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Miles Davis|Miles Ahead  (Expanded Edition)

Miles Ahead (Expanded Edition)

Miles Davis - Gil Evans

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This album is perhaps most significant for the process it set in motion -- the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two of Davis' best albums. That said, this album is a miracle in itself, the result of a big gamble on the part of Columbia Records, who put together Evans and Davis, who hadn't worked together since recording the critically admired but commercially unsuccessful sides that would later be issued as The Birth of the Cool. Columbia also allowed Evans to assemble a 19-piece band for the recordings, at a time when big bands were far out of fashion and also at a time when the resulting recordings could not be released until two years in the future (because of Davis' contractual obligations with Prestige). Davis was also expected to carry the album as its only soloist, and manage not to get lost among a cast of supporting musicians that included a huge horn section. To a large extent, he succeeds. Evans' arrangements in particular are well-suited to the format, and he and Davis formed a deep and close partnership where ideas were swapped back and forth, nurtured, and developed long before they were expressed in the studio. Davis gets off to a great start, with the hyper-kinetic "Springsville," which seems to almost perfectly embody Evans' and Davis' partnership with its light, flexible exchanges between soloist and orchestra. He is strongest on the ballads, though, where his subdued and wistful tone rises high above the hushed accompaniment, especially on "Miles Ahead" and "Blues for Pablo" (which foreshadows the bluesy, Latin-tinged sound of Sketches of Spain). The upbeat "I Don't Want to Be Kissed (By Anyone but You)" is another strong song, but shows the weakness of the format as Davis intersperses a charming, bright, technically challenging solo with a blasting horn section that occasionally buries him. It is a fine end, however, to an album that gave a hint of the greatness that would come as Evans and Davis fine-tuned their partnership over the course of the next several years.

© Stacia Proefrock /TiVo

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Miles Ahead (Expanded Edition)

Miles Davis

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1
Springsville (Album Version)
00:03:27

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Eddie Cain, Clarinet - Eddie Cain, Flute - Eddie Cane, Clarinet - Eddie Cane, Flute - Ernie Royal, Trumpet - Frank Rehak, Trombone - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - J. Carisi, Composer - J. Carisi, Lyricist - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Romeo Penque, Bass Clarinet - Romeo Penque, Clarinet - Romeo Penque, Flute - Romeo Penque, Oboe - Sid Cooper, Clarinet - Sid Cooper, Flute - Taft Jordan, Trumpet - Tony Miranda, French Horn - Willie Ruff, French Horn - Wynton Kelly, Piano

Originally Released 1957. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

2
The Maids Of Cadiz (Album Version)
00:03:53

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Eddie Cain, Clarinet - Eddie Cain, Flute - Ernie Royal, Trumpet - Frank Rehak, Trombone - G. Evans, Arranger - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - Harold Chapman, Recording Engineer - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - L. Delibes, Composer - L. Delibes, Lyricist - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Mark Wilder, Edited By - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Phil Schaap, Edited By - Romeo Penque, Bass Clarinet - Romeo Penque, Clarinet - Romeo Penque, Flute - Romeo Penque, Oboe - Sid Cooper, Clarinet - Sid Cooper, Flute - Taft Jordan, Trumpet - Tom Ruff, Engineer - Tony Miranda, French Horn - Willie Ruff, French Horn - Wynton Kelly, Piano

Originally released 1957. All rights reserved by Columbia Records, a division of Sony Music Entertainment

3
The Duke (Album Version)
00:03:34

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - D. Brubeck, Composer - D. Brubeck, Lyricist - Danny Bank, Bass Clarinet - Ernie Royal, Trumpet - Frank Rehak, Trombone - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - Harold Chapman, Recording Engineer - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Mark Wilder, Edited By - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Phil Schaap, Edited By - Romeo Penque, Bass Clarinet - Romeo Penque, Clarinet - Romeo Penque, Flute - Romeo Penque, Oboe - Sid Cooper, Clarinet - Sid Cooper, Flute - Taft Jordan, Trumpet - Tom Ruff, Engineer - Tony Miranda, French Horn - Willie Ruff, French Horn

Originally Released 1957 Sony Music Entertainment Inc.

4
My Ship (Album Version)
00:04:27

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Ernie Royal, Trumpet - Frank Rehak, Trombone - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - Harold Chapman, Recording Engineer - Ira Gershwin, Composer - Ira Gershwin, Lyricist - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - Kurt Weill, Composer - Kurt Weill, Lyricist - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Mark Wilder, Edited By - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Phil Schaap, Edited By - Romeo Penque, Bass Clarinet - Romeo Penque, Clarinet - Romeo Penque, Flute - Taft Jordan, Trumpet - Tom Ruff, Engineer - Tony Miranda, French Horn - Willie Ruff, French Horn

Originally Released 1957 Sony Music Entertainment Inc.

5
Miles Ahead (Album Version)
00:03:29

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Ernie Royal, Trumpet - Frank Rehak, Trombone - George Avakian, Producer - Gil Evans, Composer - Gil Evans, Lyricist - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - Harold Chapman, Recording Engineer - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Mark Wilder, Edited By - Miles Davis, Composer - Miles Davis, Lyricist - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Phil Schaap, Edited By - Romeo Penque, Bass Clarinet - Romeo Penque, Clarinet - Romeo Penque, Flute - Taft Jordan, Trumpet - Tom Ruff, Engineer - Tony Miranda, French Horn - Willie Ruff, French Horn

Originally Released 1957 Sony Music Entertainment Inc.

6
Blues for Pablo (Album Version)
00:05:17

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Darcy Proper, Mastering Engineer - Darren Salmieri, A&R Coordinator - Didier Deutsch, Mastering Engineer - Ernie Royal, Trumpet - Frank Rehak, Trombone - G. Evans, Composer - G. Evans, Lyricist - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - Harold Chapman, Recording Engineer - Jimmy Buffington, French Horn - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Mark Wilder, Edited By - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Patti Matheny, A&R Coordinator - Paul Chambers, Bass - Phil Schaap, Edited By - Romeo Penque, Bass Clarinet - Romeo Penque, Clarinet - Romeo Penque, Flute - Romeo Penque, Oboe - Seth Foster, Mastering Engineer - Seth Rothstein, Producer - Sid Cooper, Clarinet - Sid Cooper, Flute - Taft Jordan, Trumpet - Tom Ruff, Engineer - Willie Ruff, French Horn

Originally released 1957. All rights reserved by SONY BMG MUSIC ENTERTAINMENT

7
New Rhumba (Album Version)
00:04:36

Ahmad Jamal, Composer - Ahmad Jamal, Lyricist - Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Ernie Royal, Trumpet - Frank Rehak, Trombone - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - Harold Chapman, Recording Engineer - Jimmy Buffington, French Horn - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Mark Wilder, Edited By - Mark Wilder, Mastering Engineer - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Phil Schaap, Edited By - Romeo Penque, Bass Clarinet - Romeo Penque, Clarinet - Romeo Penque, Flute - Romeo Penque, Oboe - Seth Foster, Mastering Engineer - Sid Cooper, Clarinet - Taft Jordan, Trumpet - Tom Ruff, Engineer - Willie Ruff, French Horn

Originally Recorded 1957. All rights reserved by Columbia Records, a division of Sony Music Entertainment

8
The Meaning Of The Blues (Album Version)
00:02:48

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Eddie Cain, Clarinet - Eddie Cain, Flute - Ernie Royal, Trumpet - Frank Rehak, Trombone - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - Harold Chapman, Recording Engineer - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - L. Worth, Composer - L. Worth, Lyricist - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Mark Wilder, Edited By - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Phil Schaap, Edited By - R. Troup, Composer - R. Troup, Lyricist - Romeo Penque, Clarinet - Romeo Penque, Flute - Romeo Penque, Oboe - Taft Jordan, Trumpet - Tom Ruff, Engineer - Tony Miranda, French Horn - Willie Ruff, French Horn - Wynton Kelly, Piano

Originally Released 1957 Sony Music Entertainment Inc.

9
Lament (Album Version)
00:02:17

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Eddie Cain, Clarinet - Eddie Cain, Flute - Ernie Royal, Trumpet - Frank Rehak, Trombone - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - Harold Chapman, Recording Engineer - J.J. Johnson, Composer - J.J. Johnson, Lyricist - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Mark Wilder, Edited By - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Phil Schaap, Edited By - Romeo Penque, Clarinet - Romeo Penque, Flute - Romeo Penque, Oboe - Taft Jordan, Trumpet - Tom Ruff, Engineer - Tony Miranda, French Horn - Willie Ruff, French Horn - Wynton Kelly, Piano

Originally Released 1957 Sony Music Entertainment Inc.

10
I Don't Wanna Be Kissed ( By Anyone But You) (Album Version)
00:03:02

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Eddie Cain, Clarinet - Eddie Cain, Flute - Ernie Royal, Trumpet - Frank Rehak, Trombone - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - H. Spina, Composer - H. Spina, Lyricist - J. Elliott, Composer - J. Elliott, Lyricist - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Romeo Penque, Clarinet - Romeo Penque, Flute - Romeo Penque, Oboe - Taft Jordan, Trumpet - Tony Miranda, French Horn - Willie Ruff, French Horn - Wynton Kelly, Piano

Originally Released 1957 Sony Music Entertainment Inc.

11
Springsville (Album Version)
00:03:13

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Eddie Cain, Clarinet - Eddie Cain, Flute - Ernie Royal, Trumpet - Frank Rehak, Trombone - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - Harold Chapman, Recording Engineer - J. Carisi, Composer - J. Carisi, Lyricist - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Mark Wilder, Edited By - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Phil Schaap, Edited By - Romeo Penque, Clarinet - Romeo Penque, Flute - Romeo Penque, Oboe - Taft Jordan, Trumpet - Tom Ruff, Engineer - Tony Miranda, French Horn - Willie Ruff, French Horn - Wynton Kelly, Piano

Originally Recorded 1957 Sony Music Entertainment Inc.

12
Blues For Pablo (Album Version)
00:03:28

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Ernie Royal, Trumpet - Frank Rehak, Trombone - G. Evans, Composer - G. Evans, Lyricist - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - Harold Chapman, Recording Engineer - Jimmy Buffington, French Horn - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Mark Wilder, Edited By - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Phil Schaap, Edited By - Romeo Penque, Bass Clarinet - Romeo Penque, Clarinet - Romeo Penque, Flute - Romeo Penque, Oboe - Sid Cooper, Clarinet - Sid Cooper, Flute - Taft Jordan, Trumpet - Tom Ruff, Engineer - Willie Ruff, French Horn

Originally Recorded 1957 Sony Music Entertainment Inc.

13
Medley: The Meaning of the Blues/Lament (Rehearsal) (Album Version)
00:05:07

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Eddie Cain, Clarinet - Eddie Cain, Flute - Ernie Royal, Trumpet - Frank Rehak, Trombone - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - Harold Chapman, Recording Engineer - J.J. Johnson, Composer - J.J. Johnson, Lyricist - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - L. Worth, Composer - L. Worth, Lyricist - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Mark Wilder, Edited By - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Phil Schaap, Edited By - R. Troup, Composer - R. Troup, Lyricist - Romeo Penque, Clarinet - Romeo Penque, Flute - Romeo Penque, Oboe - Taft Jordan, Trumpet - Tom Ruff, Engineer - Tony Miranda, French Horn - Willie Ruff, French Horn - Wynton Kelly, Piano

Originally Recorded 1957 Sony Music Entertainment Inc.

14
I Don't Wanna Be Kissed (By Anyone But You) (Album Version)
00:03:11

Arthur Taylor, Drums - Bernie Glow, Trumpet - Cal Lampley, Assistant Producer - Danny Bank, Bass Clarinet - Eddie Cain, Clarinet - Eddie Cain, Flute - Ernie Royal, Trumpet - Frank Rehak, Trombone - George Avakian, Producer - Gil Evans & His Orchestra, Arranger - Gil Evans & His Orchestra, Conductor - H. Spina, Composer - H. Spina, Lyricist - Harold Chapman, Recording Engineer - J. Elliott, Composer - J. Elliott, Lyricist - Jimmy Cleveland, Trombone - Joe Bennett, Trombone - Johnny Carisi, Trumpet - Lee Konitz, Alto Saxophone - Louis Mucci, Trumpet - Mark Wilder, Edited By - Miles Davis, Performer - Miles Davis & His Orchestra, Flugelhorn - Paul Chambers, Bass - Phil Schaap, Edited By - Romeo Penque, Clarinet - Romeo Penque, Flute - Romeo Penque, Oboe - Taft Jordan, Trumpet - Tom Ruff, Engineer - Tony Miranda, French Horn - Willie Ruff, French Horn - Wynton Kelly, Piano

Originally Recorded 1957 Sony Music Entertainment Inc.

Albumbeschreibung

This album is perhaps most significant for the process it set in motion -- the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two of Davis' best albums. That said, this album is a miracle in itself, the result of a big gamble on the part of Columbia Records, who put together Evans and Davis, who hadn't worked together since recording the critically admired but commercially unsuccessful sides that would later be issued as The Birth of the Cool. Columbia also allowed Evans to assemble a 19-piece band for the recordings, at a time when big bands were far out of fashion and also at a time when the resulting recordings could not be released until two years in the future (because of Davis' contractual obligations with Prestige). Davis was also expected to carry the album as its only soloist, and manage not to get lost among a cast of supporting musicians that included a huge horn section. To a large extent, he succeeds. Evans' arrangements in particular are well-suited to the format, and he and Davis formed a deep and close partnership where ideas were swapped back and forth, nurtured, and developed long before they were expressed in the studio. Davis gets off to a great start, with the hyper-kinetic "Springsville," which seems to almost perfectly embody Evans' and Davis' partnership with its light, flexible exchanges between soloist and orchestra. He is strongest on the ballads, though, where his subdued and wistful tone rises high above the hushed accompaniment, especially on "Miles Ahead" and "Blues for Pablo" (which foreshadows the bluesy, Latin-tinged sound of Sketches of Spain). The upbeat "I Don't Want to Be Kissed (By Anyone but You)" is another strong song, but shows the weakness of the format as Davis intersperses a charming, bright, technically challenging solo with a blasting horn section that occasionally buries him. It is a fine end, however, to an album that gave a hint of the greatness that would come as Evans and Davis fine-tuned their partnership over the course of the next several years.

© Stacia Proefrock /TiVo

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