Pauline Oliveros
Idioma disponible: inglésComposer Pauline Oliveros was a maverick in the field of electronic music. Oliveros' first instrument was the accordion; as a teenager in Texas she played in a 100-piece accordion group that appeared at the rodeo. In 1949 she entered the University of Houston, but in 1952 transferred to San Francisco State College. Oliveros studied music privately with Robert Erickson and began to associate with a loose confederation of like-minded composers, Terry Riley, Steve Reich, and Morton Subotnick among them. Oliveros was among the first composers to participate when Subotnick and Ramon Sender founded the San Francisco Tape Center in 1961, and served as the Center's director in the first year following its move to Mills College (1966-1967). Some of the pieces Oliveros created in the 1960s, such as Bye Bye Butterfly (1965) and I of IV (1966; created at the University of Toronto) are acknowledged as classics of electronic music. From the beginning Oliveros was not greatly interested in electronic tape and its manipulation, preferring to explore real-time electronics, interactivity, and the use of delays. In the early '70s Oliveros began to amplify the theatrical aspect of her works, in addition to incorporating elements of her growing interests in spirituality and meditation. This touched off a series of pieces that emphasized intuition and consciousness among large masses of people. During this time Oliveros temporarily abandoned systems of notation, instruments, and even the use of electronics. By 1975, however, Oliveros had rediscovered her accordion and began to compose drone pieces with voice, among the earliest being Horse Sings with Cloud. In the mid-'80s, Oliveros began to develop EIS (the Expanded Instrument System) utilizing early digital electronic music technology. In 1988 Oliveros, Stuart Dempster, and vocalist Panaoitis formed the Deep Listening Band, which debuted playing in an empty two-million gallon water tank located at Fort Worden in Washington State; a year later composer David Gamper joined the group as the permanent third member. Among Oliveros' major works after that was the multimedia theater piece Njinga the Queen King (1993), a collaboration with the writer Ione. In 1985 Oliveros founded the Pauline Oliveros Foundation in Kingston, New York, a humanitarian organization that promotes the performance, practice, and technological developments associated with Oliveros' concept of "deep listening."
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Composer Pauline Oliveros was a maverick in the field of electronic music. Oliveros' first instrument was the accordion; as a teenager in Texas she played in a 100-piece accordion group that appeared at the rodeo. In 1949 she entered the University of Houston, but in 1952 transferred to San Francisco State College. Oliveros studied music privately with Robert Erickson and began to associate with a loose confederation of like-minded composers, Terry Riley, Steve Reich, and Morton Subotnick among them. Oliveros was among the first composers to participate when Subotnick and Ramon Sender founded the San Francisco Tape Center in 1961, and served as the Center's director in the first year following its move to Mills College (1966-1967). Some of the pieces Oliveros created in the 1960s, such as Bye Bye Butterfly (1965) and I of IV (1966; created at the University of Toronto) are acknowledged as classics of electronic music. From the beginning Oliveros was not greatly interested in electronic tape and its manipulation, preferring to explore real-time electronics, interactivity, and the use of delays.
In the early '70s Oliveros began to amplify the theatrical aspect of her works, in addition to incorporating elements of her growing interests in spirituality and meditation. This touched off a series of pieces that emphasized intuition and consciousness among large masses of people. During this time Oliveros temporarily abandoned systems of notation, instruments, and even the use of electronics. By 1975, however, Oliveros had rediscovered her accordion and began to compose drone pieces with voice, among the earliest being Horse Sings with Cloud. In the mid-'80s, Oliveros began to develop EIS (the Expanded Instrument System) utilizing early digital electronic music technology. In 1988 Oliveros, Stuart Dempster, and vocalist Panaoitis formed the Deep Listening Band, which debuted playing in an empty two-million gallon water tank located at Fort Worden in Washington State; a year later composer David Gamper joined the group as the permanent third member. Among Oliveros' major works after that was the multimedia theater piece Njinga the Queen King (1993), a collaboration with the writer Ione. In 1985 Oliveros founded the Pauline Oliveros Foundation in Kingston, New York, a humanitarian organization that promotes the performance, practice, and technological developments associated with Oliveros' concept of "deep listening."
© TiVo
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Ghostdance
Pauline Oliveros, David Gamper, Julie Lyon Rose
Electrónica o musique concrète - Editado por Deep Listening el 10/10/1998
16-Bit CD Quality 44.1 kHz - Stereo -
Altamirage
Pauline Oliveros, James Ilgenfritz
Clásica - Editado por Infrequent Seams el 21/10/2022
24-Bit 48.0 kHz - Stereo -
The Roots of the Movement
Free jazz & Vanguardia - Editado por hatOLOGY el 9/01/2007
16-Bit CD Quality 44.1 kHz - Stereo -
Four Meditations & Sound Geometries
Clásica - Editado por Sub rosa el 22/07/2016
16-Bit CD Quality 44.1 kHz - Stereo -
Four Electronic Pieces 1959-1966
Clásica - Editado por Sub rosa el 1/01/2008
16-Bit CD Quality 44.1 kHz - Stereo -
Pauline Oliveros & American Voices
Pauline Oliveros, American Voices, Neely Bruce
Música vocal (profana y sacra) - Editado por Mode Records el 1/01/1994
16-Bit CD Quality 44.1 kHz - Stereo -
Cicada Dream Band
Pauline Oliveros, David Rothenberg, Timothy Hill
Alternativa & Indie - Editado por Terra Nova Music el 1/09/2014
16-Bit CD Quality 44.1 kHz - Stereo -
SILENCE
Ambientes - Editado por Stratosphere Records el 10/09/2021
16-Bit CD Quality 44.1 kHz - Stereo -
Musica Nuvolosa
Pauline Oliveros, György Ligeti
Alternativa & Indie - Editado por Sub rosa el 6/04/2022
16-Bit CD Quality 44.1 kHz - Stereo -
We Are Still Thinking About The Title
Ambientes - Editado por Stratosphere Records el 16/04/2021
16-Bit CD Quality 44.1 kHz - Stereo -
In Absentia
Electrónica o musique concrète - Editado por AQP Collective el 11/01/2017
24-Bit 44.1 kHz - Stereo -
phase/transitions (vol. 1)
Pauline Oliveros, Doug Van Nort, Jonas Braasch
Dance - Editado por Pogus el 15/11/2014
16-Bit CD Quality 44.1 kHz - Stereo -
phase/transitions (vol. 3)
Pauline Oliveros, Doug Van Nort, Jonas Braasch
Dance - Editado por Pogus el 15/11/2014
16-Bit CD Quality 44.1 kHz - Stereo -
phase/transitions (vol. 2)
Pauline Oliveros, Doug Van Nort, Jonas Braasch
Dance - Editado por Pogus el 15/11/2014
16-Bit CD Quality 44.1 kHz - Stereo