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Kenny Chesney|Everywhere We Go

Everywhere We Go

Kenny Chesney

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Kenny Chesney's voice has always been a remarkable instrument, capable of a wide range of emotional expression, despite Chesney's subtle approach and laid-back delivery. On Everywhere We Go, however, this unique talent seems wasted on too many cookie-cutter ballads and country-rock numbers that don't even pretend to rock. Chesney is at his best on songs like "What I Need to Do," a Don Henley-like mid-tempo pop song. The song's quietly desperate, regular guy lyrics fit Chesney like a glove, and consequently make ridiculous country stud-muffin filler like "She Thinks My Tractor's Sexy" sound completely out of place. In its finest moments, this album recalls the work of Don Williams. Unfortunately, these moments are rare; unlike Williams, Chesney seems afraid to explore the darker areas of his psyche and is content to wallow in Hallmark card emotional territory. The musicianship on Everywhere We Go is superb (typical for Nashville studio cats), yet the players here -- like Chesney -- have little meat in which to sink their teeth and, thus, sound a bit sleepy.

© Pemberton Roach /TiVo

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Everywhere We Go

Kenny Chesney

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1
What I Need to Do
Kenny Chesney
00:04:03

Jim Cotton, Recording Engineer - Dennis Wilson, Background Vocal - Thomas William Damphier, Composer - Thomas William Damphier, Lyricist - Norro Wilson, Producer - Kenny Chesney, Performer - John Wesley Ryles, Background Vocal - Buddy Cannon, Producer - Kevin Beamish, Mixing Engineer - Bill Luther, Composer - Bill Luther, Lyricist

(P) 1999 Sony Music Entertainment

2
How Forever Feels
Kenny Chesney
00:03:08

Jim Cotton, Recording Engineer - Cindy Walker, Background Vocal - Dennis Wilson, Background Vocal - Wendell Mobley, Composer - Wendell Mobley, Lyricist - Norro Wilson, Producer - Kenny Chesney, Performer - Tony Mullins, Composer - Tony Mullins, Lyricist - Buddy Cannon, Producer - Kevin Beamish, Mixing Engineer

(P) 1999 Sony Music Entertainment

3
You Had Me from Hello
Kenny Chesney
00:03:50

Dennis Wilson, Background Vocal - Jim Cotton, Recording Engineer - Kenny Chesney, Performer - Kenny Chesney, Composer - Kenny Chesney, Lyricist - Skip Ewing, Composer - Skip Ewing, Lyricist - Buddy Cannon, Producer - Cindy Walker, Background Vocal - Kevin Beamish, Mixing Engineer - Norro Wilson, Producer

(P) 1999 Sony Music Entertainment

4
Kiss Me, Kiss Me, Kiss Me (Remix)
Kenny Chesney
00:04:01

Liana Manis, Background Vocal - Brett James, Composer - Brett James, Lyricist - Curtis "Mr. Harmony" Young, Background Vocal - Kenny Chesney, Performer - Buddy Cannon, Producer - Norro Wilson, Producer

(P) 1999 Sony Music Entertainment

5
Life Is Good
Kenny Chesney
00:03:25

Dennis Wilson, Background Vocal - Jeff Stevens, Composer - Jeff Stevens, Lyricist - John Wesley Ryles, Background Vocal - Kenny Chesney, Performer - Buddy Cannon, Producer - Norro Wilson, Producer - Steve Bogard, Composer - Steve Bogard, Lyricist

(P) 1999 Sony Music Entertainment

6
Everywhere We Go
Kenny Chesney
00:03:05

Dennis Wilson, Background Vocal - Shannon Brown, Background Vocal - Kenny Chesney, Performer - Buddy Cannon, Producer - Paul Overstreet, Composer - Paul Overstreet, Lyricist - Norro Wilson, Producer

(P) 1999 Sony Music Entertainment

7
She Thinks My Tractor's Sexy (Album Version)
Kenny Chesney
00:04:08

Jim Cotton, Recording Engineer - Paul Overstreet, Composer - Paul Overstreet, Lyricist - Dennis Wilson, Background Vocal - Norro Wilson, Producer - Kenny Chesney, Performer - Jim Collins, Composer - Jim Collins, Lyricist - John Wesley Ryles, Background Vocal - Buddy Cannon, Producer - Buddy Cannon, Background Vocal - Kevin Beamish, Mixing Engineer

(P) 1999 Sony Music Entertainment

8
California
Kenny Chesney
00:03:52

Curtis "Mr. Harmony" Young, Background Vocal - Dennis Wilson, Background Vocal - Norro Wilson, Producer - Kenny Chesney, Performer - Chris Lindsey, Composer - Chris Lindsey, Lyricist - Aimee Mayo, Composer - Aimee Mayo, Lyricist - Buddy Cannon, Producer - Buddy Cannon, Background Vocal - Wyatt Beard, Background Vocal - Bill Luther, Composer - Bill Luther, Lyricist

(P) 1999 Sony Music Entertainment

9
Baptism
Kenny Chesney Duet With Randy Travis
00:04:15

Jim Cotton, Recording Engineer - Curtis "Mr. Harmony" Young, Background Vocal - Dennis Wilson, Background Vocal - Norro Wilson, Producer - Louis D. Nunley, Background Vocal - Kenny Chesney Duet With Randy Travis, Performer - Buddy Cannon, Producer - Buddy Cannon, Background Vocal - Kevin Beamish, Mixing Engineer - Mickey Cates, Composer - Mickey Cates, Lyricist

(P) 1999 Sony Music Entertainment

10
A Woman Knows
Kenny Chesney
00:03:40

Wyatt Beard, Background Vocal - Dennis Wilson, Background Vocal - John Wesley Ryles, Background Vocal - Kenny Chesney, Performer - Kenny Chesney, Composer - Kenny Chesney, Lyricist - Buddy Cannon, Producer - Buddy Cannon, Background Vocal - Don Sampson, Composer - Don Sampson, Lyricist - Paul Overstreet, Composer - Paul Overstreet, Lyricist - Norro Wilson, Producer

(P) 1999 Sony Music Entertainment

11
I Might Get over You (Recut Version)
Kenny Chesney
00:03:23

Wyatt Beard, Background Vocal - Dennis Wilson, Background Vocal - John Wesley Ryles, Background Vocal - Kenny Chesney, Performer - Skip Ewing, Composer - Skip Ewing, Lyricist - Buddy Cannon, Producer - Kent Blazy, Composer - Kent Blazy, Lyricist - Norro Wilson, Producer

(P) 1999 Sony Music Entertainment

Albumbeschreibung

Kenny Chesney's voice has always been a remarkable instrument, capable of a wide range of emotional expression, despite Chesney's subtle approach and laid-back delivery. On Everywhere We Go, however, this unique talent seems wasted on too many cookie-cutter ballads and country-rock numbers that don't even pretend to rock. Chesney is at his best on songs like "What I Need to Do," a Don Henley-like mid-tempo pop song. The song's quietly desperate, regular guy lyrics fit Chesney like a glove, and consequently make ridiculous country stud-muffin filler like "She Thinks My Tractor's Sexy" sound completely out of place. In its finest moments, this album recalls the work of Don Williams. Unfortunately, these moments are rare; unlike Williams, Chesney seems afraid to explore the darker areas of his psyche and is content to wallow in Hallmark card emotional territory. The musicianship on Everywhere We Go is superb (typical for Nashville studio cats), yet the players here -- like Chesney -- have little meat in which to sink their teeth and, thus, sound a bit sleepy.

© Pemberton Roach /TiVo

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