Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

John Coltrane - Olé Coltrane (Deluxe Edition)

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Olé Coltrane (Deluxe Edition)

John Coltrane

Verfügbar in
16-Bit CD Quality 44.1 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

The complicated rhythm patterns and diverse sonic textures on Olé Coltrane are evidence that John Coltrane was once again charting his own course. His sheer ability as a maverick -- beyond his appreciable musical skills -- guides works such as this to new levels, ultimately advancing the entire art form. Historically, it's worth noting that recording had already commenced two days prior to this session on Africa/Brass, Coltrane's debut for the burgeoning Impulse! label. The two sets complement each other, suggesting a shift in the larger scheme of Coltrane's musical motifs. The assembled musicians worked within a basic quartet setting, featuring Coltrane on soprano and tenor sax, McCoy Tyner on piano, and Elvin Jones on drums, with double-bass chores held down by Art Davis and Reggie Workman. Added to that are significant contributions and interactions with trumpeter Freddie Hubbard and Eric Dolphy on flute and alto sax (although Dolphy's contract with another record label prevented him from being properly credited on initial pressings of the album). The title track is striking in its resemblance to the Spanish influence heard on Miles Davis' Sketches of Spain. This is taken a bit further as Coltrane's combo stretches out with inspired improvisations from Dolphy, Hubbard, Tyner, and Coltrane, respectively. "Olé" likewise sports some amazing double-bass interaction. The combination of a bowed upright bass played in tandem with the same instrument that is being plucked has a sinister permeation that undoubtedly excited Coltrane, who was perpetually searching for sounds outside the norm. The haunting beauty of "Aisha" stands as one of the finest collaborative efforts between Tyner, the song's author, and Coltrane. The solos from Hubbard, Dolphy, and an uncredited Tyner gleam from within the context of a single facet in a multi-dimensional jewel. [Some reissues include an extra track cut during the same sessions, "To Her Ladyship."]
© Lindsay Planer /TiVo

Weitere Informationen

Olé Coltrane (Deluxe Edition)

John Coltrane

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 60 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 60 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
Ole LP Version
00:18:18

Phil Ramone, Engineer - Nesuhi Ertegun, Producer - John Coltrane, Soprano Saxophone, Writer, MainArtist - Art Davis, Bass Guitar - Freddie Hubbard, Trumpet - McCoy Tyner, Piano - Reggie Workman, Bass Guitar - Elvin Jones, Drums - George Lane, Flute

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1962 Atlantic Recording Corporation for the United States and WEA International for the world outside of the United States.

2
Dahomey Dance LP Version
00:10:49

Phil Ramone, Engineer - Nesuhi Ertegun, Producer - John Coltrane, Tenor Saxophone, Writer, MainArtist - Art Davis, Bass Guitar - Freddie Hubbard, Trumpet - McCoy Tyner, Piano - Reggie Workman, Bass Guitar - Elvin Jones, Drums - George Lane, Flute

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1962 Atlantic Recording Corporation for the United States and WEA International for the world outside of the United States.

3
Aisha LP Version
00:07:44

Phil Ramone, Engineer - Nesuhi Ertegun, Producer - John Coltrane, Tenor Saxophone, MainArtist - Freddie Hubbard, Trumpet - McCoy Tyner, Piano, Writer - Reggie Workman, Bass Guitar - Elvin Jones, Drums - George Lane, Flute

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1962 Atlantic Recording Corporation for the United States and WEA International for the world outside of the United States.

4
To Her Ladyship Original Untitled Ballad
00:09:00

Phil Ramone, Engineer - Nesuhi Ertegun, Producer - John Coltrane, Soprano Saxophone, Tenor Saxophone, MainArtist - Art Davis, Bass Guitar - Freddie Hubbard, Trumpet - Eric Dolphy, Flute - McCoy Tyner, Piano - Elvin Jones, Drums - Billy Frazier, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1962 Atlantic Recording Corporation for the United States and WEA International for the world outside of the United States.

Albumbeschreibung

The complicated rhythm patterns and diverse sonic textures on Olé Coltrane are evidence that John Coltrane was once again charting his own course. His sheer ability as a maverick -- beyond his appreciable musical skills -- guides works such as this to new levels, ultimately advancing the entire art form. Historically, it's worth noting that recording had already commenced two days prior to this session on Africa/Brass, Coltrane's debut for the burgeoning Impulse! label. The two sets complement each other, suggesting a shift in the larger scheme of Coltrane's musical motifs. The assembled musicians worked within a basic quartet setting, featuring Coltrane on soprano and tenor sax, McCoy Tyner on piano, and Elvin Jones on drums, with double-bass chores held down by Art Davis and Reggie Workman. Added to that are significant contributions and interactions with trumpeter Freddie Hubbard and Eric Dolphy on flute and alto sax (although Dolphy's contract with another record label prevented him from being properly credited on initial pressings of the album). The title track is striking in its resemblance to the Spanish influence heard on Miles Davis' Sketches of Spain. This is taken a bit further as Coltrane's combo stretches out with inspired improvisations from Dolphy, Hubbard, Tyner, and Coltrane, respectively. "Olé" likewise sports some amazing double-bass interaction. The combination of a bowed upright bass played in tandem with the same instrument that is being plucked has a sinister permeation that undoubtedly excited Coltrane, who was perpetually searching for sounds outside the norm. The haunting beauty of "Aisha" stands as one of the finest collaborative efforts between Tyner, the song's author, and Coltrane. The solos from Hubbard, Dolphy, and an uncredited Tyner gleam from within the context of a single facet in a multi-dimensional jewel. [Some reissues include an extra track cut during the same sessions, "To Her Ladyship."]
© Lindsay Planer /TiVo

Informationen zu dem Album

Auszeichnungen:

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...
Tickets To My Downfall Machine Gun Kelly
Tickets To My Downfall Machine Gun Kelly
Tickets To My Downfall Machine Gun Kelly
Tickets To My Downfall Machine Gun Kelly
Mehr auf Qobuz
Von John Coltrane

Playlists

Das könnte Ihnen auch gefallen...
Panorama-Artikel...
John Coltrane - andauernder Atem

Vor genau einem halben Jahrhundert starb der amerikanische Saxophonist mit gerade einmal 40 Jahren. Er hinterließ uns eine beeindruckende Menge an Aufnahmen, die die Geschichte seines Instruments, die des Jazz aber auch die des 20. Jahrhunderts geprägt haben.

ECM in 10 Alben

Der schönste Klang nach der Stille. Dieser Ausspruch haftet ECM nun seit 50 Jahren an. Manfred Eicher, der charismatische Gründer des Münchner Labels befindet sich nicht außerhalb unserer Zeit, sondern lebt genauer gesagt in einer Zeit, die parallel zu der unseren existiert, und macht ECM zu einem herrlichen Planeten, auf dem Jazz anders klingt. Keith Jarrett, Charles Lloyd, Jan Garbarek, Chick Corea und viele andere haben ihre intensivsten Platten oft für ECM aufgenommen. Mehr als für Blue Note oder Impulse! Daher ist es unmöglich, die Geschichte dieses außergewöhnlichen Labels mit 10 Alben darzustellen. So werden die 10 ausgewählten Alben hier „nur eine weitere“ Geschichte von ECM erzählen

Skandinavischer Jazz in 10 Alben

Winterliche, weite Landschaften, majestätische Natur... Skandinavien wird oft auf die ewig gleichen Klischees reduziert. Beim Jazz ist es genauso. Dabei kommt der dänische Jazz gern der nordamerikanischen Tradition ins Gehege, in Norwegen ist man experimentierfreudig, während in Schweden unentschieden zwischen den Stilen manövriert wird. Trotz aller Unterschiede spricht man vom skandinavischen Jazz immer wie von einer großen Familie. Seit Anfang der 70er Jahre haben die Musiker, die aus der Kälte kamen, den Jazz durch ihre Originalität geprägt, die von der heutigen Generation weitergegeben wird. Lassen Sie uns diese Patchwork-Familie in den folgenden 10 Alben näher betrachten. Sie wurden ganz subjektiv aus einer Diskographie ausgewählt, die unermesslich ist wie ein Fjord.

Aktuelles...