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Barbra Streisand - Butterfly

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Butterfly

Barbra Streisand

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Barbra Streisand's first album of newly recorded, non-soundtrack studio material in three years, ButterFly was ridiculed at the time of its release because its credited producer was her boyfriend, Jon Peters, whose musical credentials were nonexistent. In retrospect, the real power on the album was arranger Tom Scott, a reed player who had perfected a light jazz-pop style in his work on Joni Mitchell's Court and Spark earlier in the year. ButterFly backed off from the pop/rock style of its predecessors, Stoney End and Barbra Joan Streisand, but it still found Streisand assaying contemporary material by such writers as Bob Marley, Graham Nash, and David Bowie. Unlike Richard Perry, who had produced those albums, Scott adapted the songs to Streisand's powerful and individual vocal style rather than having her ape existing versions of the songs. The result was more of a compromise with contemporary pop that, while it sold only to Streisand's existing fan base, nevertheless had its charms. ~ William Ruhlmann

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Butterfly

Barbra Streisand

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1
Love In The Afternoon (Album Version) 00:04:05

Barbra Streisand, Associated Performer, Main Artist, Associated Performer - J. Peters, Producer - B. Weisman, Composer - JON PETERS, Director - E. Sands, Composer - HANK CICALO, Engineer - Ben Benay, Guitar - R. Germinaro, Composer - Larry Carlton, Guitar - Tom Scott, Arranger, Flute, Woodwinds - Gary Coleman, Percussion - JOHN GUERIN, Drums - King Errisson, Congas - Clarence McDonald, Keyboards - Max Bennett, Bass

(P) 1974 Sony Music Entertainment Inc.

2
Guava Jelly (Album Version) 00:03:19

Barbra Streisand, Associated Performer, Main Artist, Associated Performer - J. Peters, Producer - Marley, Composer - JON PETERS, Director - Tom Scott, Arranger, Flute, Woodwinds - HANK CICALO, Engineer - Ben Benay, Guitar - John Bähler, Vocal Arranger - Larry Carlton, Guitar - Gary Coleman, Percussion - JOHN GUERIN, Drums - King Errisson, Congas - Clarence McDonald, Keyboards - Max Bennett, Bass

(P) 1974 Sony Music Entertainment Inc.

3
Grandma's Hands (Album Version) 00:03:27

Barbra Streisand, Associated Performer, Main Artist, Associated Performer - J. Peters, Producer - B. Withers, Composer - JON PETERS, Director - Tom Scott, Arranger, Flute, Woodwinds - HANK CICALO, Engineer - Ben Benay, Guitar - John Bähler, Vocal Arranger - Larry Carlton, Guitar - Gary Coleman, Percussion - JOHN GUERIN, Drums - King Errisson, Congas - Clarence McDonald, Keyboards - Max Bennett, Bass

(P) 1974 Sony Music Entertainment Inc.

4
I Won't Last a Day Without You (Album Version) 00:04:17

Barbra Streisand, Associated Performer, Main Artist, Associated Performer - J. Peters, Producer - P. Williams, Composer - JON PETERS, Director - R. NICHOLS, Composer - Michael Lietz, Engineer - Ben Benay, Guitar - Tom Scott, Arranger, Flute, Woodwinds - Larry Carlton, Guitar - Lee Holdridge, Arranger - Gary Coleman, Percussion - HANK CICALO, Re-Mixer - JOHN GUERIN, Drums - King Errisson, Congas - Clarence McDonald, Keyboards - Max Bennett, Bass

(P) 1974 Sony Music Entertainment Inc.

5
Jubilation (Album Version) 00:03:52

Barbra Streisand, Associated Performer, Main Artist, Associated Performer - J. Peters, Producer - J. Harris, Composer - JON PETERS, Director - P.Anka, Composer - HANK CICALO, Engineer - Ben Benay, Guitar - Tom Scott, Arranger, Flute, Woodwinds - Larry Carlton, Guitar - Gary Coleman, Percussion - JOHN GUERIN, Drums - King Errisson, Congas - Clarence McDonald, Keyboards - Max Bennett, Bass

(P) 1974 Sony Music Entertainment Inc.

6
Simple Man (Album Version) 00:03:02

Barbra Streisand, Associated Performer, Main Artist, Associated Performer - J. Peters, Producer - G. Nash, Composer - JON PETERS, Director - Tom Scott, Arranger, Flute, Woodwinds - HANK CICALO, Engineer - Ben Benay, Guitar - Larry Carlton, Guitar - Gary Coleman, Percussion - JOHN GUERIN, Drums - King Errisson, Congas - Clarence McDonald, Keyboards - Max Bennett, Bass

(P) 1974 Sony Music Entertainment Inc.

7
Life On Mars (Album Version) 00:03:12

Barbra Streisand, Associated Performer, Main Artist, Associated Performer - J. Peters, Producer - David Bowie, Composer - JON PETERS, Director - Tom Scott, Arranger, Flute, Woodwinds - HANK CICALO, Engineer - Ben Benay, Guitar - John Bähler, Horn, Vocal Arranger - Larry Carlton, Guitar - Gary Coleman, Percussion - JOHN GUERIN, Drums - King Errisson, Congas - Clarence McDonald, Keyboards - Max Bennett, Bass

(P) 1974 Sony Music Entertainment Inc.

8
Since I Don't Have You (Album Version) 00:02:52

Barbra Streisand, Associated Performer, Main Artist, Associated Performer - J. Peters, Producer - J. Taylor, Composer - JON PETERS, Director - J. Rock, Composer - Michael Lietz, Engineer - Ben Benay, Guitar - L. Martin, Composer - Larry Carlton, Guitar - J. Beaumont, Composer - Gary Coleman, Percussion - Lee Holdridge, Arranger - JOHN GUERIN, Drums - King Errisson, Congas - Clarence McDonald, Keyboards - Max Bennett, Bass - Tom Scott, Flute, Woodwinds

(P) 1974 Sony Music Entertainment Inc.

9
Crying Time 00:02:51

Barbra Streisand, Associated Performer, Main Artist, Associated Performer - B. Owens, Composer - Lee Holdridge, Arranger - Ben Benay, Guitar - Larry Carlton, Guitar - Gary Coleman, Percussion - JOHN GUERIN, Drums - King Errisson, Congas - Clarence McDonald, Keyboards - Max Bennett, Bass - Tom Scott, Flute, Woodwinds - J. Peters, Producer - JON PETERS, Director - Michael Lietz, Engineer

(P) 1974 Sony Music Entertainment Inc.

10
Let The Good Times Roll (Album Version) 00:04:56

Barbra Streisand, Associated Performer, Main Artist, Associated Performer - J. Peters, Producer - L. Lee, Composer - JON PETERS, Director - Tom Scott, Arranger, Flute, Woodwinds - HANK CICALO, Engineer - Ben Benay, Guitar - John Bähler, Horn, Vocal Arranger - Larry Carlton, Guitar - Gary Coleman, Percussion - JOHN GUERIN, Drums - King Errisson, Congas - Clarence McDonald, Keyboards - Max Bennett, Bass

(P) 1974 CBS Inc.

Albumbeschreibung

Barbra Streisand's first album of newly recorded, non-soundtrack studio material in three years, ButterFly was ridiculed at the time of its release because its credited producer was her boyfriend, Jon Peters, whose musical credentials were nonexistent. In retrospect, the real power on the album was arranger Tom Scott, a reed player who had perfected a light jazz-pop style in his work on Joni Mitchell's Court and Spark earlier in the year. ButterFly backed off from the pop/rock style of its predecessors, Stoney End and Barbra Joan Streisand, but it still found Streisand assaying contemporary material by such writers as Bob Marley, Graham Nash, and David Bowie. Unlike Richard Perry, who had produced those albums, Scott adapted the songs to Streisand's powerful and individual vocal style rather than having her ape existing versions of the songs. The result was more of a compromise with contemporary pop that, while it sold only to Streisand's existing fan base, nevertheless had its charms. ~ William Ruhlmann

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