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Anastasia Kobekina|Ellipses

Ellipses

Anastasia Kobekina, Vincent Boccadoro, Emmanuel Arakélian, Thibault Cauvin, Tristan Pereira

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Anastasia Kobekina suggests the history of the cello through ellipses, jumps in time between pieces from the 18th century, among the very first written for this instrument alone (Boccherini, Fesch, Galliard), and others from our time (Thierry Escaich, Jules Matton) which draw their writing processes and their sound palettes from the ancient repertoire. Whether it is a question of nostalgia, sometimes ironic, of homage or of intellectual and artistic transmission between composers, the compositions for cello are never born ex-nihilo. By returning to the sources of the Baroque era, composers write the present and the future of the cello. Anastasia Kobekina blurs the boundaries by building indescribable bridges between their so diverse writings. © Mirare

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Ellipses

Anastasia Kobekina

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1
Fandango per violoncello solo
00:04:51

Giovanni Sollima, Composer - Anastasia Kobekina, Cello, MainArtist

2022 Mirare 2022 Mirare

2
Sonata for Cello and Piano
00:11:39

Claude Debussy, Composer - Anastasia Kobekina, Cello, MainArtist - Vincent Boccadoro, Piano, MainArtist

2022 Mirare 2022 Mirare

3
Bachianas Brasileiras: No. 5, Aria for Cello and Guitar
00:05:11

Heitor Villa-Lobos, Composer - Thibault Cauvin, Guitar, MainArtist - Anastasia Kobekina, Cello, MainArtist

2022 Mirare 2022 Mirare

4
Sicilienne pour violoncelle baroque et clavecin
00:01:30

Willem de Fesch, Composer - Anastasia Kobekina, Cello, MainArtist - Emmanuel Arakélian, Harpsichord, MainArtist

2022 Mirare 2022 Mirare

5
Sicilienne, Op. 78 for Cello and Piano
00:03:41

Gabriel Fauré, Composer - Anastasia Kobekina, Cello, MainArtist - Vincent Boccadoro, Piano, MainArtist

2022 Mirare 2022 Mirare

6
Sicilienne (Transcribed for Cello & Piano)
00:02:51

Maria Theresia von Paradis, Composer - Anastasia Kobekina, Cello, MainArtist - Vincent Boccadoro, Piano, MainArtist

2022 Mirare 2022 Mirare

7
Sicilienne for Bassoon or Violoncello
00:01:28

Anastasia Kobekina, Cello, MainArtist - Emmanuel Arakélian, Harpsichord, MainArtist - Johann Ernst Gaillard, Composer

2022 Mirare 2022 Mirare

8
Les Folies d'Espagne (Transcribed for Cello & Harpsichord)
00:06:50

Marin Marais, Composer - Anastasia Kobekina, Cello, MainArtist - Emmanuel Arakélian, Harpsichord, MainArtist

2022 Mirare 2022 Mirare

9
La Follia pour violoncelle solo
00:05:40

Anastasia Kobekina, Cello, MainArtist - Thierry Eschaich, Composer

2022 Mirare 2022 Mirare

10
Détail pour violoncelle baroque et clavecin
00:03:40

Anastasia Kobekina, Cello, MainArtist - Jules Matton, Composer - Emmanuel Arakélian, Harpsichord, MainArtist

2022 Mirare 2022 Mirare

11
Gallardo pour violoncelle et tambourin
00:02:44

Vladimir Kobekin, Composer - Anastasia Kobekina, Cello, MainArtist - Tristan Pereira, Percussion, MainArtist

2022 Mirare 2022 Mirare

Album review

Anastasia Kobekina suggests the history of the cello through ellipses, jumps in time between pieces from the 18th century, among the very first written for this instrument alone (Boccherini, Fesch, Galliard), and others from our time (Thierry Escaich, Jules Matton) which draw their writing processes and their sound palettes from the ancient repertoire. Whether it is a question of nostalgia, sometimes ironic, of homage or of intellectual and artistic transmission between composers, the compositions for cello are never born ex-nihilo. By returning to the sources of the Baroque era, composers write the present and the future of the cello. Anastasia Kobekina blurs the boundaries by building indescribable bridges between their so diverse writings. © Mirare

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