Fabio Biondi
Idioma disponible: inglésBaroque violinist Fabio Biondi has been a pioneer in historically informed musical performance in his native Italy, both as a soloist and as the leader of his own Europa Galante ensemble. His sharp, energetic style has continued to influence the performance of Baroque music even as he has broadened his repertory across a 300-year period. Biondi was born in Palermo, on the island of Sicily, on March 15, 1961. He showed talent in his violin lessons with Salvatore Cicero, who later bequeathed to him the use of the Carlo Ferdinando Gagliano violin of 1766 that he would play as an adult. By 12, Biondi was performing concertos with the RAI National Symphony Orchestra. One decisive turning point came when he met historically oriented violin players as a teen and immediately became fascinated by the Baroque and Classical forms of the instrument (which differ from the modern ones in their strings, bridges, and bows rather than in the body of the instrument itself). When he was 16, he gave a concert on Baroque violin at Vienna's famed Musikverein, and he formed his own historical-instrument string quartet, the Stendhal Quartet, soon after that; the group did not focus exclusively on Baroque and Classical music but simply performed all its music, which included several commissioned contemporary compositions, on temporally appropriate instruments. Biondi went on to study at the Rome Conservatory, winning the school's first prize in violin. He performed with leading historical-instrument groups, including Jordi Savall's Hespèrion XX (now Hespèrion XXI) and Les Musiciens du Louvre in the late '80s. Biondi's breakthrough came after he formed the Baroque ensemble Europa Galante in 1990. The group's recording debut came almost immediately, with the album Vivaldi: String Concerti on the Opus 111 label. At the time, Europa Galante was the first historical-instrument Baroque group in Italy, which had lagged behind northwestern Europe, Britain, and Austria in the field. Pent-up demand brought the group immediate success; within a few years, the group had made several best-selling recordings, including one of Vivaldi's Four Seasons violin concertos that sold 500,000 copies, and Europa Galante had snared invitations to prestigious venues, including New York's Lincoln Center, the Accademia di Santa Cecilia in Rome (one of several venues where they have backed opera productions), and London's Royal Albert Hall. Biondi has also conducted modern symphony orchestras, including the Radio France Philharmonic and the Gran Canaria Symphony Orchestra. Biondi's recording career has been marked by extensive activity as both a violinist and conductor. As a soloist, he has recorded for Opus 111, Virgin Classics, and Glossa, releasing a 2019 recording, The 1690 "Tuscan" Stradivari, on the latter label. The previous year, he had conducted Europa Galante in a historical-instrument performance of Verdi's early opera Macbeth. Biondi and Europa Galante released several albums in 2022, including Mendelssohn, which featured a selection of the composer's works for strings. By that year, Biondi's catalog comprised some 100 recordings.
© James Manheim /TiVo Leer más
Baroque violinist Fabio Biondi has been a pioneer in historically informed musical performance in his native Italy, both as a soloist and as the leader of his own Europa Galante ensemble. His sharp, energetic style has continued to influence the performance of Baroque music even as he has broadened his repertory across a 300-year period.
Biondi was born in Palermo, on the island of Sicily, on March 15, 1961. He showed talent in his violin lessons with Salvatore Cicero, who later bequeathed to him the use of the Carlo Ferdinando Gagliano violin of 1766 that he would play as an adult. By 12, Biondi was performing concertos with the RAI National Symphony Orchestra. One decisive turning point came when he met historically oriented violin players as a teen and immediately became fascinated by the Baroque and Classical forms of the instrument (which differ from the modern ones in their strings, bridges, and bows rather than in the body of the instrument itself). When he was 16, he gave a concert on Baroque violin at Vienna's famed Musikverein, and he formed his own historical-instrument string quartet, the Stendhal Quartet, soon after that; the group did not focus exclusively on Baroque and Classical music but simply performed all its music, which included several commissioned contemporary compositions, on temporally appropriate instruments. Biondi went on to study at the Rome Conservatory, winning the school's first prize in violin. He performed with leading historical-instrument groups, including Jordi Savall's Hespèrion XX (now Hespèrion XXI) and Les Musiciens du Louvre in the late '80s. Biondi's breakthrough came after he formed the Baroque ensemble Europa Galante in 1990. The group's recording debut came almost immediately, with the album Vivaldi: String Concerti on the Opus 111 label.
At the time, Europa Galante was the first historical-instrument Baroque group in Italy, which had lagged behind northwestern Europe, Britain, and Austria in the field. Pent-up demand brought the group immediate success; within a few years, the group had made several best-selling recordings, including one of Vivaldi's Four Seasons violin concertos that sold 500,000 copies, and Europa Galante had snared invitations to prestigious venues, including New York's Lincoln Center, the Accademia di Santa Cecilia in Rome (one of several venues where they have backed opera productions), and London's Royal Albert Hall. Biondi has also conducted modern symphony orchestras, including the Radio France Philharmonic and the Gran Canaria Symphony Orchestra.
Biondi's recording career has been marked by extensive activity as both a violinist and conductor. As a soloist, he has recorded for Opus 111, Virgin Classics, and Glossa, releasing a 2019 recording, The 1690 "Tuscan" Stradivari, on the latter label. The previous year, he had conducted Europa Galante in a historical-instrument performance of Verdi's early opera Macbeth. Biondi and Europa Galante released several albums in 2022, including Mendelssohn, which featured a selection of the composer's works for strings. By that year, Biondi's catalog comprised some 100 recordings.
© James Manheim /TiVo
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Opera in musica, Carlo Monza Quartets
Clásica - Editado por naïve el 22/04/2022
24-Bit 88.2 kHz - Stereo -
Antonio Vivaldi : Les quatre saisons
Fabio Biondi, Europa Galante, Antonio Vivaldi
Música de cámara - Editado por naïve classique el 15/11/1991
10 de RépertoireDiapason d'orGramophone Editor's Choice24-Bit 44.1 kHz - Stereo -
Vivaldi : I concerti dell'addio
Conciertos para violín - Editado por Glossa el 24/02/2015
Diapason d'or24-Bit 88.2 kHz - Stereo -
Vivaldi: Concerti
Clásica - Editado por naïve classique el 1/01/1993
16-Bit CD Quality 44.1 kHz - Stereo -
Vivaldi : Concerti per la Pietà
Fabio Biondi, Andrea Rognoni, Alessandro Andriana, Giangiacomo Pinardi, Europe Galante, Paola Poncet
Clásica - Editado por Glossa el 7/02/2020
5 de Diapason24-Bit 88.2 kHz - Stereo -
The 1690 "Tuscan" Stradivari
Fabio Biondi, Antonio Fantinuoli, Giangiacomo Pinardi, Paola Poncet
Música de cámara - Editado por Glossa el 17/05/2019
24-Bit 88.2 kHz - Stereo -
Bach: Sonatas & Partitas
Clásica - Editado por naïve el 15/10/2021
24-Bit 88.2 kHz - Stereo -
Paganini: Sonatas for Violin & Guitar
Fabio Biondi, Giangiacomo Pinardi
Música de cámara - Editado por Glossa el 22/06/2018
Gramophone Editor's Choice24-Bit 88.2 kHz - Stereo -
Boccherini: Sei trii opera 47
Clásica - Editado por naïve classique el 30/12/2016
16-Bit CD Quality 44.1 kHz - Stereo -
Vivaldi: Sonate di Dresda
Fabio Biondi, Rinaldo Alessandrini, Maurizio Naddeo
Clásica - Editado por naïve classique el 1/01/1996
16-Bit CD Quality 44.1 kHz - Stereo -
Teleman: Trio Sonatas
Fabio Biondi, Tripla Concordia
Música de cámara - Editado por Dynamic el 7/09/2004
16-Bit CD Quality 44.1 kHz - Stereo -
Vivaldi: Concerti
Fabio Biondi, Adrian Chamorro, Maurizio Naddeo
Música de cámara - Editado por naïve classique el 1/01/1990
16-Bit CD Quality 44.1 kHz - Stereo -
The Poet-Violinist: Fabio Biondi
Clásica - Editado por naïve classique el 1/01/1993
16-Bit CD Quality 44.1 kHz - Stereo -
Vivaldi : Ercole (Intégrale)
Clásica - Editado por Warner Classics el 26/11/2010
Diapason d'or16-Bit CD Quality 44.1 kHz - Stereo -
Leclair: Violin Concertos, Op. 7 Nos. 1, 3, 4 & 5
Clásica - Editado por Glossa el 5/05/2017
Gramophone Editor's Choice24-Bit 88.2 kHz - Stereo -
Robert et Clara Schumann: 2 Sonates pour Violon et 3 Romances
Clásica - Editado por naïve classique el 1/01/1993
16-Bit CD Quality 44.1 kHz - Stereo -
Telemann: 12 Fantasias for Solo Violin, TWV 40
Clásica - Editado por Glossa el 29/09/2016
24-Bit 88.2 kHz - Stereo -
Handel : Silla
Integrales de ópera - Editado por Glossa el 1/09/2017
4 étoiles Classica24-Bit 48.0 kHz - Stereo -
Vivaldi Il Cimento dell'armonia e dell'invenzione
Clásica - Editado por Warner Classics el 1/06/2001
16-Bit CD Quality 44.1 kHz - Stereo -
Locatelli: Concerti grossi, Il pianto d'Arianna
Clásica - Editado por naïve classique el 23/05/1995
16-Bit CD Quality 44.1 kHz - Stereo