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Daniel Heide - Dichterliebe

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Dichterliebe

Daniel Heide and Patrick Grahl

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Text in englischer Sprache verfügbar

Even more than in Beethoven's case, Mendelssohn's Lieder were intended for performance in the salons of the prosperous bourgeoisie: a convivial circle of highly qualified connoisseurs who shared the same outlook, and often a similar financial status. Those members of the upper middle classes were the musical link and the sociological crossroads between Hausmusik and the concert hall. Mendelssohn often wrote songs as gifts for the friends he was visiting, frequently as settings of their own texts: the considerable technical challenges they contained still needed to be manageable for members of those circles.
Thanks to their songlike or folk-like character, certain works by Mendelssohn (for instance from oratorios such as Elijah) became true classics, even across broad swaths of the population. The narrower the compositional framework in his songs, the more noteworthy were Mendelssohn's divergences: he often unobtrusively proved his mastery by varying upon a strict form (extending phrases or inserting small elements of surprise in strophic songs), thus providing variety, excitement, and ironic musical fractures.

Robert Schumann's Lied output was probably more crucial for his existence than in Mendelssohn's case, and likewise more significant due to the artistic dialogue he held with his wife Clara: songs thus took up a greater place in his life. Composed in Leipzig in 1840 (Schumann's well-known "year of songs"), Dichterliebe Op. 48 on texts by Heinrich Heine offers an excellent example of Schumann's use of a self-contained episode with a homogeneous poetic idea as a point of departure for an entire song cycle. Thus he not only rearranged the order of Heine's poems from the Lyric Intermezzo (published in 1827 as part of Das Buch der Lieder), but chose the title "Dichterliebe" ("The Love of a Poet") himself. Here the piano goes far beyond pure instrumental accompaniment: instead of merely illustrating the text, it provides its own dimension of interpretation as a partner on equal standing with the voice, both in terms of extension as well in terms of artistic niveau.

This recital is the first solo album from German tenor Patrick Grahl, accompanied by Daniel Heide.
© CAvi-Music

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Dichterliebe

Daniel Heide

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1
An die ferne Geliebte, Op. 98
Patrick Grahl
00:12:55

Ludwig van Beethoven, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

2
Six Songs, Op. 19A: No. 5. Gruß
Patrick Grahl
00:01:50

Felix Mendelssohn, Composer - Anonymous, Lyricist - Universal Edition, MusicPublisher - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

3
Three Songs, Op. 84: No. 2. Herbstlied
Patrick Grahl
00:04:40

Felix Mendelssohn, Composer - Anonymous, Lyricist - Universal Edition, MusicPublisher - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

4
Six Songs, Op. 71: No. 4. Schilflied
Patrick Grahl
00:03:23

Felix Mendelssohn, Composer - Anonymous, Lyricist - Universal Edition, MusicPublisher - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

5
Six Gesaenge, Op. 86: No. 5. Der Mond
Patrick Grahl
00:02:07

Felix Mendelssohn, Composer - Anonymous, Lyricist - Universal Edition, MusicPublisher - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

6
Six Gesaenge, Op. 34: No. 6. Reiselied
Patrick Grahl
00:02:46

Felix Mendelssohn, Composer - Anonymous, Lyricist - Universal Edition, MusicPublisher - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

7
Six Gesaenge, Op. 34: No. 2. Auf Flügeln des Gesanges
Patrick Grahl
00:02:54

Felix Mendelssohn, Composer - Anonymous, Lyricist - Universal Edition, MusicPublisher - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

8
Six Songs, Op. 57: No. 2. Venezianisches Gondellied
Patrick Grahl
00:02:35

Felix Mendelssohn, Composer - Anonymous, Lyricist - Universal Edition, MusicPublisher - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

9
Six Songs, Op. 57: No. 6. Wanderlied
Patrick Grahl
00:02:06

Felix Mendelssohn, Composer - Anonymous, Lyricist - Universal Edition, MusicPublisher - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

10
Six Songs, Op. 71: No. 6. Nachtlied
Patrick Grahl
00:02:34

Felix Mendelssohn, Composer - Anonymous, Lyricist - Universal Edition, MusicPublisher - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

11
Dichterliebe, Op. 48: No. 1. Im wunderschönen Monat Mai
Patrick Grahl
00:01:40

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

12
Dichterliebe, Op. 48: No. 2. Aus meinen tränen spriessen
Patrick Grahl
00:01:01

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

13
Dichterliebe, Op. 48: No. 3. Die Rose, die Lilie, die Taube
Patrick Grahl
00:00:38

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

14
Dichterliebe, Op. 48: No. 4. Wenn ich in deine Augen seh'
Patrick Grahl
00:01:47

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

15
Dichterliebe, Op. 48: No. 5. Ich will meine Seele tauchen
Patrick Grahl
00:00:56

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

16
Dichterliebe, Op. 48: No. 6. Im Rhein, im heiligen Strome
Patrick Grahl
00:02:26

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

17
Dichterliebe, Op. 48: No. 7. Ich grolle nicht
Patrick Grahl
00:01:35

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

18
Dichterliebe, Op. 48: No. 8. Und wüsstens die Blumen, die kleinen
Patrick Grahl
00:01:18

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

19
Dichterliebe, Op. 48: No. 9. Das ist ein Flöten und Geigen
Patrick Grahl
00:01:39

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

20
Dichterliebe, Op. 48: No. 10. Hör ich das Liedc hen klingen
Patrick Grahl
00:02:22

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

21
Dichterliebe, Op. 48: No. 11. Ein Jüngling liebt ein Mädchen
Patrick Grahl
00:01:08

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

22
Dichterliebe, Op. 48: No. 12. Am leuchtenden Sommermorgen
Patrick Grahl
00:02:26

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

23
Dichterliebe, Op. 48: No. 13. Ich hab' im Traum geweinet
Patrick Grahl
00:02:23

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

24
Dichterliebe, Op. 48: No. 14. Allnächtliche im Truume
Patrick Grahl
00:01:19

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

25
Dichterliebe, Op. 48: No. 15. Aus alten Märchen
Patrick Grahl
00:02:27

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

26
Dichterliebe, Op. 48: No.. 16 Die alten, bösen Lieder
Patrick Grahl
00:05:12

Robert Schumann, Composer - Anonymous, Lyricist - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer - Edition Peters, MusicPublisher

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

27
Liederkreis, Op. 39: No. 5. Mondnacht
Patrick Grahl
00:04:19

Robert Schumann, Composer - Anonymous, Lyricist - Universal Edition, MusicPublisher - Patrick Grahl, MainArtist, AssociatedPerformer - Daniel Heide, MainArtist, AssociatedPerformer

2020 Avi-Service for music 2020 Patrick Grahl, exclusively licensed to Avi-Service for music

Albumbeschreibung

Even more than in Beethoven's case, Mendelssohn's Lieder were intended for performance in the salons of the prosperous bourgeoisie: a convivial circle of highly qualified connoisseurs who shared the same outlook, and often a similar financial status. Those members of the upper middle classes were the musical link and the sociological crossroads between Hausmusik and the concert hall. Mendelssohn often wrote songs as gifts for the friends he was visiting, frequently as settings of their own texts: the considerable technical challenges they contained still needed to be manageable for members of those circles.
Thanks to their songlike or folk-like character, certain works by Mendelssohn (for instance from oratorios such as Elijah) became true classics, even across broad swaths of the population. The narrower the compositional framework in his songs, the more noteworthy were Mendelssohn's divergences: he often unobtrusively proved his mastery by varying upon a strict form (extending phrases or inserting small elements of surprise in strophic songs), thus providing variety, excitement, and ironic musical fractures.

Robert Schumann's Lied output was probably more crucial for his existence than in Mendelssohn's case, and likewise more significant due to the artistic dialogue he held with his wife Clara: songs thus took up a greater place in his life. Composed in Leipzig in 1840 (Schumann's well-known "year of songs"), Dichterliebe Op. 48 on texts by Heinrich Heine offers an excellent example of Schumann's use of a self-contained episode with a homogeneous poetic idea as a point of departure for an entire song cycle. Thus he not only rearranged the order of Heine's poems from the Lyric Intermezzo (published in 1827 as part of Das Buch der Lieder), but chose the title "Dichterliebe" ("The Love of a Poet") himself. Here the piano goes far beyond pure instrumental accompaniment: instead of merely illustrating the text, it provides its own dimension of interpretation as a partner on equal standing with the voice, both in terms of extension as well in terms of artistic niveau.

This recital is the first solo album from German tenor Patrick Grahl, accompanied by Daniel Heide.
© CAvi-Music

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