Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Michäel Rabin - Michael Rabin plays Bruch's Violin Concerto and Virtuoso Pieces for Violin and Piano (RIAS recordings from 1962/1969) [Live]

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Michael Rabin plays Bruch's Violin Concerto and Virtuoso Pieces for Violin and Piano (RIAS recordings from 1962/1969) [Live]

Michael Rabin, Lothar Broddack, RIAS-Symphonie-Orchester & Thomas Schippers

Digitales Booklet

Verfügbar in
logo Hi-Res
24-Bit 48.0 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Wählen Sie die Audio-Qualität

Um das Album zu diesem Preis zu kaufen, abonnieren Sie Sublime+

Text in englischer Sprache verfügbar

Among the many tragically short and troubled careers in the history of music, certainly the life of violinist Michael Rabin ranks high among those from the twentieth century. Born into a family of musical elites, Rabin quickly followed suit and found himself thrust into the musical spotlight by his early teens. After more than a decade of an astoundingly busy touring and recording schedule, Rabin's playing took a rapid turn for the worse causing him to temporarily leave the stage. He was able to pull his life back together in time for a final, glorious push only to die tragically from a fall when only 35 years of age. This Audite album compiles Rabin's complete recordings made for the RIAS Berlin, made primarily in 1969 after his successful return to the stage. The disc opens with what turns out to be the least successful piece on the program: Bruch's G minor Violin Concerto. The problem with this performance does not rest with Rabin, but with the disastrously sloppy performance given by the RIAS Symphonie-Orchester. Tutti sections are one trainwreck after another, and listeners can almost hear Rabin trying to steady the out-of-control orchestra each time he enters. The remainder of the album, however, features Rabin with pianist Lothar Broddack in a selection of virtuoso works by Kroll, Wieniawski, Tchaikovsky, and Sarasate. Here, it is immediately obvious why Rabin was in such high demand. His technique is simply astounding and completely effortless. Beyond just pyrotechnics, though, Rabin actually infuses these short pieces with genuine and convincing musical interest. The final piece, Saint-Saëns' Op. 83 "Havanaise," is the only one recorded prior to his temporary departure from stage. It is sadly obvious the effects that the extreme pressure of his career were taking on his abilities.

Weitere Informationen

Michael Rabin plays Bruch's Violin Concerto and Virtuoso Pieces for Violin and Piano (RIAS recordings from 1962/1969) [Live]

Michäel Rabin

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App
Im Webplayer abspielen

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 40 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 40 Millionen weitere Titel mit unseren Streaming-Abonnements.

1
Applause
00:00:36

Max Bruch, Composer - Thomas Schippers, Conductor - Copyright Control, MusicPublisher - Michael Rabin, Artist - RIAS-Symphonie-Orchester, Orchestra - Michael Rabin, RIAS-Symphonie-Orchester & Thomas Schippers, MainArtist

Ludger Boeckenhoff Audite Musikproduktion Ludger Boeckenhoff Audite Musikproduktion

2
Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel. Allegro Moderato
00:08:27

Max Bruch, Composer - Thomas Schippers, Conductor - Copyright Control, MusicPublisher - Michael Rabin, Artist - RIAS-Symphonie-Orchester, Orchestra - Michael Rabin, RIAS-Symphonie-Orchester & Thomas Schippers, MainArtist

Ludger Boeckenhoff Audite Musikproduktion Ludger Boeckenhoff Audite Musikproduktion

3
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio
00:09:44

Max Bruch, Composer - Thomas Schippers, Conductor - Copyright Control, MusicPublisher - Michael Rabin, Artist - RIAS-Symphonie-Orchester, Orchestra - Michael Rabin, RIAS-Symphonie-Orchester & Thomas Schippers, MainArtist

Ludger Boeckenhoff Audite Musikproduktion Ludger Boeckenhoff Audite Musikproduktion

4
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico - Presto
00:08:17

Max Bruch, Composer - Thomas Schippers, Conductor - Copyright Control, MusicPublisher - Michael Rabin, Artist - RIAS-Symphonie-Orchester, Orchestra - Michael Rabin, RIAS-Symphonie-Orchester & Thomas Schippers, MainArtist

Ludger Boeckenhoff Audite Musikproduktion Ludger Boeckenhoff Audite Musikproduktion

5
Banjo and Fiddle
00:02:36

Copyright Control, MusicPublisher - Michael Rabin, Artist - Henryk Wieniawski, Composer - Lothar Broddack, Artist - Michael Rabin & Lothar Broddack, MainArtist

Ludger Boeckenhoff Audite Musikproduktion Ludger Boeckenhoff Audite Musikproduktion

6
Caprice in A Minor, Op. 18 No. 4
00:01:29

Fritz Kreisler, Composer - Copyright Control, MusicPublisher - Michael Rabin, Artist - Henryk Wieniawski, Composer - Lothar Broddack, Artist - Michael Rabin & Lothar Broddack, MainArtist

Ludger Boeckenhoff Audite Musikproduktion Ludger Boeckenhoff Audite Musikproduktion

7
Souvenir d'un lieu cher, Op. 42: No. 1: Méditation. Andante molto Cantabile
00:06:45

PIOTR ILYICH TCHAIKOVSKY, Composer - Copyright Control, MusicPublisher - Michael Rabin, Artist - Lothar Broddack, Artist - Michael Rabin & Lothar Broddack, MainArtist

Ludger Boeckenhoff Audite Musikproduktion Ludger Boeckenhoff Audite Musikproduktion

8
Carmen-Fantasie, Op. 25
00:10:07

Copyright Control, MusicPublisher - Michael Rabin, Artist - Pablo de Sarasate, Composer - Lothar Broddack, Artist - Michael Rabin & Lothar Broddack, MainArtist

Ludger Boeckenhoff Audite Musikproduktion Ludger Boeckenhoff Audite Musikproduktion

9
Danzas Españolas No. 1: Malagueña, Op. 21 No. 1
00:04:18

Copyright Control, MusicPublisher - Michael Rabin, Artist - Pablo de Sarasate, Composer - Lothar Broddack, Artist - Michael Rabin & Lothar Broddack, MainArtist

Ludger Boeckenhoff Audite Musikproduktion Ludger Boeckenhoff Audite Musikproduktion

10
Danzas Españolas No. 2: Habanera, Op. 21, No. 2
00:04:02

Copyright Control, MusicPublisher - Michael Rabin, Artist - Pablo de Sarasate, Composer - Lothar Broddack, Artist - Michael Rabin & Lothar Broddack, MainArtist

Ludger Boeckenhoff Audite Musikproduktion Ludger Boeckenhoff Audite Musikproduktion

11
Danzas Españolas No. 6: Zapateado, Op. 23 No. 2
00:03:21

Copyright Control, MusicPublisher - Michael Rabin, Artist - Pablo de Sarasate, Composer - Lothar Broddack, Artist - Michael Rabin & Lothar Broddack, MainArtist

Ludger Boeckenhoff Audite Musikproduktion Ludger Boeckenhoff Audite Musikproduktion

12
Havanaise in E Major, Op. 83
00:09:55

CAMILLE SAINT-SAENS, Composer - Copyright Control, MusicPublisher - Michael Rabin, Artist - Lothar Broddack, Artist - Michael Rabin & Lothar Broddack, MainArtist

Ludger Boeckenhoff Audite Musikproduktion Ludger Boeckenhoff Audite Musikproduktion

Albumbeschreibung

Among the many tragically short and troubled careers in the history of music, certainly the life of violinist Michael Rabin ranks high among those from the twentieth century. Born into a family of musical elites, Rabin quickly followed suit and found himself thrust into the musical spotlight by his early teens. After more than a decade of an astoundingly busy touring and recording schedule, Rabin's playing took a rapid turn for the worse causing him to temporarily leave the stage. He was able to pull his life back together in time for a final, glorious push only to die tragically from a fall when only 35 years of age. This Audite album compiles Rabin's complete recordings made for the RIAS Berlin, made primarily in 1969 after his successful return to the stage. The disc opens with what turns out to be the least successful piece on the program: Bruch's G minor Violin Concerto. The problem with this performance does not rest with Rabin, but with the disastrously sloppy performance given by the RIAS Symphonie-Orchester. Tutti sections are one trainwreck after another, and listeners can almost hear Rabin trying to steady the out-of-control orchestra each time he enters. The remainder of the album, however, features Rabin with pianist Lothar Broddack in a selection of virtuoso works by Kroll, Wieniawski, Tchaikovsky, and Sarasate. Here, it is immediately obvious why Rabin was in such high demand. His technique is simply astounding and completely effortless. Beyond just pyrotechnics, though, Rabin actually infuses these short pieces with genuine and convincing musical interest. The final piece, Saint-Saëns' Op. 83 "Havanaise," is the only one recorded prior to his temporary departure from stage. It is sadly obvious the effects that the extreme pressure of his career were taking on his abilities.

Informationen zu dem Album

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...
Mehr auf Qobuz
Von Michäel Rabin

Playlists

Das könnte Ihnen auch gefallen...
Panorama-Artikel...
Jessye Norman - Black Girl Magic

Als „schwarze Göttin“ wurde die US-Sopranistin Jessye Norman verehrt – überraschend ist sie mit 74 Jahren gestorben. Eine Würdigung beim Hören von sieben Aufnahmen.

Beethovens Fidelio - ein großes Abenteuer

Beethovens Oper Fidelio basiert auf einem Ereignis, das sich während der revolutionären Terrorherrschaft in Frankreich zugetragen hat (eine unerschrockene junge Frau versuchte, als Mann verkleidet, ihren in einem Verlies gefangenen Mann zu retten). Die Oper erlebte ein turbulentes Schicksal und wurde im Laufe der Jahre vielfach überarbeitet. Sie beweist einmal mehr das musikalische Genie des Komponisten, der hier ein Libretto vertonte, das seinen politischen Ansichten entsprach.

Danny Elfman in 10 Alben

Danny Elfman hat in den letzten vierzig Jahren seinen ganz persönlichen bunt gefiederten Stil zwischen märchenhaftem, durchgeknalltem, grandiosem Humor und achtsamer Geschmeidigkeit etabliert, der sich aus den eklektischsten Hollywood-Produktionen (von Tim Burton oder Gus Van Sant) herauskristallisiert. Wir blicken auf zehn unvergessliche Alben seiner Diskographie.

Aktuelles...