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Renaud Capuçon - Bach : Sonatas for Violin & Keyboard Nos 3-6

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Bach : Sonatas for Violin & Keyboard Nos 3-6

Renaud Capuçon & David Fray

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Text in englischer Sprache verfügbar

On this record, Renaud Capuçon and David Fray decided to turn their back on the musicology-inspired understanding of baroque music. Enough of “the dictatorship of the historically informed.” They chose instead to play this music from the heart, just as the masters did in the previous century. Their choice is sincere in a field of numerous conflicts between schools of thoughts. Six sonatas for Violin and Harpsichord was composed by Bach when he was at the court of Coethen. It was especially admired by Carl Philipp Emanuel, the Cantor’s second son. As often happens, however, the autographed manuscript has disappeared and it is through series of copies that we know it today.  It was published for the first time in 1804, fifty years after Bach’s death. The six sonatas are written according to Corelli’s rules. They imagine a new type of dialogue in the chamber orchestra where keys are not in the background. The writing is precise, expressive, and rhythmical. © François Hudry/Qobuz

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Bach : Sonatas for Violin & Keyboard Nos 3-6

Renaud Capuçon

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Sonata for Violin & Keyboard No. 5 in F Minor, BWV 1018 (Johann Sebastian Bach)

1
I. Largo
00:04:52

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

2
II. Allegro
00:04:20

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

3
III. Adagio
00:04:48

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

4
IV. Vivace
00:02:10

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

Sonata for Violin & Keyboard No. 3 in E Major, BWV 1016 (Johann Sebastian Bach)

5
I. Adagio
00:04:23

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

6
II. Allegro
00:02:51

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

7
III. Adagio ma non tanto
00:04:44

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

8
IV. Allegro
00:03:45

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

Sonata for Violin & Keyboard No. 4 in C Minor, BWV 1017 (Johann Sebastian Bach)

9
I. Siciliano. Largo
00:03:54

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

10
II. Allegro
00:04:05

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

11
III. Adagio
00:03:41

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

12
IV. Allegro
00:04:23

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

Sonata for Violin & Keyboard No. 6 in G Major, BWV 1019 (Johann Sebastian Bach)

13
I. Allegro
00:03:23

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

14
II. Largo
00:01:54

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

15
III. Allegro
00:04:37

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

16
IV. Adagio
00:03:01

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

17
V. Allegro
00:03:10

Renaud Capucon, Violin - David Fray, Piano - Johann Sebastian Bach, Composer

© 2019 Parlophone Records Limited, a Warner Music Group Company ℗ 2019 Parlophone Records Limited, a Warner Music Group Company

Albumbeschreibung

On this record, Renaud Capuçon and David Fray decided to turn their back on the musicology-inspired understanding of baroque music. Enough of “the dictatorship of the historically informed.” They chose instead to play this music from the heart, just as the masters did in the previous century. Their choice is sincere in a field of numerous conflicts between schools of thoughts. Six sonatas for Violin and Harpsichord was composed by Bach when he was at the court of Coethen. It was especially admired by Carl Philipp Emanuel, the Cantor’s second son. As often happens, however, the autographed manuscript has disappeared and it is through series of copies that we know it today.  It was published for the first time in 1804, fifty years after Bach’s death. The six sonatas are written according to Corelli’s rules. They imagine a new type of dialogue in the chamber orchestra where keys are not in the background. The writing is precise, expressive, and rhythmical. © François Hudry/Qobuz

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