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Lou Reed - The Bells

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The Bells

Lou Reed

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After the harrowing triumph of Street Hassle, Lou Reed's The Bells sounded like a bit of a step back; it returned Reed to the more listener-friendly, keyboard-dominated sound of Rock and Roll Heart, the lyrics lacked the caustic self-loathing of songs like "Dirt" or "I Wanna Be Black," and it even featured a four-and-a-half-minute funk workout called "Disco Mystic" (hey, this was 1979). But lyrically, The Bells found Reed moving away from the boho decadence of most of his 1970s work and toward a more compassionate perspective on his characters; "Families" and "All Through the Night" display an empathy and emotional depth Reed didn't often allow himself as a solo artist, and "Stupid Man" and "Looking for Love" rocked hard while making the loneliness of their protagonists felt. And the title cut, with Reed experimenting with a guitar synthesizer and free jazz hero Don Cherry inviting the spirit on trumpet, is both a brave exploration of musical space and a lyrically touching sketch of loss and salvation. An album that's worn well over time, The Bells gains depth with each playing and now sounds like one of Reed's finest solo efforts of the 1970s. ~ Mark Deming

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The Bells

Lou Reed

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1
Stupid Man
00:02:33

Lou Reed, Composer - Lou Reed, Lyricist - Lou Reed, Producer - Lou Reed, Performer - Michael Fonfara, Executive Producer - Nils Lofgren, Composer - Nils Lofgren, Lyricist

(P) 1979 Arista Records LLC

2
Disco Mystic
00:04:30

Michael Suchorsky, Composer - Michael Suchorsky, Lyricist - Lou Reed, Composer - Lou Reed, Lyricist - Lou Reed, Producer - Lou Reed, Vocal - Marty Fogel, Composer - Marty Fogel, Lyricist - Ellard Boles, Composer - Ellard Boles, Lyricist - Michael Fonfara, Composer - Michael Fonfara, Lyricist - Michael Fonfara, Executive Producer

(P) 1979 Arista Records LLC

3
I Want to Boogie with You
00:03:55

L. Reed, Composer - L. Reed, Lyricist - Lou Reed, Producer - Lou Reed, Performer - Michael Fonfara, Executive Producer - Michael Fonfara, Composer - Michael Fonfara, Lyricist

(P) 1979 Arista Records Inc.

4
With You
00:02:22

Lou Reed, Composer - Lou Reed, Lyricist - Lou Reed, Producer - Lou Reed, Performer - Michael Fonfara, Executive Producer - Nils Lofgren, Composer - Nils Lofgren, Lyricist

(P) 1979 Arista Records LLC

5
Looking for Love
00:03:29

L. Reed, Composer - L. Reed, Lyricist - Lou Reed, Performer - Lou Reed, Producer - Michael Fonfara, Executive Producer

(P)1979 Arista Records LLC

6
City Lights
00:03:22

Lou Reed, Composer - Lou Reed, Lyricist - Lou Reed, Producer - Lou Reed, Vocal - Michael Fonfara, Executive Producer - Nils Lofgren, Composer - Nils Lofgren, Lyricist

(P) 1979 Arista Records LLC

7
All Through the Night
00:05:01

Lou Reed, Composer - Lou Reed, Lyricist - Lou Reed, Producer - Lou Reed, Performer - Michael Fonfara, Executive Producer - Don Cherry, Composer - Don Cherry, Lyricist

(P) 1979 Arista Records LLC

8
Families
00:06:09

Lou Reed, Composer - Lou Reed, Lyricist - Lou Reed, Producer - Lou Reed, Vocal - Ellard Boles, Composer - Ellard Boles, Lyricist - Michael Fonfara, Executive Producer

(P) 1979 Arista Records LLC

9
The Bells
00:09:16

L. Reed, Composer - L. Reed, Lyricist - Lou Reed, Performer - Lou Reed, Producer - Marty Fogel, Composer - Marty Fogel, Lyricist - Michael Fonfara, Executive Producer

(P)1979 Arista Records LLC

Albumbeschreibung

After the harrowing triumph of Street Hassle, Lou Reed's The Bells sounded like a bit of a step back; it returned Reed to the more listener-friendly, keyboard-dominated sound of Rock and Roll Heart, the lyrics lacked the caustic self-loathing of songs like "Dirt" or "I Wanna Be Black," and it even featured a four-and-a-half-minute funk workout called "Disco Mystic" (hey, this was 1979). But lyrically, The Bells found Reed moving away from the boho decadence of most of his 1970s work and toward a more compassionate perspective on his characters; "Families" and "All Through the Night" display an empathy and emotional depth Reed didn't often allow himself as a solo artist, and "Stupid Man" and "Looking for Love" rocked hard while making the loneliness of their protagonists felt. And the title cut, with Reed experimenting with a guitar synthesizer and free jazz hero Don Cherry inviting the spirit on trumpet, is both a brave exploration of musical space and a lyrically touching sketch of loss and salvation. An album that's worn well over time, The Bells gains depth with each playing and now sounds like one of Reed's finest solo efforts of the 1970s. ~ Mark Deming

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