Landscape
Idioma disponible: inglésEngland's Landscape were a cutting-edge new wave outfit, known for their wry, often humorous, concept-driven synth pop. Emerging in the late '70s, Landscape broke through with their 1981 album From the Tea-Rooms of Mars...To the Hell-Holes of Uranus, which featured the hits "Einstein a G-Go" and "Norman Bates." Following 1982's Manhattan Boogie Woogie they parted ways. Formed in 1975 in London, Landscape initially featured Richard James Burgess (vocals, drums, keyboards, programming), Andy Pask (bass), Chris Heaton (keyboards), John Walters (keyboards, woodwinds), and Pete Thoms (trombone, keyboards, vocals). Prior to founding Landscape, the London-born Burgess had grown up in Christchurch, New Zealand, where he started playing drums in his teens and making home recordings. After high school, he paired his interest in electronics with music, studying at both Berklee College of Music in Boston and London's Guildhall School of Music and Drama. By the early '70s, he had joined the soft rock band Easy Street, with whom he scored a Hot 100 hit with 1976's "I've Been Loving You." It was around this time that he launched Landscape, building a following through a bevy of live shows and releasing two instrumental EPs: 1977's U2XME1X2MUCH and 1978's Workers' Playtime. After signing to RCA, they released their debut album, the eponymously titled Landscape, which again featured all-instrumental tracks. Embracing vocals and a more pop-oriented sound, Landscape returned in 1980 with From the Tea-Rooms of Mars...To the Hell-Holes of Uranus. The album showcased their tongue-in-cheek conceptualism in the vein of Kraftwerk and Devo. Along with spawning the single "European Man," they scored a Top Five U.K. hit with "Einstein A-Go-Go" and reached number 40 with "Norman Bates," a tribute to Alfred Hitchcock's classic horror film Psycho. A third album, Manhattan Boogie Woogie, followed in 1982 and featured an even more dance-influenced sound. However, after the album's release, both Heaton and Thoms left the band to pursue solo careers. By 1983, the group had pared down to a trio, featuring Burgess, Pask, and Walters. Renaming themselves Landscape III, they released two more singles with "So Good, So Pure, So Kind" and "You Know How to Hurt Me," before breaking up in 1984. Following the end of Landscape, Burgess pursued a fruitful production, working with bands like Spandau Ballet, Adam Ant, New Edition, Praise, and more.
© Matt Collar /TiVo Leer más
England's Landscape were a cutting-edge new wave outfit, known for their wry, often humorous, concept-driven synth pop. Emerging in the late '70s, Landscape broke through with their 1981 album From the Tea-Rooms of Mars...To the Hell-Holes of Uranus, which featured the hits "Einstein a G-Go" and "Norman Bates." Following 1982's Manhattan Boogie Woogie they parted ways.
Formed in 1975 in London, Landscape initially featured Richard James Burgess (vocals, drums, keyboards, programming), Andy Pask (bass), Chris Heaton (keyboards), John Walters (keyboards, woodwinds), and Pete Thoms (trombone, keyboards, vocals). Prior to founding Landscape, the London-born Burgess had grown up in Christchurch, New Zealand, where he started playing drums in his teens and making home recordings. After high school, he paired his interest in electronics with music, studying at both Berklee College of Music in Boston and London's Guildhall School of Music and Drama. By the early '70s, he had joined the soft rock band Easy Street, with whom he scored a Hot 100 hit with 1976's "I've Been Loving You." It was around this time that he launched Landscape, building a following through a bevy of live shows and releasing two instrumental EPs: 1977's U2XME1X2MUCH and 1978's Workers' Playtime. After signing to RCA, they released their debut album, the eponymously titled Landscape, which again featured all-instrumental tracks.
Embracing vocals and a more pop-oriented sound, Landscape returned in 1980 with From the Tea-Rooms of Mars...To the Hell-Holes of Uranus. The album showcased their tongue-in-cheek conceptualism in the vein of Kraftwerk and Devo. Along with spawning the single "European Man," they scored a Top Five U.K. hit with "Einstein A-Go-Go" and reached number 40 with "Norman Bates," a tribute to Alfred Hitchcock's classic horror film Psycho.
A third album, Manhattan Boogie Woogie, followed in 1982 and featured an even more dance-influenced sound. However, after the album's release, both Heaton and Thoms left the band to pursue solo careers. By 1983, the group had pared down to a trio, featuring Burgess, Pask, and Walters. Renaming themselves Landscape III, they released two more singles with "So Good, So Pure, So Kind" and "You Know How to Hurt Me," before breaking up in 1984. Following the end of Landscape, Burgess pursued a fruitful production, working with bands like Spandau Ballet, Adam Ant, New Edition, Praise, and more.
© Matt Collar /TiVo
Artistas similares
-
From the Tea Rooms of Mars...To the Hell Holes of Uranus
Pop - Editado por Cooking Vinyl Limited el 1/03/1981
16-Bit CD Quality 44.1 kHz - Stereo -
Landscape
Alternativa & Indie - Editado por Square dogs el 1/01/1979
16-Bit CD Quality 44.1 kHz - Stereo -
Staring At Utopia
Rock progresivo - Editado por Landscape el 1/06/2012
16-Bit CD Quality 44.1 kHz - Stereo -
With a little help from my friends
Rock - Editado por Square dogs el 26/03/2007
16-Bit CD Quality 44.1 kHz - Stereo -
Manhattan Boogie-Woogie
Pop - Editado por Cooking Vinyl Limited el 1/03/1982
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
Ecila
Alternativa & Indie - Editado por Square dogs el 1/01/1970
16-Bit CD Quality 44.1 kHz - Stereo -
Weeping Willow (Houze Set Groovez)
House - Editado por Dj Tools Records (Only For Dj) el 1/01/2005
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
Einstein a Go-Go (Einstein on the Floor 2023 Remix)
Pop - Editado por Cooking Vinyl Limited el 22/03/2023
16-Bit CD Quality 44.1 kHz - Stereo