Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Glen Wilson - Pierre Attaingnant : Harpsichord Works

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Pierre Attaingnant : Harpsichord Works

Glen Wilson

Digitales Booklet

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Wählen Sie die Audio-Qualität

Um das Album zu diesem Preis zu kaufen, abonnieren Sie Sublime+

Innovative music printer Pierre Attaingnant (c.1494-1551) published the first editions of keyboard music ever to appear in France in 1531 (Tracks 1-30). Only one copy of each of these seven tiny but crucially important volumes has survived, in which anonymous composers made arrangements of some of the most beautiful chansons, motets and dances from the reign of François I. Some pieces follow (Tracks 31-38), which are also from the 16th century French keyboard repertoire but not from the Attaingnant edition. All this keyboard music shows France at the forefront of developments in this field. Glen Wilson has corrected the countless errors in these original sources, restoring this rare and enchanting music and allowing it to shine in its original glory. © Naxos / Qobuz

Weitere Informationen

Pierre Attaingnant : Harpsichord Works

Glen Wilson

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App
Im Webplayer abspielen

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 40 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 40 Millionen weitere Titel mit unseren Streaming-Abonnements.

13 Motetz: Prélude [published by P. Attaingnant, Paris, 1531] (Anonymous)

1
Prélude 00:00:40

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Aller my fault sur la verdure (after C. Janequin) [published by P. Attaingnant, Paris, 1531] (Clement Janequin)

2
Aller my fault sur la verdure 00:01:52

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Clément Janequin, Composer

© 2019 Naxos - ℗ 2019 Naxos

J'ay contente ma volunte (after C. de Sermisy) [published by P. Attaingnant, Paris, 1531] (Claudin de Sermisy)

3
J'ay contente ma volunte 00:01:30

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Claudin de Sermisy, Composer

© 2019 Naxos - ℗ 2019 Naxos

Gaillarde No. 13 [published by P. Attaingnant, Paris, 1531] (Anonymous)

4
Gaillarde No. 13 00:01:17

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Au joli bois je rencontray m'amye (after A. Willaert) [published by P. Attaingnant, Paris, 1531] (Adrian Willaert)

5
Au joli bois je rencontray m'amye 00:01:17

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Adrian Willaert, Composer

© 2019 Naxos - ℗ 2019 Naxos

Pavane No. 23: Ballo - Gaillarde No. 24: Saltarello, "Bel fiore" [published by P. Attaingnant, Paris, 1531] (Anonymous)

6
Pavane No. 23 "Ballo" - Gaillarde No. 24, Saltarello "Bel fiore" 00:02:16

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Aupres de vous secretement demeure (after C. de Sermisy) [published by P. Attaingnant, Paris, 1531] (Claudin de Sermisy)

7
Aupres de vous secretement demeure 00:02:21

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Claudin de Sermisy, Composer

© 2019 Naxos - ℗ 2019 Naxos

Branle No. 16: Branle simple [published by P. Attaingnant, Paris, 1531] (Anonymous)

8
Branle No. 16 00:00:53

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

A mes ennuis que si longtemps je porte [published by P. Attaingnant, Paris, 1531] (Anonymous)

9
A mes ennuis que si longtemps je porte 00:02:05

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Vignon, vignette [published by P. Attaingnant, Paris, 1531] (Anonymous)

10
Vignon, vignette 00:01:05

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

D'ou vient cela (after C. de Sermisy) [published by P. Attaingnant, Paris, 1531] (Claudin de Sermisy)

11
D'ou vient cela 00:02:19

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Claudin de Sermisy, Composer

© 2019 Naxos - ℗ 2019 Naxos

Gaillarde No. 32 [published by P. Attaingnant, Paris, 1531] (Anonymous)

12
Gaillarde No. 32 00:01:23

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Celle qui m'a tant pourmene (after C. de Sermisy) [published by P. Attaingnant, Paris, 1531] (Claudin de Sermisy)

13
Celle qui m'a tant pourmene 00:02:09

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Claudin de Sermisy, Composer

© 2019 Naxos - ℗ 2019 Naxos

Branle No. 14: Branle simple [published by P. Attaingnant, Paris, 1531] (Anonymous)

14
Branle No. 14 00:00:50

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Puisqu'en deux cueurs y a vraye union [published by P. Attaingnant, Paris, 1531] (Anonymous)

15
Puisqu'en deux cueurs y a vraye union 00:01:28

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Suite: Gaillarde No. 4: Branle de Poitou - Branle commun No. 5: Branle simple - Branle gay No. 6 [published by P. Attaingnant, Paris, 1531] (Anonymous)

16
Suite: Gaillarde No. 4 - Branle commun No. 5 - Branle gay No. 6 00:01:52

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Magnificat sur les huit tons: Prélude sur chacun ton [published by P. Attaingnant, Paris, 1531] (Anonymous)

17
Magnificat sur les huit tons: Prélude sur chacun ton 00:03:37

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Ma bouche rit et mon cueur pleure (after J. Duboys) [published by P. Attaingnant, Paris, 1531] (Jehan Duboys)

18
Ma bouche rit et mon cueur pleure 00:01:42

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Jehan Duboys, Composer

© 2019 Naxos - ℗ 2019 Naxos

Pavane No. 31: Ballo - Gaillarde No. 2: Saltarello, "La Svizzera" [published by P. Attaingnant, Paris, 1531] (Anonymous)

19
Pavane No. 31 "Ballo" - Gaillarde No. 2, Saltarello "La Svizzera" 00:02:10

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Jouyssance vous donneray, mon amy (after C. de Sermisy) [published by P. Attaingnant, Paris, 1531] (Claudin de Sermisy)

20
Jouyssance vous donneray, mon amy 00:01:12

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Claudin de Sermisy, Composer

© 2019 Naxos - ℗ 2019 Naxos

13 Motetz: Aspice Domine (after J. de La Fage) [published by P. Attaingnant, Paris, 1531] (Jean de La Fage)

21
Aspice Domine 00:05:04

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Jean de La Fage, Composer

© 2019 Naxos - ℗ 2019 Naxos

Dessus le marche d'Arras (after A. Willaert) [published by P. Attaingnant, Paris, 1531] (Adrian Willaert)

22
Dessus le marche d'Arras 00:01:33

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Adrian Willaert, Composer

© 2019 Naxos - ℗ 2019 Naxos

Gaillarde No. 29 [published by P. Attaingnant, Paris, 1531] (Anonymous)

23
Gaillarde No. 29 00:01:09

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Mon cueur en vous a s'amour commence [published by P. Attaingnant, Paris, 1531] (Anonymous)

24
Mon cueur en vous a s'amour commence 00:01:49

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Gaillarde No. 11 [published by P. Attaingnant, Paris, 1531] (Anonymous)

25
Gaillarde No. 11 00:01:08

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Contre raison vous m'estes fort estrange (after C. de Sermisy) [published by P. Attaingnant, Paris, 1531] (Claudin de Sermisy)

26
Contre raison vous m'estes fort estrange 00:01:51

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Claudin de Sermisy, Composer

© 2019 Naxos - ℗ 2019 Naxos

Gaillarde No. 7: Galliard on the passamezzo antico [published by P. Attaingnant, Paris, 1531] (Anonymous)

27
Gaillarde No. 7 "On the Passamezzo Antico" 00:01:38

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Il est jour dit l'alouette (after C. de Sermisy) [published by P. Attaingnant, Paris, 1531] (Claudin de Sermisy)

28
Il est jour dit l'alouette 00:01:48

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Claudin de Sermisy, Composer

© 2019 Naxos - ℗ 2019 Naxos

Gaillarde No. 22: Basse danse [published by P. Attaingnant, Paris, 1531] (Anonymous)

29
Gaillarde No. 22 "Basse danse" 00:01:02

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Le departir de cil qui tant l'aymoye [published by P. Attaingnant, Paris, 1531] (Anonymous)

30
Le departir de cil qui tant l'aymoye 00:01:55

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

[Corranto] (incomplete) [published by G. le Bé, Bibliothèque nationale de France, Paris] (Anonymous)

31
Corranto (incomplete) 00:01:11

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Chanson: Quant j'eu cogneu en ma pensée (after P. Sandrin) [Munich Manuscript 2987] (Pierre Sandrin)

32
Quant j'eu cogneu en ma pensée (MS Munich 2987) 00:01:21

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Pierre Sandrin, Composer

© 2019 Naxos - ℗ 2019 Naxos

P. Megnier: Fantaisie (1582) - G. Costeley: Fantaisie (1585) (opening fragments) [J. Cellier Manuscript] (Guillaume Costeley)

33
Fantasy (1582) [Opening Fragment] - Fantasy [1585] [Opening Fragment] 00:00:54

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Guillaume Costeley, Composer - Pierre Megnier, Composer

© 2019 Naxos - ℗ 2019 Naxos

Pavane, Passamezzo Nuovo [J. Cellier Manuscript, 1597] (Anonymous)

34
Pavane "Passamezzo nuovo" 00:01:55

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Fantasia a 4 sopra Anchor che col partire by C. de Rore (Nicolas de La Grotte)

35
Fantasia à 4 sopra "Anchor che col partire" 00:03:32

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Nicolas de La Grotte, Composer

© 2019 Naxos - ℗ 2019 Naxos

Fantasie sur l'air de ma Bergere - Pavane de [Luís de] Aranda [Aberdeen Manuscript, pi 7841 Arc] (Anonymous)

36
Fantasie sur l'air de ma Bergere - Pavane de Aranda 00:01:44

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Anonymous, Composer

© 2019 Naxos - ℗ 2019 Naxos

Fantasie No. 39 (Eustache Du Caurroy)

37
Fantasie No. 39 00:06:14

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Eustache du Caurroy, Composer

© 2019 Naxos - ℗ 2019 Naxos

Seigneur Dieu, ta pitié s'estende dessus moi (Guillaume Costeley)

38
Seigneur Dieu, ta pitié s'estende dessus moi 00:06:57

Glen Wilson, Harpsichord (Anonymous long-scaled iron-strung Italian harpsichord [A=390 Hz] from a private collection) - Guillaume Costeley, Composer

© 2019 Naxos - ℗ 2019 Naxos

Albumbeschreibung

Innovative music printer Pierre Attaingnant (c.1494-1551) published the first editions of keyboard music ever to appear in France in 1531 (Tracks 1-30). Only one copy of each of these seven tiny but crucially important volumes has survived, in which anonymous composers made arrangements of some of the most beautiful chansons, motets and dances from the reign of François I. Some pieces follow (Tracks 31-38), which are also from the 16th century French keyboard repertoire but not from the Attaingnant edition. All this keyboard music shows France at the forefront of developments in this field. Glen Wilson has corrected the countless errors in these original sources, restoring this rare and enchanting music and allowing it to shine in its original glory. © Naxos / Qobuz

Informationen zur Originalaufnahme : Recorded : 22–25 May 2018 at Schüttbau, Rügheim (Unterfranken), Germany

Informationen zu dem Album

Auszeichnungen:

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...
Mehr auf Qobuz
Von Glen Wilson

Playlists

Das könnte Ihnen auch gefallen...
Panorama-Artikel...
Beethovens Fidelio - ein großes Abenteuer

Beethovens Oper Fidelio basiert auf einem Ereignis, das sich während der revolutionären Terrorherrschaft in Frankreich zugetragen hat (eine unerschrockene junge Frau versuchte, als Mann verkleidet, ihren in einem Verlies gefangenen Mann zu retten). Die Oper erlebte ein turbulentes Schicksal und wurde im Laufe der Jahre vielfach überarbeitet. Sie beweist einmal mehr das musikalische Genie des Komponisten, der hier ein Libretto vertonte, das seinen politischen Ansichten entsprach.

Danny Elfman in 10 Alben

Danny Elfman hat in den letzten vierzig Jahren seinen ganz persönlichen bunt gefiederten Stil zwischen märchenhaftem, durchgeknalltem, grandiosem Humor und achtsamer Geschmeidigkeit etabliert, der sich aus den eklektischsten Hollywood-Produktionen (von Tim Burton oder Gus Van Sant) herauskristallisiert. Wir blicken auf zehn unvergessliche Alben seiner Diskographie.

Komponistinnen, diese Unbekannten

In der Geschichte der Musik gibt es, von der griechischen Sappho bis Kaija Saariaho, zahlreiche Komponistinnen, die der ausschließlich männlichen und oft sehr chauvinistischen Welt der Komponisten, die unsere Vorstellung und Wertschätzung der westlichen klassischen Musik geprägt haben, Nuancierungen hinzugefügt haben. Ein Rückblick in die Geschichten begabter Frauen, die allzu oft ignoriert worden sind.

Aktuelles...