Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Craig Taborn's third ECM album, 2017's Daylight Ghosts, is a sophisticated quartet date that finds the pianist deftly balancing his exploratory, classical-influenced jazz with subtle electronics, avant-garde flourishes, and a robust group aesthetic. The album follows Taborn's previous ECM release, the 2013 trio effort Chants, as well as his 2016 project for John Zorn's Tzadik Records, Flaga: The Book of Angels, Vol. 27. As with those productions, Daylight Ghosts showcases many of Taborn's aesthetic interests, from free-leaning group improvisations to ruminative chamber pieces and languid soundscapes. Helping to flesh out Taborn's musical expeditions are the equally gifted talents of saxophonist/clarinetist Chris Speed, bassist Chris Lightcap, and drummer/percussionist Dave King. In many ways, the group works as a kind of modern creative supergroup given the presence of Speed, a Brooklyn creative jazz veteran and member of many ensembles including the Claudia Quintet; Lightcap, a longtime Taborn and Matt Wilson associate; and King, one-third of the maverick piano trio the Bad Plus. Together, they play with a deep sensitivity, backing the lead soloist one minute and interjecting a flurry of asides the next. It's a vibe Taborn exploits nicely on cuts like the angular "The Shining One" and the buoyantly fractured, Afro-Latinesque "New Glory." Often, Speed and Taborn play the melody line in unison for a time before diving off to swim freely under waves of King's skittering percussion and Lightcap's inquisitive basslines. It's a tactile sound that brings to mind the kinetic movements of a modern dance troupe performing to an Ornette Coleman tune. Conversely, on "The Great Silence" and his sorrowful reading of Roscoe Mitchell's "Jamaican Farewell," Taborn takes a more drawn-out and cinematic approach, framing Speed's mournful clarinet with delicate, bell-like piano accents. Similarly, "Subtle Living Equations" begins with a series of measured, harmonically rich chords, only to give way to an unmoored ending section in which Taborn drops sparkling shards of piano glass onto King's raw-nerve drumming. Elsewhere, he draws upon late-'60s McCoy Tyner on the title track and evokes an inspired combination of Kraftwerk's analog robot music and the '70s space jazz of Detroit artists like Phil Ranelin and Marcus Belgrave on "Phantom Ratio." At turns unsettling and haunting, yet rife with a brightly dynamic lyricism, Daylight Ghosts is an endlessly compelling, deeply imagistic album packed with Taborn's inspired musical juxtapositions.
© Matt Collar /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From kr124,99/month
Dave King, Drums, AssociatedPerformer - Chris Speed, Saxophone, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Craig Taborn, Composer, Piano, MainArtist, AssociatedPerformer - Chris Lightcap, Double Bass, AssociatedPerformer
℗ 2017 ECM Records GmbH
Dave King, Drums, AssociatedPerformer - Chris Speed, Saxophone, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Craig Taborn, Composer, Piano, MainArtist, AssociatedPerformer - Chris Lightcap, Double Bass, AssociatedPerformer
℗ 2017 ECM Records GmbH
Dave King, Drums, AssociatedPerformer - Chris Speed, Saxophone, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Craig Taborn, Composer, Piano, MainArtist, AssociatedPerformer - Chris Lightcap, Double Bass, AssociatedPerformer
℗ 2017 ECM Records GmbH
Dave King, Drums, AssociatedPerformer - Chris Speed, Saxophone, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Craig Taborn, Composer, Piano, MainArtist, AssociatedPerformer - Chris Lightcap, Double Bass, AssociatedPerformer
℗ 2017 ECM Records GmbH
Dave King, Drums, AssociatedPerformer - Chris Speed, Saxophone, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Craig Taborn, Composer, Piano, MainArtist, AssociatedPerformer - Chris Lightcap, Double Bass, AssociatedPerformer
℗ 2017 ECM Records GmbH
Dave King, Drums, AssociatedPerformer - Chris Speed, Saxophone, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Craig Taborn, Composer, Piano, MainArtist, AssociatedPerformer - Chris Lightcap, Double Bass, AssociatedPerformer
℗ 2017 ECM Records GmbH
Dave King, Drums, AssociatedPerformer - Roscoe Mitchell, Composer - Chris Speed, Saxophone, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Craig Taborn, Piano, MainArtist, AssociatedPerformer - Chris Lightcap, Double Bass, AssociatedPerformer
℗ 2017 ECM Records GmbH
Dave King, Drums, AssociatedPerformer - Chris Speed, Saxophone, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Craig Taborn, Composer, Piano, MainArtist, AssociatedPerformer - Chris Lightcap, Double Bass, AssociatedPerformer
℗ 2017 ECM Records GmbH
Dave King, Drums, AssociatedPerformer - Chris Speed, Saxophone, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Craig Taborn, Composer, Piano, MainArtist, AssociatedPerformer - Chris Lightcap, Double Bass, AssociatedPerformer
℗ 2017 ECM Records GmbH
Album review
Craig Taborn's third ECM album, 2017's Daylight Ghosts, is a sophisticated quartet date that finds the pianist deftly balancing his exploratory, classical-influenced jazz with subtle electronics, avant-garde flourishes, and a robust group aesthetic. The album follows Taborn's previous ECM release, the 2013 trio effort Chants, as well as his 2016 project for John Zorn's Tzadik Records, Flaga: The Book of Angels, Vol. 27. As with those productions, Daylight Ghosts showcases many of Taborn's aesthetic interests, from free-leaning group improvisations to ruminative chamber pieces and languid soundscapes. Helping to flesh out Taborn's musical expeditions are the equally gifted talents of saxophonist/clarinetist Chris Speed, bassist Chris Lightcap, and drummer/percussionist Dave King. In many ways, the group works as a kind of modern creative supergroup given the presence of Speed, a Brooklyn creative jazz veteran and member of many ensembles including the Claudia Quintet; Lightcap, a longtime Taborn and Matt Wilson associate; and King, one-third of the maverick piano trio the Bad Plus. Together, they play with a deep sensitivity, backing the lead soloist one minute and interjecting a flurry of asides the next. It's a vibe Taborn exploits nicely on cuts like the angular "The Shining One" and the buoyantly fractured, Afro-Latinesque "New Glory." Often, Speed and Taborn play the melody line in unison for a time before diving off to swim freely under waves of King's skittering percussion and Lightcap's inquisitive basslines. It's a tactile sound that brings to mind the kinetic movements of a modern dance troupe performing to an Ornette Coleman tune. Conversely, on "The Great Silence" and his sorrowful reading of Roscoe Mitchell's "Jamaican Farewell," Taborn takes a more drawn-out and cinematic approach, framing Speed's mournful clarinet with delicate, bell-like piano accents. Similarly, "Subtle Living Equations" begins with a series of measured, harmonically rich chords, only to give way to an unmoored ending section in which Taborn drops sparkling shards of piano glass onto King's raw-nerve drumming. Elsewhere, he draws upon late-'60s McCoy Tyner on the title track and evokes an inspired combination of Kraftwerk's analog robot music and the '70s space jazz of Detroit artists like Phil Ranelin and Marcus Belgrave on "Phantom Ratio." At turns unsettling and haunting, yet rife with a brightly dynamic lyricism, Daylight Ghosts is an endlessly compelling, deeply imagistic album packed with Taborn's inspired musical juxtapositions.
© Matt Collar /TiVo
About the album
- 1 disc(s) - 9 track(s)
- Total length: 00:54:46
- 1 Digital booklet
- Main artists: Craig Taborn
- Composer: Various Composers
- Label: ECM Records
- Genre: Jazz
© 2017 ECM Records GmbH ℗ 2017 ECM Records GmbH
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.