Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Architects - For Those That Wish To Exist

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

For Those That Wish To Exist

Architects

Verfügbar in
logo Hi-Res
24-Bit 48.0 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

This English group has an intriguing trajectory, marked by certain stylistic choices that almost sank their career before paying off once they’d sorted out the genres. While still the standard-bearers of an aggressive metalcore with songs boasting a more melodic post-hardcore soul, Architects have long since evolved beyond their more technical and convoluted early compositions to allow the more accessible choruses to breathe. The tragic loss of guitarist Tom Searle in 2016 after a fierce three-year battle with cancer did not spell the end of the British band led by drummer Dan Searle, his twin brother. Architects turned the grief into a source of inspiration and relaunched themselves better than ever with their eighth album, Holy Hell in 2018. For Those That Wish To Exist is the second album recorded by the band since the death of Searle (with Dan the sole remaining original member). The pain and rage that roared through Holy Hell and helped them mourn have mutated into a kind of despair fuelled by a very gloomy observation about the inability of human beings to save the planet and take up their responsibilities. Committed to various environmental defense movements (Architects are closely linked to the Sea Shepherd organisation), the Brighton combo delivers an album that does not directly attack the institutions in place, but is more like sincere self-criticism, taking into account what each of us should have done before blaming others. The message is delivered with a massive guitar sound fused with electronic ingredients, making Architects’ sound more accessible, grandiose (and even cinematic) than ever. While still rocking the beefy riffs (Animals), the group fully embraces its melodic side in Black Lungs and Giving Blood with choruses braced by synthetic layers that wouldn’t be out of place in Linkin Park. Without sounding industrial, those omnipresent keyboards (Dead Butterflies, An Ordinary Extinction) occasionally evoke the work of countrymen like Enter Shikari, proof that the group is utterly of its era. So it’s no coincidence that Winston McCall, singer of Parkway Drive (the two bands share a label) drops by for a vocal in Impermanence. More surprisingly, Mike Kerr’s (Royal Blood) excellent vocal in Little Wonder shows how much more porous the boundaries between the genres are than might be believed (Simon Neil, singer of Biffy Clyro also show up for a howl later on the album). The old, more radical group is long in the rearview. Whoever decided to flirt with post-hardcore and catchy choruses made the right call. Far more accessible than in the past, Architect’s music will reach an increasingly large audience rather than bringing back older fans lost several albums ago. That’s a winning bet given the catchy aspect of the new songs. Architects were already a staple of melodic metalcore. They’re well on their way to becoming one of the genre’s undisputed leaders. © Chief Brody/Qobuz

Weitere Informationen

For Those That Wish To Exist

Architects

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 70 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 70 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
Do You Dream Of Armageddon?
00:01:38

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

2
Black Lungs
00:03:51

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

3
Giving Blood
00:03:32

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

4
Discourse Is Dead
00:03:46

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

5
Dead Butterflies
00:04:02

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

6
An Ordinary Extinction
00:04:07

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

7
Impermanence
00:04:02

Architects, MainArtist - Sam Carter, ComposerLyricist - Winston McCall, FeaturedArtist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

8
Flight Without Feathers
00:03:48

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

9
Little Wonder
00:03:47

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Mike Kerr, FeaturedArtist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

10
Animals
00:04:04

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

11
Libertine
00:04:01

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

12
Goliath
00:04:17

Simon Neil, FeaturedArtist - Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

13
Demi God
00:04:26

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

14
Meteor
00:04:01

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

15
Dying Is Absolutely Safe
00:04:59

Architects, MainArtist - Sam Carter, ComposerLyricist - Josh Middleton, Producer, ComposerLyricist - Alex Dean, ComposerLyricist - Dan Searle, Lyricist, Producer, ComposerLyricist - Zakk Cervini, Mixer - Music Of The Mothership, MusicPublisher - Adam Christianson, ComposerLyricist

2020 Epitaph 2020 Epitaph

Albumbeschreibung

This English group has an intriguing trajectory, marked by certain stylistic choices that almost sank their career before paying off once they’d sorted out the genres. While still the standard-bearers of an aggressive metalcore with songs boasting a more melodic post-hardcore soul, Architects have long since evolved beyond their more technical and convoluted early compositions to allow the more accessible choruses to breathe. The tragic loss of guitarist Tom Searle in 2016 after a fierce three-year battle with cancer did not spell the end of the British band led by drummer Dan Searle, his twin brother. Architects turned the grief into a source of inspiration and relaunched themselves better than ever with their eighth album, Holy Hell in 2018. For Those That Wish To Exist is the second album recorded by the band since the death of Searle (with Dan the sole remaining original member). The pain and rage that roared through Holy Hell and helped them mourn have mutated into a kind of despair fuelled by a very gloomy observation about the inability of human beings to save the planet and take up their responsibilities. Committed to various environmental defense movements (Architects are closely linked to the Sea Shepherd organisation), the Brighton combo delivers an album that does not directly attack the institutions in place, but is more like sincere self-criticism, taking into account what each of us should have done before blaming others. The message is delivered with a massive guitar sound fused with electronic ingredients, making Architects’ sound more accessible, grandiose (and even cinematic) than ever. While still rocking the beefy riffs (Animals), the group fully embraces its melodic side in Black Lungs and Giving Blood with choruses braced by synthetic layers that wouldn’t be out of place in Linkin Park. Without sounding industrial, those omnipresent keyboards (Dead Butterflies, An Ordinary Extinction) occasionally evoke the work of countrymen like Enter Shikari, proof that the group is utterly of its era. So it’s no coincidence that Winston McCall, singer of Parkway Drive (the two bands share a label) drops by for a vocal in Impermanence. More surprisingly, Mike Kerr’s (Royal Blood) excellent vocal in Little Wonder shows how much more porous the boundaries between the genres are than might be believed (Simon Neil, singer of Biffy Clyro also show up for a howl later on the album). The old, more radical group is long in the rearview. Whoever decided to flirt with post-hardcore and catchy choruses made the right call. Far more accessible than in the past, Architect’s music will reach an increasingly large audience rather than bringing back older fans lost several albums ago. That’s a winning bet given the catchy aspect of the new songs. Architects were already a staple of melodic metalcore. They’re well on their way to becoming one of the genre’s undisputed leaders. © Chief Brody/Qobuz

Informationen zu dem Album

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Debussy – Rameau

Víkingur Ólafsson

Debussy – Rameau Víkingur Ólafsson

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Philip Glass: Piano Works

Víkingur Ólafsson

Philip Glass: Piano Works Víkingur Ólafsson

Prokofiev: Piano Concerto No.3 / Ravel: Piano Concerto In G Major

Martha Argerich

Mehr auf Qobuz
Von Architects

Animals

Architects

Animals Architects

Holy Hell

Architects

Holy Hell Architects

All Our Gods Have Abandoned Us

Architects

Lost Forever // Lost Together

Architects

Meteor

Architects

Meteor Architects

Playlists

Das könnte Ihnen auch gefallen...

Back In Black

AC/DC

Highway To Hell

AC/DC

S&M2

Metallica

S&M2 Metallica

Metallica

Metallica

Metallica Metallica

IMPERIAL

Soen

IMPERIAL Soen
Panorama-Artikel...
Destination Mond: The Dark Side of the Moon

Das Flaggschiff der Diskografie von Pink Floyd, "The Dark Side of the Moon", ist das Ergebnis eines relativ langen Arbeitsprozesses, der beinahe bis 1968 zurückreicht. Für Nick Mason hat alles mit dem Album "A Saucerful of Secrets" begonnen. Danach folgte die Platte "Ummagumma", auf der die verschiedenen Persönlichkeiten sich ausdrücken und zusammenschließen konnten. Pink Floyd setzten ihre Suche nach dem idealen Album anschließend mit "Meddle" (mit dem die Band abermals unter Beweis stellte, wie sehr sie die Arbeit im Studios meistert) und "Atom Heart Mother" fort, bevor sie mit "The Dark Side of the Moon" ein Nirwana erreichen, dessen Perfektion auch 45 Jahre nach seiner Veröffentlichung nicht verblasst ist.​

Das Goldene Zeitalter des amerikanischen Death-Metal

Death Metal, diabolische Untergattung des Heavy Metal und häufig abgelehnt, parodiert oder falsch interpretiert, konnte im Lauf der Jahrzehnte trotzdem Publikum erobern. Die Musikrichtung ist in den 80er Jahren entstanden und entwickelt sich seither weiter, von der anfänglichen Suche nach größtmöglicher Brutalität bis hin zu einem Crossover mit populären Genres in jüngerer Zeit. Ein Blick zurück auf ihre Ursprünge mit anschließendem Zoom auf die schwedische Szene.

Metallica, der Weg zum Mainstream

Mit 125 Millionen verkauften Alben weltweit, darunter ca. 30 Millionen Exemplare des "Black Album", ist Metallica eines der überraschendsten Phänomene der Popmusik in den letzten 50 Jahren. Wie hat es eine Metal-Band mit ihren komplizierten Songs geschafft, sich auf die Höhe von Madonna oder Michael Jackson hinaufzuschwingen? Durch Intuition und Entschlossenheit. Ein Blick zurück auf die Anfänge der wichtigsten Metal-Band der Geschichte.

Aktuelles...