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Manfred Cordes - Leopold I. : Il Sagrifizio d'Abramo - Miserere

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Leopold I. : Il Sagrifizio d'Abramo - Miserere

Weser-Renaissance Bremen - Manfred Cordes

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Leopold I., Holy Roman emperor during whose lengthy reign (1658–1705) — King of Hungary, Croatia and Bohemia, Archduchy of Austria —, assigned music a central place in the cultural life of Baroque era. He encouraged the production of music at his Vienna court and composed over 150 arias in Italian, some German-language oratorios and musical comedies, and many sacred works. His oratorio Il Sagrificio d'Abramo occupies a special place among Viennese Passion compositions because the figure of Isaac is described as a prefiguration of Christ. Since the librettist, Conte Caldana, places the sacrifice scene in the foreground in the first part of his text, an entirely new level of meaning is created. As a result, Ubidienza (Obedience) and Humanità (Humanity) become Abraham's partners in dialogue from the very beginning. Although Leopold was only twenty years old at the time, he was already a composer of true mastery who was also able in his music to capture in tones the hopelessness of the situation and in part to venture beyond the actual limits of tonality as observed and understood by his contemporaries.
Leopold's Miserere is appealing above all because of its unusual instrumentation consisting exclusively of stringed instruments. (CPO)

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Leopold I. : Il Sagrifizio d'Abramo - Miserere

Manfred Cordes

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Il Sagrifizio d'Abramo (Prima Parte) (Leopold I.)

1
No. 1 Sonata
Manfred Cordes
00:03:35

Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

2
No. 2 Abramo i lumi inalza (Ubidienza, Abramo, Humanità)
Julian Podger
00:05:01

Margaret Hunter, Soprano (Ubidienza) - Julian Podger, Tenor (Abramo) - Nele Gramß, Soprano (Humanità) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

3
No. 3 Abram se tu non vai (Humanità, Abramo, Ubidienza, 2 Servi, Isac)
Nele Gramß
00:04:26

Nele Gramß, Soprano (Humanità) - Julian Podger, Tenor (Abramo) - Margaret Hunter, Soprano (Ubidienza) - Mirko Ludwig, Tenor (Servo) - Harry van der Kamp, Bass (Servo) - Monika Mauch, Sopran (Isac) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

4
No. 4 A te pur data sia (Abramo, Ubidienza, Isac)
Monika Mauch
00:04:10

Julian Podger, Tenor (Abramo) - Margaret Hunter, Soprano (Ubidienza) - Monika Mauch, Sopran (Isac) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

5
No. 5 Con faccia impavida (Abramo, Isac)
Monika Mauch
00:03:11

Julian Podger, Tenor (Abramo) - Monika Mauch, Sopran (Isac) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

6
No. 6 Qui già non pende sotto dubio (Abramo, Isac, Humanità, Ubidienza)
Monika Mauch
00:08:23

Julian Podger, Tenor (Abramo) - Monika Mauch, Sopran (Isac) - Nele Gramß, Soprano (Humanità) - Margaret Hunter, Soprano (Ubidienza) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

7
No. 7 Figlio dispon la tenera cervice (Abramo, Angelo, Isac)
Monika Mauch
00:05:05

Julian Podger, Tenor (Abramo) - Marie Luise Werneburg, Sopran (Angelo) - Monika Mauch, Sopran (Isac) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

Il Sagrifizio d'Abramo (Seconda Parte) (Leopold I.)

8
No. 8 Sonatina
Manfred Cordes
00:00:39

Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

9
No. 9 Ai colli sanguinosi (Penitenza)
Marnix de Cat
00:06:34

Marnix de Cat, Alto (Penitenza) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

10
No. 10 Al pianto, su, su (Coro di Peccatori)
Manfred Cordes
00:01:26

Margaret Hunter, Soprano - Monika Mauch, Soprano - Nele Gramß, Soprano - Marie Luise Werneburg, Soprano - Marnix de Cat, Alto - Julian Podger, Tenor - Mirko Ludwig, Tenor - Harry van der Kamp, Bass - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

11
No. 11 Flagelli sonanti (Peccator primo)
Margaret Hunter
00:01:46

Margaret Hunter, Sopran (Peccator primo) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

12
No. 12 Mio Dio ne l'ira tua (Peccator secondo)
Mirko Ludwig
00:01:32

Mirko Ludwig, Tenor (Peccator secondo) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

13
No. 13 Io rigaro la stanza (Peccator terzo)
Julian Podger
00:01:53

Julian Podger, Tenor (Peccator terzo) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

14
No. 14 Sparse le chiome vane (Peccator quarto, Choro di Peccatori)
Harry Van Der Kamp
00:03:19

Harry van der Kamp, Bass (Peccator quarto) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

15
No. 15 Si, si piangete (Penitenza)
Marnix de Cat
00:05:35

Marnix de Cat, Alto (Penitenza) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

16
No. 16 Al comun Dio pietoso (Madrigale)
Manfred Cordes
00:03:52

Margaret Hunter, Soprano - Monika Mauch, Soprano - Nele Gramß, Soprano - Marie Luise Werneburg, Soprano - Marnix de Cat, Alto - Julian Podger, Tenor - Mirko Ludwig, Tenor - Harry van der Kamp, Bass - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

Miserere (Leopold I.)

17
I. Miserere mei, Deus (Arie et Coro)
Manfred Cordes
00:03:47

Monika Mauch, Soprano - Marnix de Cat, Alto - Julian Podger, Tenor - Harry van der Kamp, Bass - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

18
II. Ecce enim in iniquitatibus conceptus sum (Recitativo, Arie & Coro)
Manfred Cordes
00:03:47

Monika Mauch, Soprano - Marnix de Cat, Alto - Julian Podger, Tenor - Harry van der Kamp, Bass - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

19
III. Cor mundum crea in me, Deus (Arie & Coro)
Manfred Cordes
00:03:26

Monika Mauch, Soprano - Marnix de Cat, Alto - Julian Podger, Tenor - Harry van der Kamp, Bass - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

20
IV. domine, labia mea aperies (Recitativo, Arie & Coro)
Manfred Cordes
00:04:22

Monika Mauch, Soprano - Marnix de Cat, Alto - Julian Podger, Tenor - Harry van der Kamp, Bass - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer

© 2020 CPO ℗ 2020 CPO

Albumbeschreibung

Leopold I., Holy Roman emperor during whose lengthy reign (1658–1705) — King of Hungary, Croatia and Bohemia, Archduchy of Austria —, assigned music a central place in the cultural life of Baroque era. He encouraged the production of music at his Vienna court and composed over 150 arias in Italian, some German-language oratorios and musical comedies, and many sacred works. His oratorio Il Sagrificio d'Abramo occupies a special place among Viennese Passion compositions because the figure of Isaac is described as a prefiguration of Christ. Since the librettist, Conte Caldana, places the sacrifice scene in the foreground in the first part of his text, an entirely new level of meaning is created. As a result, Ubidienza (Obedience) and Humanità (Humanity) become Abraham's partners in dialogue from the very beginning. Although Leopold was only twenty years old at the time, he was already a composer of true mastery who was also able in his music to capture in tones the hopelessness of the situation and in part to venture beyond the actual limits of tonality as observed and understood by his contemporaries.
Leopold's Miserere is appealing above all because of its unusual instrumentation consisting exclusively of stringed instruments. (CPO)

Informationen zur Originalaufnahme : Recorded Kirche Sankt Damian und Cosman, Thedinghausen-Lunsen, April 22-24, 2016 - Co-Production CPO / Radio Bremem

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