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Ivan Repušić|Damian Močnik: Johannes-passion „Passio Domini nostri Iesu Christi secundum Ioannem“(„Das Leiden unseres Herrn Jesus Christus nach Johannes“)für Soli, Chor, Orgel und Orchester

Damian Močnik: Johannes-passion „Passio Domini nostri Iesu Christi secundum Ioannem“(„Das Leiden unseres Herrn Jesus Christus nach Johannes“)für Soli, Chor, Orgel und Orchester

Ivan Repušić, Slowenischer philharmonischer Chor and Münchner Rundfunkorchester featuring Lydia Teuscher, Attilio Glaser, Rok Ferenčak, Gabriel Rollinson, Tadej Osvald, Max Hanft and Siobhán Stagg

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Damijan Močnik composed his Johannespassion ("St. John Passion") in 2011 in Ljubljana, Slovenia, for large orchestra, soloists, and chorus. This 2022 version is a bit pared down, featuring woodwind, percussion, and strings along with the chorus. The effect of this is to highlight the percussion, and indeed, this work is a percussionist's dream, right from the big timpani strokes that mark the beginning of the narrative. To offer a St. John's Passion in the face of the examples by Bach and Schütz takes nerve, but Močnik's work can stand on its own. He combines a melodic idiom rooted in the medieval era, especially in Gregorian chant, with an operatic dynamic. The setting is stark and monumental, even in the reduced setting. Močnik deploys six soloists, including a female Historicus (or narrator); soprano Siobhan Stagg has a heavy load and sustains dramatic interest. Jesus is a ponderous bass-baritone. There is a large cast of nine solo parts, with two soloists taking two parts each. Conductor Ivan Repušić, leading the Munich Radio Orchestra and Slovenian Philharmonic Choir, is equal to the music's ambitions and to the challenge of holding multiple large ensembles together. Močnik is a composer who once conducted a choir of 1,700 singers, and this is music for those who value grand gestures. They will find this Passion setting convincing and fresh.
© James Manheim /TiVo

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Damian Močnik: Johannes-passion „Passio Domini nostri Iesu Christi secundum Ioannem“(„Das Leiden unseres Herrn Jesus Christus nach Johannes“)für Soli, Chor, Orgel und Orchester

Ivan Repušić

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Johannes-Passion (Damian Močnik)

1
I. In principio erat verbum
Slowenischer philharmonischer Chor
00:09:57

Münchner Rundfunkorchester, MainArtist, AssociatedPerformer - Max Hanft, FeaturedArtist - Lydia Teuscher, FeaturedArtist, AssociatedPerformer - Siobhan Stagg, FeaturedArtist, AssociatedPerformer - Ivan Repusic, MainArtist, AssociatedPerformer - Damian Močnik, Composer - Gabriel Rollinson, FeaturedArtist, AssociatedPerformer - Slowenischer philharmonischer Chor, MainArtist, AssociatedPerformer

2023 BR-Klassik 2023 (P) BR-Klassik

2
II. Festum paschale
Slowenischer philharmonischer Chor
00:10:29

Münchner Rundfunkorchester, MainArtist, AssociatedPerformer - Max Hanft, FeaturedArtist - Siobhan Stagg, FeaturedArtist, AssociatedPerformer - Ivan Repusic, MainArtist, AssociatedPerformer - Damian Močnik, Composer - Gabriel Rollinson, FeaturedArtist, AssociatedPerformer - Slowenischer philharmonischer Chor, MainArtist, AssociatedPerformer - Rok Ferenčak, FeaturedArtist, AssociatedPerformer

2023 BR-Klassik 2023 (P) BR-Klassik

3
III. Gethsemani
Slowenischer philharmonischer Chor
00:06:05

Münchner Rundfunkorchester, MainArtist, AssociatedPerformer - Max Hanft, FeaturedArtist - Lydia Teuscher, FeaturedArtist, AssociatedPerformer - Siobhan Stagg, FeaturedArtist, AssociatedPerformer - Ivan Repusic, MainArtist, AssociatedPerformer - Damian Močnik, Composer - Gabriel Rollinson, FeaturedArtist, AssociatedPerformer - Slowenischer philharmonischer Chor, MainArtist, AssociatedPerformer

2023 BR-Klassik 2023 (P) BR-Klassik

4
IV. Petrus
Slowenischer philharmonischer Chor
00:07:29

Münchner Rundfunkorchester, MainArtist, AssociatedPerformer - Max Hanft, FeaturedArtist - Lydia Teuscher, FeaturedArtist, AssociatedPerformer - Siobhan Stagg, FeaturedArtist, AssociatedPerformer - Ivan Repusic, MainArtist, AssociatedPerformer - Damian Močnik, Composer - Gabriel Rollinson, FeaturedArtist, AssociatedPerformer - Slowenischer philharmonischer Chor, MainArtist, AssociatedPerformer - Rok Ferenčak, FeaturedArtist, AssociatedPerformer - Tadej Osvald, FeaturedArtist, AssociatedPerformer

2023 BR-Klassik 2023 (P) BR-Klassik

5
V. Pilatus
Slowenischer philharmonischer Chor
00:12:49

Münchner Rundfunkorchester, MainArtist, AssociatedPerformer - Max Hanft, FeaturedArtist - Lydia Teuscher, FeaturedArtist, AssociatedPerformer - Siobhan Stagg, FeaturedArtist, AssociatedPerformer - Ivan Repusic, MainArtist, AssociatedPerformer - Damian Močnik, Composer - Gabriel Rollinson, FeaturedArtist, AssociatedPerformer - Slowenischer philharmonischer Chor, MainArtist, AssociatedPerformer - Attilio Glaser, FeaturedArtist, AssociatedPerformer

2023 BR-Klassik 2023 (P) BR-Klassik

6
VI. Amor in aeternum
Slowenischer philharmonischer Chor
00:12:19

Münchner Rundfunkorchester, MainArtist, AssociatedPerformer - Max Hanft, FeaturedArtist - Lydia Teuscher, FeaturedArtist, AssociatedPerformer - Siobhan Stagg, FeaturedArtist, AssociatedPerformer - Ivan Repusic, MainArtist, AssociatedPerformer - Damian Močnik, Composer - Gabriel Rollinson, FeaturedArtist, AssociatedPerformer - Slowenischer philharmonischer Chor, MainArtist, AssociatedPerformer - Rok Ferenčak, FeaturedArtist, AssociatedPerformer - Tadej Osvald, FeaturedArtist, AssociatedPerformer - Attilio Glaser, FeaturedArtist, AssociatedPerformer

2023 BR-Klassik 2023 (P) BR-Klassik

Albumbeschreibung

Damijan Močnik composed his Johannespassion ("St. John Passion") in 2011 in Ljubljana, Slovenia, for large orchestra, soloists, and chorus. This 2022 version is a bit pared down, featuring woodwind, percussion, and strings along with the chorus. The effect of this is to highlight the percussion, and indeed, this work is a percussionist's dream, right from the big timpani strokes that mark the beginning of the narrative. To offer a St. John's Passion in the face of the examples by Bach and Schütz takes nerve, but Močnik's work can stand on its own. He combines a melodic idiom rooted in the medieval era, especially in Gregorian chant, with an operatic dynamic. The setting is stark and monumental, even in the reduced setting. Močnik deploys six soloists, including a female Historicus (or narrator); soprano Siobhan Stagg has a heavy load and sustains dramatic interest. Jesus is a ponderous bass-baritone. There is a large cast of nine solo parts, with two soloists taking two parts each. Conductor Ivan Repušić, leading the Munich Radio Orchestra and Slovenian Philharmonic Choir, is equal to the music's ambitions and to the challenge of holding multiple large ensembles together. Močnik is a composer who once conducted a choir of 1,700 singers, and this is music for those who value grand gestures. They will find this Passion setting convincing and fresh.
© James Manheim /TiVo

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