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Lisa Loeb|Cake And Pie

Cake And Pie

Lisa Loeb

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There was a gap of about five years between Loeb's second and third albums, which is enough time for some sort of significant growth or stylistic alternation to have taken place. There's not much of such things on Cake & Pie, however. Loeb remains an above-average major-label singer/songwriter, given to pensive self-reflection that doesn't quite cross the line into self-absorption. The emphasis is on intense examination of the motives that drive, maintain, and sometimes erode relationships, passionate without boiling into a rage. Perhaps she should get a little more uncoiled once in a while, though, as the hardest-rocking numbers here, like "Payback" and "Too Fast Driving," deviate enough from her established brainy-yet-emotional persona to command a little more attention than usual. On the more expected acoustic-colored numbers, "She's Falling Apart" is, again, a standout in that it strips down the production to enough basics that the arrangement has an unguarded edginess on par with the wary uncertainty of the lyrics. Otherwise the melodies and playing tend too much toward average modern rock, albeit with more heart and intellect than most. As a singer, she remains pleasant and confident, but not so unique or fiery that she burns into the synapses as well as the best storytelling songwriters do.

© Richie Unterberger /TiVo

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Cake And Pie

Lisa Loeb

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1
The Way It Really Is
00:03:57

Lindy Robbins, ComposerLyricist - GLEN BALLARD, ComposerLyricist - PETER COLLINS, Producer - Lisa Loeb, Producer, MainArtist, ComposerLyricist

℗ 2001 UMG Recordings, Inc.

2
Bring Me Up
00:03:27

PETER COLLINS, Producer - Lisa Loeb, Producer, MainArtist, ComposerLyricist

℗ 2001 UMG Recordings, Inc.

3
Underdog
00:03:00

Dweezil Zappa, Producer, ComposerLyricist - PETER COLLINS, Producer - Lisa Loeb, Producer, MainArtist, ComposerLyricist

℗ 2001 UMG Recordings, Inc.

4
Everyday
00:04:01

Randy Scruggs, Producer, ComposerLyricist - Lisa Loeb, Producer, MainArtist, ComposerLyricist

℗ 2001 UMG Recordings, Inc.

5
Someone You Should Know
00:03:20

Dave Bassett, ComposerLyricist - PETER COLLINS, Producer - Lisa Loeb, Producer, MainArtist, ComposerLyricist - Ben Loeb, Conductor

℗ 2001 UMG Recordings, Inc.

6
Drops Me Down
00:02:59

Dweezil Zappa, Producer, Guitar, AssociatedPerformer - Lisa Loeb, MainArtist, ComposerLyricist

℗ 2001 UMG Recordings, Inc.

7
We Could Still Belong Together
00:02:58

Sheppard Solomon, ComposerLyricist - Dweezil Zappa, Producer - Sean Kelly, ComposerLyricist - Lisa Loeb, Producer, MainArtist, ComposerLyricist

℗ 2001 UMG Recordings, Inc.

8
Kick Start
00:02:46

Gary Burr, ComposerLyricist - Lisa Loeb, Producer, MainArtist, ComposerLyricist

℗ 2001 UMG Recordings, Inc.

9
You Don't Know Me
00:03:49

Dweezil Zappa, Producer, ComposerLyricist - Lisa Loeb, Producer, MainArtist, ComposerLyricist

℗ 2001 UMG Recordings, Inc.

10
Payback
00:04:40

Dweezil Zappa, Producer - Lisa Loeb, Producer, MainArtist, ComposerLyricist

℗ 2001 UMG Recordings, Inc.

11
Too Fast Driving
00:03:06

Dweezil Zappa, Producer - Lisa Loeb, Producer, MainArtist, ComposerLyricist

℗ 2001 UMG Recordings, Inc.

12
She's Falling Apart
00:04:13

Thomas Schuyler, ComposerLyricist - Derek Holt, ComposerLyricist - Dweezil Zappa, Producer - Lisa Loeb, Producer, MainArtist, ComposerLyricist

℗ 2001 UMG Recordings, Inc.

Albumbeschreibung

There was a gap of about five years between Loeb's second and third albums, which is enough time for some sort of significant growth or stylistic alternation to have taken place. There's not much of such things on Cake & Pie, however. Loeb remains an above-average major-label singer/songwriter, given to pensive self-reflection that doesn't quite cross the line into self-absorption. The emphasis is on intense examination of the motives that drive, maintain, and sometimes erode relationships, passionate without boiling into a rage. Perhaps she should get a little more uncoiled once in a while, though, as the hardest-rocking numbers here, like "Payback" and "Too Fast Driving," deviate enough from her established brainy-yet-emotional persona to command a little more attention than usual. On the more expected acoustic-colored numbers, "She's Falling Apart" is, again, a standout in that it strips down the production to enough basics that the arrangement has an unguarded edginess on par with the wary uncertainty of the lyrics. Otherwise the melodies and playing tend too much toward average modern rock, albeit with more heart and intellect than most. As a singer, she remains pleasant and confident, but not so unique or fiery that she burns into the synapses as well as the best storytelling songwriters do.

© Richie Unterberger /TiVo

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