The Ben Webster Quintet
Ben Webster was considered one of the "big three" of swing tenors along with Coleman Hawkins (his main influence) and Lester Young. He had a tough, raspy tone on stomps (with his own distinctive growls), yet on ballads he would play with warmth and sentiment. After violin lessons as a child, Webster learned how to play rudimentary piano (his neighbor Pete Johnson taught him to play blues). But after Budd Johnson showed him some basics on the saxophone, Webster played sax in the Young Family Band (which at the time included Lester Young). He had stints with Jap Allen and Blanche Calloway (making his recording debut with the latter) before joining Bennie Moten's Orchestra in time to be one of the stars on a classic session in 1932. Webster spent time with quite a few orchestras in the 1930s, including Andy Kirk, Fletcher Henderson in 1934, Benny Carter, Willie Bryant, Cab Calloway, and the short-lived Teddy Wilson big band.
In 1940 (after short stints in 1935 and 1936), Ben Webster became Duke Ellington's first major tenor soloist. During the next three years he was on many famous recordings, including "Cotton Tail" -- which in addition to his memorable solo had a saxophone ensemble arranged by Webster -- and "All Too Soon." After leaving Ellington in 1943 (he would return for a time in 1948 and 1949), Webster worked on 52nd Street; recorded frequently as both a leader and a sideman; had short periods with Raymond Scott, John Kirby, and Sid Catlett; and toured with Jazz at the Philharmonic during several seasons in the 1950s. Although his style was falling out of fashion by that decade, Webster's work on ballads became quite popular, and Norman Granz recorded him on many memorable sessions. Webster recorded a classic set with Art Tatum and generally worked steadily, but in 1964 he moved permanently to Copenhagen where he played when he pleased during his last decade. His distinctive tone was a later influence on such diverse players as Archie Shepp, Lew Tabackin, Scott Hamilton, and Bennie Wallace.
© Scott Yanow /TiVo
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Discografía
19 álbum(es) • Ordenado por Mejores ventas
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Soulville
Jazz - Editado por Verve Reissues el 25/02/2003
Discoteca Ideal Qobuz24-Bit 192.0 kHz - Stereo -
Soulville
Jazz - Editado por Verve Reissues el 25/02/2003
Discoteca Ideal Qobuz24-Bit 96.0 kHz - Stereo -
Soulville
Jazz - Editado por Verve Reissues el 1/01/2022
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
Soulville (Remastered)
Jazz - Editado por Avid Entertainment el 25/02/2003
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
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Riding Tunes
The Ben Webster Quintet, Red Norvo Sextet
Jazz - Editado por Bertilo o Solemio el 23/04/2014
16-Bit CD Quality 44.1 kHz - Stereo -
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My Greatest Mistake
Ben Webster, The Ben Webster Quintet
Pop - Editado por Musicnology el 1/08/2020
16-Bit CD Quality 44.1 kHz - Stereo -
Do Nothin' Till You Hear from Me
Ben Webster with Ralph Burns' Orchestra, The Ben Webster Quintet, Ben Webster Quartet
Pop - Editado por Vinyl Box el 1/04/2022
16-Bit CD Quality 44.1 kHz - Stereo -
Time On My Hands
The Ben Webster Quintet, Coleman Hawkins, Ben Webster Sextet
Pop - Editado por Vinyl Box el 1/04/2022
16-Bit CD Quality 44.1 kHz - Stereo -
Soulville (Verve Master, HD Remastered)
Jazz vocal - Editado por Reborn recordings el 1/01/2022
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
Milestones of a Jazz Legend - Ben Webster, Vol. 2 (1957, 1959)
The Ben Webster Quintet, Ben Webster, Ray Brown, Oscar Peterson, Ed Thigpen
Jazz - Editado por Intense Media GmbH el 15/03/2019
16-Bit CD Quality 44.1 kHz - Stereo -
Blue Moon Noches
Ben Webster Quintet, Ben Webster, Ralph Burns Orchestra, Ben Webster Quartet
Jazz - Editado por Absolute Music el 19/06/2017
16-Bit CD Quality 44.1 kHz - Stereo -
Soulville (Original Jazz Sound)
Be Bop - Editado por Original Jazz Sound el 25/02/2003
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
Soulville
Jazz - Editado por Violet Hill Records el 25/02/2003
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo