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Deer Tick|Divine Providence

Divine Providence

Deer Tick

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The fourth full-length studio album from singer/songwriter John McCauley's ragged, lo-fi, alt-country, indie rock outfit Deer Tick sounds more like the band that occasionally devotes entire sets to Nirvana under the “Deervana” moniker than it does the folksy, garage-bound hybrid of Nebraska-era Springsteen and Tom Petty & the Heartbreakers that appeared on earlier albums. Recorded in the band’s hometown of Providence, Rhode Island, Divine Providence sounds like last call and feels like the morning after, offering up 12 slabs of Stooges and Stones-inspired raw power that celebrate the sweet lows and fleeting highs of being young, numb, and full of rum in a blue-collar town with nothing to lose. Closer in tone to the band’s raucous live shows, Deer Tick channel Damaged-era Black Flag on “The Bump” and “Let’s All Go to the Bar,” mid-period Spoon on “Main Street” and “Make Believe,” and a less self-aware Hold Steady on “Chevy Express” and “Something to Brag About,” resulting in their loosest, wildest, and most honest collection of Saturday night/Sunday morning pining/drinking songs to date.
© James Christopher Monger /TiVo

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Divine Providence

Deer Tick

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1
The Bump
00:03:29

Deer Tick, Producer, MainArtist - Justin Collins, Producer - Adam Landry, Producer - John McAuley, Composer

2011 Partisan Records 2011 Partisan Records

2
Funny Word Explicit
00:04:50

Deer Tick, Producer, MainArtist - Justin Collins, Producer - Adam Landry, Producer - John McAuley, Composer

2011 Partisan Records 2011 Partisan Records

3
Let's All Go to the Bar
00:03:18

Deer Tick, Producer, MainArtist - Justin Collins, Producer - Adam Landry, Producer - John McCauley III, Composer - Ian O'Neil, Composer - Robbie Crowell, Composer

2011 Partisan Records 2011 Partisan Records

4
Clownin Around
00:04:25

Deer Tick, Producer, MainArtist - Justin Collins, Producer - Adam Landry, Producer - Dennis Michael Ryan, Composer

2011 Partisan Records 2011 Partisan Records

5
Main Street
00:03:49

Deer Tick, Producer, MainArtist - Justin Collins, Producer - Adam Landry, Producer - John McAuley, Composer

2011 Partisan Records 2011 Partisan Records

6
Chevy Express
00:03:46

Deer Tick, Producer, MainArtist - Justin Collins, Producer - Adam Landry, Producer - John McAuley, Composer

2011 Partisan Records 2011 Partisan Records

7
Something to Brag About
00:02:18

Deer Tick, Producer, MainArtist - Justin Collins, Producer - Adam Landry, Producer - John McAuley, Composer

2011 Partisan Records 2011 Partisan Records

8
Walkin Out the Door Explicit
00:03:38

Deer Tick, Producer, MainArtist - Justin Collins, Producer - Adam Landry, Producer - Ian O'Neil, Composer - Johnny Fritz, Composer

2011 Partisan Records 2011 Partisan Records

9
Make Believe
00:03:27

Deer Tick, Producer, MainArtist - Justin Collins, Producer - Adam Landry, Producer - John McAuley, Composer

2011 Partisan Records 2011 Partisan Records

10
Now It's Your Turn
00:04:31

Deer Tick, Producer, MainArtist - Justin Collins, Producer - Adam Landry, Producer - Ian O'Neil, Composer

2011 Partisan Records 2011 Partisan Records

11
Electric
00:04:16

Deer Tick, Producer, MainArtist - Justin Collins, Producer - Adam Landry, Producer - John McAuley, Composer

2011 Partisan Records 2011 Partisan Records

12
Miss K. Explicit
00:03:23

Deer Tick, Producer, MainArtist - Justin Collins, Producer - Adam Landry, Producer - John McAuley, Composer

2011 Partisan Records 2011 Partisan Records

Albumbeschreibung

The fourth full-length studio album from singer/songwriter John McCauley's ragged, lo-fi, alt-country, indie rock outfit Deer Tick sounds more like the band that occasionally devotes entire sets to Nirvana under the “Deervana” moniker than it does the folksy, garage-bound hybrid of Nebraska-era Springsteen and Tom Petty & the Heartbreakers that appeared on earlier albums. Recorded in the band’s hometown of Providence, Rhode Island, Divine Providence sounds like last call and feels like the morning after, offering up 12 slabs of Stooges and Stones-inspired raw power that celebrate the sweet lows and fleeting highs of being young, numb, and full of rum in a blue-collar town with nothing to lose. Closer in tone to the band’s raucous live shows, Deer Tick channel Damaged-era Black Flag on “The Bump” and “Let’s All Go to the Bar,” mid-period Spoon on “Main Street” and “Make Believe,” and a less self-aware Hold Steady on “Chevy Express” and “Something to Brag About,” resulting in their loosest, wildest, and most honest collection of Saturday night/Sunday morning pining/drinking songs to date.
© James Christopher Monger /TiVo

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