marie Leclair, Leila Schayegh continues her exploration of the instrument’s repertory, combining musical insight, virtuosic brilliance and historical understanding. Leclair, who grew up in Lyon and studied in Turin before moving to Paris (he held a short-lived official post at Louis XV’s court in the 1730s) produced solo sonatas (and duos) as well as his acclaimed concertos. In her booklet notes, Leila Schayegh, who currently teaches Baroque violin at the Schola Cantorum Basiliensis, comments on how Leclair – an outstanding violinist himself – was in thrall to the Italian instrumental style but was concerned that his music should not be played too fast; he was praised for his “netteté”, a combination of impeccable technique and musical perfection.
This first volume in Schayegh’s projected series of recordings of the Leclair violin concertos embraces the Nos. 2 and 6 works from the two six-concerto series of Opp 7 and 10. The G minor concerto, Op. 10 No. 6, is frequently cited as being the highpoint of Leclair’s output. For this dazzling new exhibition of the Swiss violinist’s art, Schayegh – who plays a late-seventeenth-century Andrea Guarneri instrument – directs Basel’s La Cetra Barockorchester, which features Eva Saladin as its “konzertmeisterin” and Sonoko Asabuki as a further principal violinist (Leclair’s concertos often called for up to three soloists). © Glossa

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Leclair : Violin Concertos

Leila Schayegh

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Violin Concerto No. 6 in A Major, Op. 70 (Jean-Marie Leclair)

1
I. Allegro ma non presto
00:09:19

Leila Schayegh, Violin - La Cetra Barockorchester Basel - Jean-Marie Leclair, Composer

(C) 2019 Glossa (P) 2019 Glossa

2
II. Aria. Grazioso non troppo adagio
00:05:09

Leila Schayegh, Violin - La Cetra Barockorchester Basel - Jean-Marie Leclair, Composer

(C) 2019 Glossa (P) 2019 Glossa

3
III. Giga. Allegro
00:05:03

Leila Schayegh, Violin - La Cetra Barockorchester Basel - Jean-Marie Leclair, Composer

(C) 2019 Glossa (P) 2019 Glossa

Violin Concerto No. 2 in D Major, Op. 7 (Jean-Marie Leclair)

4
I. Adagio - Allegro ma non troppo
00:06:55

Leila Schayegh, Violin - La Cetra Barockorchester Basel - Jean-Marie Leclair, Composer

(C) 2019 Glossa (P) 2019 Glossa

5
II. Adagio
00:04:24

Leila Schayegh, Violin - La Cetra Barockorchester Basel - Jean-Marie Leclair, Composer

(C) 2019 Glossa (P) 2019 Glossa

6
III. Allegro
00:05:41

Leila Schayegh, Violin - La Cetra Barockorchester Basel - Jean-Marie Leclair, Composer

(C) 2019 Glossa (P) 2019 Glossa

Violin Concerto No. 2 in A Major, Op. 10 (Jean-Marie Leclair)

7
I. Allegro ma non troppo
00:05:16

Leila Schayegh, Violin - La Cetra Barockorchester Basel - Jean-Marie Leclair, Composer

(C) 2019 Glossa (P) 2019 Glossa

8
II. Adagio
00:05:09

Leila Schayegh, Violin - La Cetra Barockorchester Basel - Jean-Marie Leclair, Composer

(C) 2019 Glossa (P) 2019 Glossa

9
III. Allegro ma non troppo
00:04:37

Leila Schayegh, Violin - La Cetra Barockorchester Basel - Jean-Marie Leclair, Composer

(C) 2019 Glossa (P) 2019 Glossa

Violin Concerto No. 6 in G Minor, Op. 10 (Jean-Marie Leclair)

10
I. Allegro ma poco
00:07:48

Leila Schayegh, Violin - La Cetra Barockorchester Basel - Jean-Marie Leclair, Composer

(C) 2019 Glossa (P) 2019 Glossa

11
II. Aria gratioso. Andante
00:02:33

Leila Schayegh, Violin - La Cetra Barockorchester Basel - Jean-Marie Leclair, Composer

(C) 2019 Glossa (P) 2019 Glossa

12
III. Allegro
00:06:20

Leila Schayegh, Violin - La Cetra Barockorchester Basel - Jean-Marie Leclair, Composer

(C) 2019 Glossa (P) 2019 Glossa

Album Description

With a quartet of violin concertos by Jean-Marie Leclair, Leila Schayegh continues her exploration of the instrument’s repertory, combining musical insight, virtuosic brilliance and historical understanding. Leclair, who grew up in Lyon and studied in Turin before moving to Paris (he held a short-lived official post at Louis XV’s court in the 1730s) produced solo sonatas (and duos) as well as his acclaimed concertos. In her booklet notes, Leila Schayegh, who currently teaches Baroque violin at the Schola Cantorum Basiliensis, comments on how Leclair – an outstanding violinist himself – was in thrall to the Italian instrumental style but was concerned that his music should not be played too fast; he was praised for his “netteté”, a combination of impeccable technique and musical perfection.
This first volume in Schayegh’s projected series of recordings of the Leclair violin concertos embraces the Nos. 2 and 6 works from the two six-concerto series of Opp 7 and 10. The G minor concerto, Op. 10 No. 6, is frequently cited as being the highpoint of Leclair’s output. For this dazzling new exhibition of the Swiss violinist’s art, Schayegh – who plays a late-seventeenth-century Andrea Guarneri instrument – directs Basel’s La Cetra Barockorchester, which features Eva Saladin as its “konzertmeisterin” and Sonoko Asabuki as a further principal violinist (Leclair’s concertos often called for up to three soloists). © Glossa

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