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CD14,99 €

Original Soundtrack - Erschienen am 7. September 1990 | Warner Records

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CD12,49 €

Alternativ und Indie - Erschienen am 13. Mai 2016 | Communion Music

On their third LP, Down in Heaven, Twin Peaks hang on to their rough-and-raw disposition while drawing sonic inspiration from favorite albums of 1968, including, per press materials, works by the Rolling Stones, the Kinks, and the Beatles. Bolstered throughout the album by the addition of Wild Onion co-producer Colin Croom to the lineup on keyboards (notably organ), the era, if not a specific year, is resurrected from the moment the needle hits vinyl with the sassy, T. Rex-grooving opener "Walk to the One You Love." Parts of the record capture the more reflective tone associated with the late '60s, such as the regretful, even-tempered "Holding Roses" and the brass-embellished "Lolisa," which could almost pass for an unreleased, post-"Penny Lane" British Invasion demo. The most prevalent personality of the album, though, is that of loose and sexy, post-"Jumpin' Jack Flash"-period Stones. Tunes like "Keeping It Together" and "Cold Lips" offer Jagger-esque vocals similar enough to inspire bedroom-mirror impressions. Elsewhere, even slower tunes like "Wanted You" and "Stain" still flutter with restrained impulsiveness, filling spaces with guitar interjections, hooting backing vocals, and expressive percussion. The sparse yet jaunty acoustic-guitar tune "Heavenly Showers" staggers down a brick-laid alley rather than resting on a stoop ("And I woke up in my bed/And saw the books and the records and the booze/And I shook the thoughts of love from my head/And in the shower started singing a tune"). Meanwhile, treats like "Butterfly" and "Have You Ever" throw the '60s into Twin Peaks' distinct twist on contemporary garage punk. If on average more reflective and restrained -- though here these terms are all relative -- established fans will be glad to know that Down in Heaven still carries the torch of garage rock, and anyone who misses the free-spirited, clattering style of those influences has a generous 13 new tracks to enjoy. © Marcy Donelson /TiVo
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CD14,99 €

Alternativ und Indie - Erschienen am 13. September 2019 | Virgin Music UK LAS (P&D)

After establishing a reputation for raucous live shows in their hometown of Chicago, Twin Peaks quickly rose to broader indie prominence as word of their catchy, freewheeling garage punk spread. They captured that spirit on their studio and Grand Jury label debut, second album Wild Onion, in 2014. Two years later, and channeling a later version of the Stones, they offered the more reflective Down in Heaven. Another three years on, Twin Peaks make another course correction with fourth long-player Lookout Low. While the album still embraces a loose and lively temper, it presents a more mature context for that disposition as well as a tighter performance style developed from years of touring. Their first collaboration with producer Ethan Johns (Paul McCartney, Kings of Leon), Lookout Low was tracked live in the studio and favors a druggy jam-band feel with diversions into '70s roots rock. While this turn may alienate some fans of the unbridled quality of their origins, others will be taken with how well they do this, too. The album returns the five-piece lineup of Down in Heaven alongside guests including Ohmme, who overdubbed backing vocals on more than half the tracks. Horn arrangements were handled by Colin Croom, who joined the group after co-producing Wild Onion. He takes the lead on "Ferry Song," a horn-reinforced, Skynyrd-esque track inspired by daily ferry commutes during a stay in New Orleans. The easygoing funk of "Dance Through It," which served as the album's lead single, is delivered by guitarist Cadien James, while bassist Jack Dolan offers "Unfamiliar Sun," a rare melancholy entry. Elsewhere, the bright, serrated tones of Clay Frankel appear on songs including "Lookout Low," the cigarette-lighter anthem "Under a Smile," and the partly improvised "Oh Mama," the best example of "old-school" Twin Peaks on the record. Strong hooks abound on a true collaborative effort that officially passes the mantle to trad rock. © Marcy Donelson /TiVo
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CD9,99 €

Alternativ und Indie - Erschienen am 9. Februar 2018 | Fat Possum

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HI-RES3,74 €
CD2,49 €

Alternativ und Indie - Erschienen am 3. Juli 2020 | Communion Records

Hi-Res
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CD8,99 €

Alternativ und Indie - Erschienen am 9. Februar 2015 | Communion Records

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CD2,29 €

R&B - Erschienen am 6. Juni 2017 | Rhino

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CD2,29 €

Original Soundtrack - Erschienen am 22. Mai 2017 | Rhino

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CD7,99 €

Keltische Musik - Erschienen am 23. Juni 2015 | SNG

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CD1,99 €

Alternativ und Indie - Erschienen am 11. September 2019 | Virgin Music UK LAS (P&D)

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CD9,99 €

Rock - Erschienen am 3. Mai 2015 | Independent

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CD2,49 €

Alternativ und Indie - Erschienen am 4. Oktober 2017 | Grand Jury (RED)

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CD1,69 €

Alternativ und Indie - Erschienen am 15. Januar 2020 | Communion Records

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CD2,49 €

Alternativ und Indie - Erschienen am 6. September 2017 | Grand Jury (RED)

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CD9,99 €

Alternativ und Indie - Erschienen am 20. Juli 2012 | Independent

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CD9,99 €

Alternativ und Indie - Erschienen am 6. Dezember 2017 | Grand Jury (RED)

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CD8,39 €

Alternativ und Indie - Erschienen am 22. Mai 2020 | Twin Peaks Dudes LLC

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CD9,99 €

Rock - Erschienen am 4. Januar 2013 | Twin Peaks

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CD2,49 €

Alternativ und Indie - Erschienen am 2. August 2017 | Grand Jury (RED)

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CD4,59 €

Verschiedenes - Erschienen am 27. Dezember 2013 | All Over It Records