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Pianist Benjamin Grosvenor, who has made a close study of historical Liszt recordings, says that there are passages where one feels that Liszt might not have played the music the same way each time. Liszt was, after all, a matinee idol first and foremost and one who cultivated an image of unpredictable genius. Some pianists stress the monumental nature of the Piano Sonata in B minor; some emphasize the experimental nature of the composer's music, its chromaticism, and its jagged, irregular surfaces. Grosvenor, though, is one of a comparative few to enter into its quasi- (or maybe not-so-quasi-) improvisatory qualities. Consider first and foremost the Sonata, where Grosvenor leads the audience into thickets where one is unsure which path will be followed next, only to resolve everything in the end in a way that makes it seem inevitable. The rest of the program follows logically from this beginning. The Années de Pèlerinage suggest the narrative quality of the sonnets that furnish their program. Grosvenor concludes brilliantly, with the Réminiscences de Norma, a rarely heard operatic paraphrase that is even more likely than the other works to have had improvised elements in performance, and the Ave Maria, S. 558, after Schubert, where equilibrium is finally reached. The world might not seem to have needed another Liszt B minor sonata, but this one has been commercially successful, and it is easy to hear why.
© TiVo
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Piano Sonata in B Minor, S. 178 (Franz Liszt)
John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel
℗ 2021 Universal Music Operations Limited
John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel
℗ 2021 Universal Music Operations Limited
John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel
℗ 2021 Universal Music Operations Limited
John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel
℗ 2021 Universal Music Operations Limited
John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Années de pèlerinage II, S. 161 (Franz Liszt)
John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel
℗ 2021 Universal Music Operations Limited
John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel
℗ 2021 Universal Music Operations Limited
John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel
℗ 2021 Universal Music Operations Limited
John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel
℗ 2021 Universal Music Operations Limited
John Fraser, Producer, Recording Producer - Franz Liszt, Composer - Benjamin Grosvenor, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel - Julia Thomas, Editor, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Albumbeschreibung
Pianist Benjamin Grosvenor, who has made a close study of historical Liszt recordings, says that there are passages where one feels that Liszt might not have played the music the same way each time. Liszt was, after all, a matinee idol first and foremost and one who cultivated an image of unpredictable genius. Some pianists stress the monumental nature of the Piano Sonata in B minor; some emphasize the experimental nature of the composer's music, its chromaticism, and its jagged, irregular surfaces. Grosvenor, though, is one of a comparative few to enter into its quasi- (or maybe not-so-quasi-) improvisatory qualities. Consider first and foremost the Sonata, where Grosvenor leads the audience into thickets where one is unsure which path will be followed next, only to resolve everything in the end in a way that makes it seem inevitable. The rest of the program follows logically from this beginning. The Années de Pèlerinage suggest the narrative quality of the sonnets that furnish their program. Grosvenor concludes brilliantly, with the Réminiscences de Norma, a rarely heard operatic paraphrase that is even more likely than the other works to have had improvised elements in performance, and the Ave Maria, S. 558, after Schubert, where equilibrium is finally reached. The world might not seem to have needed another Liszt B minor sonata, but this one has been commercially successful, and it is easy to hear why.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 01:23:50
- Künstler: Benjamin Grosvenor
- Komponist: Franz Liszt
- Label: Decca Music Group Ltd.
- Genre: Klassik
© 2021 Universal Music Operations Limited ℗ 2021 Universal Music Operations Limited
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