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Kate Smith|Best Of

Best Of

Kate Smith

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On November 2, 1963, at the age of 56, Kate Smith appeared at Carnegie Hall, and the concert was taped by RCA Victor Records, which signed her to a contract -- her first with a major record label in years. The result was the quickly released as Kate Smith at Carnegie Hall. The album spent several months in the charts, and Smith continued to record for RCA for five years, charting with another four albums. This compilation is drawn from Smith's '60s recordings for RCA, beginning with a rendition of her radio theme song "When the Moon Comes Over the Mountain," and concluding with her signature song "God Bless America," both taken from the Carnegie Hall show and featuring an orchestra conducted by Skitch Henderson. In between, one hears selections from some of Smith's other RCA albums: "I Left My Heart in San Francisco" from the 1964 album The Sweetest Sounds, arranged and conducted by Peter Matz; "Climb Ev'ry Mountain" and "You're Nobody 'Til Somebody Loves You" from A Touch of Magic, Smith's second 1964 studio recording arranged and conducted by Matz; the 1965 gospel album How Great Thou Art, arranged and conducted by Glenn Osser, and represented by the title song; the medley of "Somebody Else Is Taking My Place," "That Old Feeling," and "There Goes That Song Again," one of the eight medleys from Smith's old radio show that made up 1966's The Kate Smith Anniversary Album, arranged and conducted by Matz; "The Impossible Dream (The Quest)" from Kate Smith Today, a 1966 album of then-recent songs also handled by Matz; "That's Life" and "Theme from the Sand Pebbles (And We Were Lovers)" from the similar 1967 follow-up Kate Smith Here and Now, arranged and conducted by Claus Ogerman; and "Born Free" from another 1967 album Something Special: Kate Smith, under the baton of Glenn Osser. These mostly contemporary selections allow Smith ample opportunity to display her clarion voice. Longtime fans may question whether the album's title should have been hedged somewhat -- "The Best of Kate Smith on RCA in the 1960s" is more like it -- but the sympathetic arrangements and intelligently chosen songs highlight the singer well.

© William Ruhlmann /TiVo

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Best Of

Kate Smith

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1
When The Moon Comes Over The Mountain
00:01:38

Skitch Henderson, Conductor - Kate Smith, Performer - Chick Crumpacker, Producer - Harry Woods, Composer - Harry Woods, Lyricist - Hugo Peretti, Producer - Howard E. Johnson, Composer - Howard E. Johnson, Lyricist - Dick Baxter, Engineer - Luigi Creatore, Producer

Originally Recorded 1963. All rights reserved by BMG Music

2
That's Life
00:02:31

Dean K. Thompson, Composer - Dean K. Thompson, Lyricist - Claus Ogerman, Arranger - Claus Ogerman, Conductor - Kelly L. Gordon, Composer - Kelly L. Gordon, Lyricist - Kate Smith, Performer - Andy Wiswell, Producer

Originally Recorded 1967. All rights reserved by BMG Music

3
Born Free (From The Film "Born Free")
00:02:35

John Barry, Composer - John Barry, Lyricist - Kate Smith, Performer - Glenn Osser, Conductor - Glenn Osser, Arranger - Donald Black, Composer - Donald Black, Lyricist - Andy Wiswell, Producer

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music

4
The Impossible Dream (The Quest) - (From "Man of La Mancha")
00:02:58

Mitch Leigh, Composer - Mitch Leigh, Lyricist - Joseph Darion, Composer - Joseph Darion, Lyricist - Kate Smith, Performer - Hugo Peretti, Producer - Peter Matz, Arranger - Luigi Creatore, Producer

Originally Recorded 1966. All rights reserved by BMG Music

5
Climb Every Mountain (From "The Sound Of Music")
00:02:27

Kate Smith, Performer - Hugo Peretti, Producer - Peter Matz, Arranger - Peter Matz, Conductor - Oscar Hammerstein II, Composer - Oscar Hammerstein II, Lyricist - Richard Rodgers, Composer - Richard Rodgers, Lyricist - Luigi Creatore, Producer

Originally released 1965. All rights reserved by RCA Records, a division of Sony Music Entertainment

6
I Left My Heart in San Francisco
00:02:08

Douglass Cross, Composer - Douglass Cross, Lyricist - George Cory, Composer - George Cory, Lyricist - Kate Smith, Performer - Peter Matz, Arranger - Peter Matz, Conductor - Andy Wiswell, Producer

Originally released 1964. All rights reserved by RCA Records, a division of Sony Music Entertainment

7
You're Nobody 'Til Somebody Loves You
00:02:14

Russ Morgan, Composer - Russ Morgan, Lyricist - Kate Smith, Performer - Peter Matz, Arranger - Peter Matz, Conductor - James Cavanaugh, Composer - James Cavanaugh, Lyricist - Andy Wiswell, Producer - Larry Stock, Composer - Larry Stock, Lyricist

Originally released 1965. All rights reserved by RCA Records, a division of Sony Music Entertainment

8
Somebody Else Is Taking My Place/That Old Feeling/There Goes That Song Again
00:04:37

Russ Morgan, Lyricist - Russ Morgan, Composer - Peter Matz, Conductor - Jule Styne, Composer - Jule Styne, Lyricist - Sammy Fain, Lyricist - Sammy Fain, Composer - Lew Brown, Composer - Lew Brown, Lyricist - Sammy Cahn, Lyricist - Sammy Cahn, Composer - Andy Wiswell, Producer - Kate Smith, Performer - Chick Crumpacker, Producer - Bob Ellsworth, Composer - Bob Ellsworth, Lyricist - Richard Howard, Composer - Richard Howard, Lyricist - Dick Baxter, Engineer

Originally Recorded 1966. All rights reserved by BMG Music

9
Theme From "The Sand Pebbles" (And We Were Lovers)
00:02:28

Claus Ogerman, Arranger - Claus Ogerman, Conductor - Leslie Bricusse, Composer - Leslie Bricusse, Lyricist - Kate Smith, Performer - Andy Wiswell, Producer - Jerry Goldsmith, Composer - Jerry Goldsmith, Lyricist

Originally Recorded 1967. All rights reserved by BMG Music

10
How Great Thou Art
00:03:48

Stuart K. Hine, Composer - Stuart K. Hine, Lyricist - Kate Smith, Performer - Glenn Osser, Arranger - Glenn Osser, Conductor - Andy Wiswell, Producer

Originally released 1966. All rights reserved by RCA Records, a division of Sony Music Entertainment

11
God Bless America
00:02:15

Irving Berlin, Composer - Irving Berlin, Lyricist - Kate Smith, Performer - Hugo Peretti, Producer - Luigi Creatore, Producer

Originally recorded 1963. All rights reserved by RCA Records, a division of Sony Music Entertainment

Albumbeschreibung

On November 2, 1963, at the age of 56, Kate Smith appeared at Carnegie Hall, and the concert was taped by RCA Victor Records, which signed her to a contract -- her first with a major record label in years. The result was the quickly released as Kate Smith at Carnegie Hall. The album spent several months in the charts, and Smith continued to record for RCA for five years, charting with another four albums. This compilation is drawn from Smith's '60s recordings for RCA, beginning with a rendition of her radio theme song "When the Moon Comes Over the Mountain," and concluding with her signature song "God Bless America," both taken from the Carnegie Hall show and featuring an orchestra conducted by Skitch Henderson. In between, one hears selections from some of Smith's other RCA albums: "I Left My Heart in San Francisco" from the 1964 album The Sweetest Sounds, arranged and conducted by Peter Matz; "Climb Ev'ry Mountain" and "You're Nobody 'Til Somebody Loves You" from A Touch of Magic, Smith's second 1964 studio recording arranged and conducted by Matz; the 1965 gospel album How Great Thou Art, arranged and conducted by Glenn Osser, and represented by the title song; the medley of "Somebody Else Is Taking My Place," "That Old Feeling," and "There Goes That Song Again," one of the eight medleys from Smith's old radio show that made up 1966's The Kate Smith Anniversary Album, arranged and conducted by Matz; "The Impossible Dream (The Quest)" from Kate Smith Today, a 1966 album of then-recent songs also handled by Matz; "That's Life" and "Theme from the Sand Pebbles (And We Were Lovers)" from the similar 1967 follow-up Kate Smith Here and Now, arranged and conducted by Claus Ogerman; and "Born Free" from another 1967 album Something Special: Kate Smith, under the baton of Glenn Osser. These mostly contemporary selections allow Smith ample opportunity to display her clarion voice. Longtime fans may question whether the album's title should have been hedged somewhat -- "The Best of Kate Smith on RCA in the 1960s" is more like it -- but the sympathetic arrangements and intelligently chosen songs highlight the singer well.

© William Ruhlmann /TiVo

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