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Buffalo Springfield|Buffalo Springfield Again

Buffalo Springfield Again

Buffalo Springfield

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Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut. Yet it doesn't suffer for that in the least -- indeed, the group continued to make major strides in both their songwriting and arranging, and this record stands as their greatest triumph. Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow," both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point. Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame," with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco. Although a slightly uneven record that did not feature the entire band on several cuts, the high points were so high and plentiful that its classic status cannot be denied.

© Richie Unterberger /TiVo

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Buffalo Springfield Again

Buffalo Springfield

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1
Mr. Soul
00:02:52

Richie Furay, Guitar, Background Vocals - Buffalo Springfield, MainArtist - Brian Stone, Producer - Bruce Palmer, Bass Guitar - Charles Greene, Producer - Dewey Martin, Drums - Neil Young, Guitar, Lead Vocals, Writer - Stephen Stills, Guitar, Background Vocals - Bruce Tergesen, Engineer

© 1967 ATCO Records ℗ 1967 Atlantic Recording Corporation

2
A Child's Claim to Fame
00:02:13

Jim Messina, Engineer - Richie Furay, Producer, Guitar, Lead Vocals, Writer - Buffalo Springfield, MainArtist - Bruce Palmer, Bass Guitar - Dewey Martin, Drums - Neil Young, Guitar, Background Vocals - Stephen Stills, Guitar, Background Vocals - James Burton, Dobro - Ross Myering, Engineer

© 1967 ATCO Records ℗ 1967 Atlantic Recording Corporation

3
Everydays (Live)
00:02:43

Richie Furay, Guitar, Background Vocals - Buffalo Springfield, MainArtist - Dewey Martin, Drums - Neil Young, Producer, Guitar - Stephen Stills, Producer, Piano, Lead Vocals, Writer - AHMET ERTEGUN, Producer - Don Blake, Mixer - Jim Fielder, Bass Guitar - James Hilton, Engineer

© 1967 ATCO Records ℗ 1967 Atlantic Recording Corporation

4
Expecting to Fly
00:03:46

Richie Furay, Vocals - Merry Clayton, Background Vocals - Bruce Botnick, Engineer - Russ Titelman, Guitar - JIM GORDON, Drums - Buffalo Springfield, MainArtist - Neil Young, Producer, Guitar, Lead Vocals, Writer - Don Randi, Harpsichord, Piano - Carol Kaye, Bass - Jack Nitzsche, Producer, Orchestral Arranger, Electric Piano - Sherlie Matthews, Background Vocals - Gloria Jones, Background Vocals - Patrice Holloway, Background Vocals - Brenda Holloway, Background Vocals - Gracia Nitzsche, Background Vocals

© 1967 ATCO Records ℗ 1967 Atlantic Recording Corporation

5
Bluebird
00:04:36

Richie Furay, Guitar, Background Vocals - Bruce Botnick, Engineer - Buffalo Springfield, MainArtist - Dewey Martin, Drums - Neil Young, Guitar - Stephen Stills, Producer, Guitar, Lead Vocals, Writer - AHMET ERTEGUN, Producer - Bobby West, Bass Guitar - Charlie Chin, Banjo

© 1967 ATCO Records ℗ 1967 Atlantic Recording Corporation

6
Hung Upside Down
00:03:31

Jim Messina, Producer, Engineer - Richie Furay, Guitar, Lead Vocals - Buffalo Springfield, MainArtist - Bruce Palmer, Bass Guitar - Dewey Martin, Drums - Neil Young, Guitar, Background Vocals - Stephen Stills, Producer, Guitar, Organ, Vocals, Writer - Ross Myering, Engineer

© 1967 ATCO Records ℗ 1967 Atlantic Recording Corporation

7
Sad Memory
00:03:04

Richie Furay, Producer, Guitar, Vocals, Writer - Buffalo Springfield, MainArtist - Neil Young, Electric Guitar - Bill Lazarus, Engineer - William Brittan, Engineer

© 1967 ATCO Records ℗ 1967 Atlantic Recording Corporation

8
Good Time Boy
00:02:18

Jim Messina, Engineer - Richie Furay, Writer - Buffalo Springfield, MainArtist - Bruce Palmer, Bass Guitar - Dewey Martin, Drums, Vocals, ExecutiveProducer - Stephen Stills, Guitar - The American Soul Train from Louisiana, Arranger, Horn

© 1967 ATCO Records ℗ 1967 Atlantic Recording Corporation

9
Rock & Roll Woman
00:02:49

Richie Furay, Guitar, Background Vocals - Buffalo Springfield, MainArtist - Bruce Palmer, Bass Guitar - Dewey Martin, Drums - Neil Young, Producer, Guitar, Background Vocals - Stephen Stills, Producer, Guitar, Organ, Electric Piano, Lead Vocals, Writer

© 1967 ATCO Records ℗ 1967 Elektra Entertainment Group

10
Broken Arrow
00:06:14

Jim Messina, Engineer - Richie Furay, Guitar, Background Vocals - Buffalo Springfield, MainArtist - Bruce Palmer, Bass Guitar - Dewey Martin, Drums, Background Vocals - Neil Young, Producer, Guitar, Lead Vocals, Writer - Stephen Stills, Guitar - Hal Blaine, Drums - Don Randi, Organ, Piano - Harvey Newmark, Bass - Jim Horn, Clarinet - Chris Sarns, Guitar

© 1967 ATCO Records ℗ 1967 Atlantic Recording Corporation

Albumbeschreibung

Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut. Yet it doesn't suffer for that in the least -- indeed, the group continued to make major strides in both their songwriting and arranging, and this record stands as their greatest triumph. Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow," both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point. Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame," with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco. Although a slightly uneven record that did not feature the entire band on several cuts, the high points were so high and plentiful that its classic status cannot be denied.

© Richie Unterberger /TiVo

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