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Donald Byrd|Royal Flush (2006 Digital Remaster)

Royal Flush (2006 Digital Remaster)

Donald Byrd

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Donald Byrd was at his peak as a straight-ahead hard bop band leader in the early '60s, turning a series of remarkably solid, enjoyable sessions for Blue Note. Royal Flush is no exception to the rule. Recorded in the fall of 1961, Royal Flush finds Byrd once again working with baritionist Pepper Adams, but adding bassist Butch Warren, drummer Billy Higgins, and, most importantly, a young pianist named Herbie Hancock. For the most part, the quintet plays a set of vital hard bop, swinging hard on the bluesy groove "Hush" and laying back on the pop standard "I'm a Fool to Want You." But what's really interesting is when they begin pushing the boundaries of bop. All three of Byrd's original pieces -- "Jorgie's," "Shangri-La," "6M's" -- are harmonically complex and have subtly shifting rhythms; all three are successful, but "Shangri-La" is particularly noteworthy. Similarly, Hancock's graceful "Requiem" calls attention to its fluid melodic lines and rhythm. Throughout the date, Byrd and Adams are typically impressive, alternating between punchy, hard-hitting, and graceful solos, but Hancock is just as good, signaling early on in his career his deep, unique talent.

© Stephen Thomas Erlewine /TiVo

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Royal Flush (2006 Digital Remaster)

Donald Byrd

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1
Hush (2006 Digital Remaster)
00:06:21

Alfred Lion, Producer - Donald Byrd, Composer, MainArtist

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

2
I'm A Fool To Want You (2006 Digital Remaster)
00:06:12

HERBIE HANCOCK, Piano, AssociatedPerformer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Donald Byrd, MainArtist - Pepper Adams, Baritone Saxophone, AssociatedPerformer - Butch Warren, AssociatedPerformer, Bass (Vocal) - Frank Sinatra, Composer - Jack Wolf, Composer - Joel S Herron, Composer

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

3
Jorgie's (2006 Digital Remaster)
00:08:07

HERBIE HANCOCK, Piano, AssociatedPerformer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Donald Byrd, Composer, MainArtist - Pepper Adams, Baritone Saxophone, AssociatedPerformer - Butch Warren, AssociatedPerformer, Bass (Vocal)

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

4
Shangri-la (2006 Digital Remaster)
00:06:34

Alfred Lion, Producer - Donald Byrd, Composer, MainArtist

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

5
6 M's (2006 Digital Remaster)
00:06:27

HERBIE HANCOCK, Piano, AssociatedPerformer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Donald Byrd, Composer, MainArtist - Pepper Adams, Baritone Saxophone, AssociatedPerformer - Butch Warren, AssociatedPerformer, Bass (Vocal)

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

6
Requiem (2006 Digital Remaster)
00:07:06

HERBIE HANCOCK, Composer - Alfred Lion, Producer - Donald Byrd, MainArtist

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

Albumbeschreibung

Donald Byrd was at his peak as a straight-ahead hard bop band leader in the early '60s, turning a series of remarkably solid, enjoyable sessions for Blue Note. Royal Flush is no exception to the rule. Recorded in the fall of 1961, Royal Flush finds Byrd once again working with baritionist Pepper Adams, but adding bassist Butch Warren, drummer Billy Higgins, and, most importantly, a young pianist named Herbie Hancock. For the most part, the quintet plays a set of vital hard bop, swinging hard on the bluesy groove "Hush" and laying back on the pop standard "I'm a Fool to Want You." But what's really interesting is when they begin pushing the boundaries of bop. All three of Byrd's original pieces -- "Jorgie's," "Shangri-La," "6M's" -- are harmonically complex and have subtly shifting rhythms; all three are successful, but "Shangri-La" is particularly noteworthy. Similarly, Hancock's graceful "Requiem" calls attention to its fluid melodic lines and rhythm. Throughout the date, Byrd and Adams are typically impressive, alternating between punchy, hard-hitting, and graceful solos, but Hancock is just as good, signaling early on in his career his deep, unique talent.

© Stephen Thomas Erlewine /TiVo

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