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Dr. John|Goin' Back To New Orleans

Goin' Back To New Orleans

Dr. John

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Having cut an album of standards on his first Warner Brothers album, In a Sentimental Mood (1989), Dr. John turned for its follow-up to a collection of New Orleans standards. On an album he described in the liner notes as "a little history of New Orleans music," Dr. John returned to his hometown and set up shop at local Ultrasonic Studios, inviting in such local musicians as Pete Fountain, Al Hirt, and the Neville Brothers and addressing the music and styles of such local legends as Jelly Roll Morton, Huey "Piano" Smith, Fats Domino, James Booker, and Professor Longhair. The geography may have been circumscribed, but the stylistic range was extensive, from jazz and blues to folk and rock. And it was all played with festive conviction -- Dr. John is the perfect archivist for the music, being one of its primary proponents, yet he had never addressed it quite as directly as he did here.

© William Ruhlmann /TiVo

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Goin' Back To New Orleans

Dr. John

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1
Lilanie Des Saints
00:04:45

Stewart Levine, Producer - Mac Rebennack, Composer - Dr. John, Piano, Vocals, MainArtist - The Neville Brothers, Vocals - Louis Moreau, Contributor

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

2
Careless Love (LP Version)
00:04:10

Alvin Tyler, Arrangement Horn - Dr. John, Organ, Vocals, MainArtist - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - Tommy Moran, Guitar - David Barard, Bass Guitar - S. Williams, Writer - Fred Staehle, Drums

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

3
My Indian Red (LP Version)
00:04:47

Danny Barker, Arranger - Stewart Levine, Producer - Amadee Castenell, Tenor Saxophone - Bruce Hammond, Trombone - Dr. John, Organ, Piano, MainArtist - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - The Neville Brothers, Vocals - Tommy Moran, Guitar - Charlie Miller, Trumpet - Kirk Joseph, Tuba - Chris Severin, Bass

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

4
Milneburg Joys (LP Version)
00:02:39

Stewart Levine, Producer - Eric Traub, Tenor Saxophone - Alvin Tyler, Arranger, Baritone Saxophone - Tommy Morgan, Guitar - Bruce Hammond, Trombone - Dr. John, Organ, Piano, Vocals, MainArtist - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - Jelly-Roll Morton, Writer - Kirk Joseph, Tuba - Chris Severin, Bass - Paul Mayers, Writer - Charles Melrose, Writer - Leon Roppola, Writer

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

5
I Thought I Heard Buddy Bolden Say (LP Version)
00:02:29

Ferdinand Morton, Writer - Stewart Levine, Producer - Dr. John, Organ, Piano, Lead Vocals, MainArtist - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - Tommy Moran, Guitar

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

6
Basin Street Blues (LP Version)
00:04:28

Stewart Levine, Producer - Bruce Hammond, Trombone - Spencer Williams, Writer - Dr. John, Organ, Piano, Lead Vocals, MainArtist - Pete Fountain, Clarinet - Umar Sharif, Trumpet

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

7
Didn't He Ramble (LP Version)
00:03:28

Eric Traub, Tenor Saxophone - Alvin Tyler, Baritone Saxophone - Tommy Morgan, Guitar - Dr. John, Organ, Piano, Vocals, MainArtist - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - Edward FRANK, Arranger - Jamil Sharif, Trumpet - Hatty Bolton, Writer

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

8
Do You Call That a Buddy? (LP Version)
00:03:54

Dr. John, Organ, Piano, MainArtist - D Raye, Writer - Wesley Wilson, Writer - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - The Neville Brothers, Vocals - Tommy Moran, Guitar - Edward FRANK, Arranger

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

9
How Come My Dog Don't Bark (When You Come Around) (LP Version)
00:04:09

Roger Lewis, Baritone Saxophone - Stewart Levine, Producer - Wardell Quezergue, Arranger - Amadee Castenell, Tenor Saxophone - Bruce Hammond, Trombone - Dr. John, MainArtist - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - Tommy Moran, Guitar - Charlie Miller, Trumpet - Chris Severin, Bass - Prince Partridge, Writer - Freddy Staehle, Drums - Frederick Kemp, Tenor Saxophone

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

10
Goodnight Irene
00:04:11

Roger Lewis, Baritone Saxophone - Wardell Quezergue, Arranger - Dr. John, Organ, Piano, Lead Vocals, MainArtist - H. Ledbetter, Writer - Charles Neville, Percussion - Alfred Roberts, Percussion - Cyril Neville, Percussion - Tommy Moran, Guitar - Stewart Levin, Producer - John Lomax, Writer - Umar Sharif, Trumpet

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

11
Fess Up (Instrumental Version)
00:03:12

Stewart Levine, Producer - Mac Rebennack, Arranger, Writer - Dr. John, Piano, MainArtist

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

12
Since I Fell for You (LP Version)
00:03:32

Wardell Quezergue, Arranger - Bruce Hammond, Trombone - Dr. John, Organ, Piano, Lead Vocals, MainArtist - Buddy Johnson, Writer - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - Chris Severin, Bass - Umar Sharif, Trumpet - Frederick Kemp, Tenor Saxophone

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

13
I'll Be Glad When You're Dead, You Rascal (You LP Version)
00:03:25

Stewart Levine, Producer - Wardell Quezergue, Arranger - Dr. John, Organ, Piano, Vocals, MainArtist - Charles Neville, Percussion - Sam Theard, Writer - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - Tommy Moran, Guitar - Chris Severin, Bass

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

14
Cabbage Head (LP Version)
00:03:59

Danny Barker, Banjo - Stewart Levine, Producer - Mac Rebennack, Writer - Wardell Quezergue, Arranger - Dr. John, Organ, Piano, Lead Vocals, MainArtist - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - Tommy Moran, Guitar - Kirk Joseph, Tuba - Chris Severin, Bass - Henry Roland Byrd, Writer - Freddy Staehle, Drums

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

15
Going Home Tomorrow
00:03:01

Stewart Levine, Producer - Eric Traub, Tenor Saxophone - Alvin Tyler, Arranger, Baritone Saxophone - Dr. John, MainArtist - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - Tommy Moran, Guitar - A.Domino, Writer - Alvin Young, Writer - Jamil Sharif, Trumpet

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

16
Blue Monday (LP Version)
00:03:01

Stewart Levine, Producer - Alvin Tyler, Arranger - Tommy Morgan, Guitar - Dr. John, Organ, Piano, Lead Vocals, MainArtist - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - D.Bartholomew, Writer - David Barad, Bass

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

17
Scald Dog Medley / I Can't Go On
00:02:58

H. SMITH, Writer - Stewart Levine, Producer - Dr. John, Organ, Piano, Lead Vocals, MainArtist - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - Tommy Moran, Guitar - A.Domino, Writer - D.Bartholomew, Writer

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

18
Goin' Back to New Orleans (LP Version)
00:04:09

Alvin Tyler, Arranger - Dr. John, Piano, Vocals, MainArtist - Charles Neville, Percussion - Alfred Roberts, Percussion - Chief Ricks, Percussion - Cyril Neville, Percussion - Ellis Walsh, Writer - The Neville Brothers, Vocals - Tommy Moran, Guitar

© 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

Albumbeschreibung

Having cut an album of standards on his first Warner Brothers album, In a Sentimental Mood (1989), Dr. John turned for its follow-up to a collection of New Orleans standards. On an album he described in the liner notes as "a little history of New Orleans music," Dr. John returned to his hometown and set up shop at local Ultrasonic Studios, inviting in such local musicians as Pete Fountain, Al Hirt, and the Neville Brothers and addressing the music and styles of such local legends as Jelly Roll Morton, Huey "Piano" Smith, Fats Domino, James Booker, and Professor Longhair. The geography may have been circumscribed, but the stylistic range was extensive, from jazz and blues to folk and rock. And it was all played with festive conviction -- Dr. John is the perfect archivist for the music, being one of its primary proponents, yet he had never addressed it quite as directly as he did here.

© William Ruhlmann /TiVo

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