The Dodos
Idioma disponible: inglésUnpredictable but always recognizable, the Dodos meld breezy melodies with the kinetic experimental drumming of Logan Kroeber and the equally nimble guitar playing of lead singer Meric Long. They explored a mix of adventurous folk and indie rock with albums including their indie breakthrough Visiter (2008) and Billboard 200 debut, No Color (2011), while gravitating toward an even more intricate, electric guitar-based sound throughout the 2010s. The band's seventh studio LP, 2018's Certainty Waves, added electronics and noise to the mix before the Dodos returned to an acoustic focus with the warm and animated Grizzly Peak in 2021. Originally formed in 2006 as Dodobird by multi-instrumentalist Meric Long, San Francisco indie rock duo the Dodos altered the moniker with the arrival of Logan Kroeber, a fellow West Coast artist whose penchant for experimental drumming and progressive metal melded perfectly with Long's interest in West African Ewe drumming and country-blues fingerpicking. The Dodos self-released their debut album, the acoustic Beware of the Maniacs, that same year. Their more adrenalized label debut, Visiter, followed on the Frenchkiss label in 2008 and reached number 31 on the Billboard Heatseekers chart. Long and Kroeber added electric vibraphonist Keaton Snyder to the fold and collaborated with producer Phil Ek on 2009's Time to Die, which found the trio exploring a more fleshed-out sound. It reached number eight on the Heatseekers chart. For 2011's No Color, the band recruited Neko Case as a supporting vocalist and returned to their Visiter-era approach. No Color landed on the Billboard 200, peaking at number 70. The following year, the Dodos were left in shock by the sudden death of touring member Chris Reimer (also of Canadian outfit Women), who passed away in his sleep. This led Long and Kroeber to reassess the entire band, and for Long in particular, the way he approached songwriting and his guitar work. Their fifth record, the more subdued Carrier, was released in 2013, marking their debut on Polyvinyl. Two years later, the group returned with the more assertive Individ, a set of songs recorded shortly after Carrier. It spent a week at number 50 on the independent albums chart. Following Individ, the band took an open-ended break, and Long eventually recorded the album Barton's Den under the solo moniker FAN. Released by Polyvinyl in May 2018, it was inspired by spending time with synthesizers he'd inherited from his father. The Dodos then reconvened to record that October's Certainty Waves. While it stayed rooted in the duo's interdependent guitar and drums, it reflected Long's newfound interest in electronic timbres. The Dodos' eighth studio album reflected a shift from the heavier, more plugged-in sound they'd developed gradually over the 2010s. Returning to the idea from their inception of imagining the sound inside of a guitar, the more acoustic-minded Grizzly Peak followed on Polyvinyl in 2021.
© Marcy Donelson & James Christopher Monger /TiVo Leer más
Unpredictable but always recognizable, the Dodos meld breezy melodies with the kinetic experimental drumming of Logan Kroeber and the equally nimble guitar playing of lead singer Meric Long. They explored a mix of adventurous folk and indie rock with albums including their indie breakthrough Visiter (2008) and Billboard 200 debut, No Color (2011), while gravitating toward an even more intricate, electric guitar-based sound throughout the 2010s. The band's seventh studio LP, 2018's Certainty Waves, added electronics and noise to the mix before the Dodos returned to an acoustic focus with the warm and animated Grizzly Peak in 2021.
Originally formed in 2006 as Dodobird by multi-instrumentalist Meric Long, San Francisco indie rock duo the Dodos altered the moniker with the arrival of Logan Kroeber, a fellow West Coast artist whose penchant for experimental drumming and progressive metal melded perfectly with Long's interest in West African Ewe drumming and country-blues fingerpicking. The Dodos self-released their debut album, the acoustic Beware of the Maniacs, that same year. Their more adrenalized label debut, Visiter, followed on the Frenchkiss label in 2008 and reached number 31 on the Billboard Heatseekers chart. Long and Kroeber added electric vibraphonist Keaton Snyder to the fold and collaborated with producer Phil Ek on 2009's Time to Die, which found the trio exploring a more fleshed-out sound. It reached number eight on the Heatseekers chart. For 2011's No Color, the band recruited Neko Case as a supporting vocalist and returned to their Visiter-era approach. No Color landed on the Billboard 200, peaking at number 70.
The following year, the Dodos were left in shock by the sudden death of touring member Chris Reimer (also of Canadian outfit Women), who passed away in his sleep. This led Long and Kroeber to reassess the entire band, and for Long in particular, the way he approached songwriting and his guitar work. Their fifth record, the more subdued Carrier, was released in 2013, marking their debut on Polyvinyl. Two years later, the group returned with the more assertive Individ, a set of songs recorded shortly after Carrier. It spent a week at number 50 on the independent albums chart.
Following Individ, the band took an open-ended break, and Long eventually recorded the album Barton's Den under the solo moniker FAN. Released by Polyvinyl in May 2018, it was inspired by spending time with synthesizers he'd inherited from his father. The Dodos then reconvened to record that October's Certainty Waves. While it stayed rooted in the duo's interdependent guitar and drums, it reflected Long's newfound interest in electronic timbres.
The Dodos' eighth studio album reflected a shift from the heavier, more plugged-in sound they'd developed gradually over the 2010s. Returning to the idea from their inception of imagining the sound inside of a guitar, the more acoustic-minded Grizzly Peak followed on Polyvinyl in 2021.
© Marcy Donelson & James Christopher Monger /TiVo
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