Huey Lewis And The News
Huey Lewis & the News were a bar band that made good. With their simple, straightforward rock & roll, the San Francisco-based group became one of America's most popular pop/rock bands of the mid-'80s. Inspired equally by British pub rock and '60s R&B and rock & roll, the News had a driving, party-hearty spirit that made songs like "Workin' for a Livin'," "I Want a New Drug," "The Heart of Rock & Roll," "Hip to Be Square," and "The Power of Love" yuppie anthems. At its core, the group was a working band, and the bandmembers knew how to target their audience, writing odes to nine-to-five jobs and sports. As the decade progressed, Huey Lewis & the News smoothed out their sound to appeal to the aging baby boomers who adopted them, but by the beginning of the '90s, the appeal of their formula had decreased. Nevertheless, the group remained a popular concert attraction, and continued to have radio hits on adult contemporary stations. The roots of Huey Lewis & the News lay in Clover, an early-'70s country-rock band from San Francisco that featured Lewis (vocals, harmonica) and keyboardist Sean Hopper. Clover moved to England in 1976 upon the urging of Nick Lowe, who believed they could fit into the U.K.'s pub rock scene. In a short time, the group cultivated a small following. Lowe produced the group's first single, "Chicken Funk," which featured lead vocals by Lewis and, the following year, the band, minus Lewis, supported Elvis Costello on his debut album, My Aim Is True. Polygram released two Clover albums that failed to find an audience, and when their leader, John McFee, left the group to join the Doobie Brothers, the band broke up and returned to California. Before returning to the States, Lewis played harmonica on Lowe's Labour of Lust and Dave Edmunds' Repeat When Necessary, which also featured Lewis' song "Bad Is Bad." Upon their return to America, Lewis and Hopper began jamming at a Marin County bar called Uncle Charlie's, which is where they formed American Express with Mario Cipollina (bass), Johnny Colla (saxophone, guitar), and Bill Gibson (drums), who had all played in Soundhole, one of Van Morrison's backing bands in the late '70s. American Express recorded a disco version of "Theme from Exodus," calling it "Exodisco." Mercury released the single, which was ignored. In 1980, the group added lead guitarist Chris Hayes and was offered a contract by Chrysalis, who requested that the band change its name. The members chose Huey Lewis & the News and the band's eponymous debut was released later that year to little attention. Picture This, the group's second album, was released early in 1982 and the record became a hit on the strength of the Top Ten single "Do You Believe in Love," which was written by former Clover producer Robert John "Mutt" Lange. A couple other minor hits, "Hope You Love Me Like You Say You Do" and "Workin' for a Livin'" followed, and the band began building a strong following by touring heavily. Sports, the group's third album, was released in the fall of 1983 and it slowly became a multi-platinum success, thanks to touring and a series of clever, funny videos that received heavy MTV airplay. "Heart and Soul" (number eight, 1983), "I Want a New Drug" (number six, 1984), "The Heart of Rock & Roll" (number six, 1984), and "If This Is It" (number six, 1984) all became Top Ten hits, and Sports climbed to number one in 1984; it would eventually sell over seven million copies. Late in 1984, Lewis sued Ray Parker, Jr., claiming that his song "Ghostbusters" plagiarized "I Want a New Drug." The suit was settled out of court. The News had their first number one single in 1985 with "The Power of Love," taken from the soundtrack to Back to the Future. The band returned with its fourth album, Fore!, in 1986. The record sailed to number one on the strength of five Top Ten singles: "Stuck with You" (number one, 1986), "Hip to Be Square" (number three, 1986), "Jacob's Ladder" (number one, 1987), "I Know What I Like" (number nine, 1987), and "Doing It All for My Baby" (number six, 1987). Huey Lewis & the News were riding high on the charts when they decided to expand their musical reach with 1988's Small World, dipping tentatively into various American roots musics. While the record produced the Top Ten hit "Perfect World," it was a commercial disappointment after two chart-topping, multi-platinum albums, stalling at number 11 on the charts and only going platinum. The News took three years to follow up Small World with Hard at Play, which was released on their new label, EMI. Hard at Play failed to break the Top 20 and only produced one hit, "Couple Days Off." With its commercial heyday clearly passed, the group took the remainder of the '90s rather easy, touring sporadically and releasing the covers album Four Chords & Several Years Ago in 1994. The band's first release for Elektra Records, the album generated one adult contemporary radio hit, "But It's Alright," and failed to go gold. It would be over six years before the next album appeared, Plan B, which was released by Silvertone Records in 2001. A Stax Records/Memphis soul tribute album, Soulsville, appeared nine years later in 2010; it debuted at 121 on the Billboard charts. As the group prepped an album of original material, they decided to celebrate the 30th anniversary of Sports! in 2013, releasing a deluxe double-disc edition of the album and supporting the reissue with a tour and a sizeable press campaign. ~ Stephen Thomas Erlewine
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Rock - Erschienen am 1. Januar 2006 | Capitol Records
Das „Greatest Hits”-Album aus dem Jahr 2006, das übrigens besser als das 1996 erschiene „Time Flies …The Best of“ ist, bringt 21 Tracks der '80er-Jahre-Band Huey Lewis & the News auf einen Nenner. Jeder, der in den '80ern gelebt hat und sich in einem Umkreis von 50 km zu einem Radio befunden hat, wird rasch erkennen, aus welcher Zeit der Großteil der Album-Tracks stammt. Egal, ob es der Wahnsinns-Backbeat von „Heart of Rock & Roll", das sonnige, vom Doo Wop inspirierte „If This Is It" oder der wippende New-Wave-Groove von „I Want A New Drug“ ist – Lewis Markenzeichen für kommerziellen Pop sind einfach Melodien, die man hört und nicht mehr aus dem Kopf kriegt. Rockfans bezeichnen die Band zwar als zu sauber mit zu viel Fokus auf Mainstream-Pop, dieses „Greatest Hits“-Album mit seiner Fülle an Smash-Hits ist jedoch ein hervorragender Beweis für Lewis' kontinuierliche Stärke. ~ Anthony Tognazzini
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