Eugen Jochum
Idioma disponible: inglésGerman conductor Eugen Jochum is considered by many to have been the foremost Bruckner conductor of the mid- to late twentieth century; he producing many outstanding recordings of Bruckner's symphonies (as well as worthy interpretations of a great many other composers). He also left to posterity a number of written articles on the interpretation of that composer. Musical studies began in early childhood (both of Eugen's brothers, Otto Jochum and Georg Ludwig Jochum, went on to become successful musicians in their own right), and Jochum attended the Augsburg Conservatory until he was 20 years of age. He enrolled in the Munich Academy of Music as a composition student of Hermann von Waltershausen, but soon diverted his energies to conducting (working with Siegmund von Hausegger). He worked as a rehearsal assistant at the Munich National Theater, and, after a successful Munich debut in 1926, was invited to join the conducting staff at the Kiel opera. In 1926, having developed a sizable operatic repertory, he moved to Mannheim (1929-1930) and then to Duisburg (1930-1932). Although relatively young, he was asked to serve as music director for Berlin Radio in 1932, and while in that city built an association with the Berlin Philharmonic Orchestra which would led to many guest conductor appearances in the following decades. Jochum became music director of the Hamburg opera (and, along with that title, principal conductor of the Hamburg Philharmonic) in 1934, remaining at that post until 1949 -- effectively avoiding Nazi interference with his musical activities. During the 1930s, Jochum continued to champion a number of contemporary composers who had been officially banned by the Nazi party (such as Hindemith and Bartók), though his great love remained the late Romantic repertory. After forming the Bavarian Radio Symphony Orchestra in 1949, Jochum spent the 1950s developing that organization (in conjunction with his new role as music director for Bavarian radio) and building his stature as a guest conductor around Europe; his Bayreuth debut was in 1953, and he took partial charge of the Concertgebouw Orchestra in Amsterdam from 1961-1964. He conducted the Bamburg Symphony orchestra from 1969 to 1973, and was appointed conductor laureate of the London Symphony Orchestra for the 1978-1979 season. From 1950 on Jochum served as the president of the German chapter of the International Bruckner Society. Jochum's conducting was marked by a fluent, lyric approach (which nevertheless proved capable of drawing tempestuous results from his players when necessary). Above all else he valued a rich, warm sound perfectly suited to the music of Bruckner and Wagner, though recordings show a wealth of insight into the music of other German masters, notably Beethoven, Bach, and Haydn. Jochum died in 1987, after a decade of semi-retirement.
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German conductor Eugen Jochum is considered by many to have been the foremost Bruckner conductor of the mid- to late twentieth century; he producing many outstanding recordings of Bruckner's symphonies (as well as worthy interpretations of a great many other composers). He also left to posterity a number of written articles on the interpretation of that composer.
Musical studies began in early childhood (both of Eugen's brothers, Otto Jochum and Georg Ludwig Jochum, went on to become successful musicians in their own right), and Jochum attended the Augsburg Conservatory until he was 20 years of age. He enrolled in the Munich Academy of Music as a composition student of Hermann von Waltershausen, but soon diverted his energies to conducting (working with Siegmund von Hausegger). He worked as a rehearsal assistant at the Munich National Theater, and, after a successful Munich debut in 1926, was invited to join the conducting staff at the Kiel opera. In 1926, having developed a sizable operatic repertory, he moved to Mannheim (1929-1930) and then to Duisburg (1930-1932). Although relatively young, he was asked to serve as music director for Berlin Radio in 1932, and while in that city built an association with the Berlin Philharmonic Orchestra which would led to many guest conductor appearances in the following decades.
Jochum became music director of the Hamburg opera (and, along with that title, principal conductor of the Hamburg Philharmonic) in 1934, remaining at that post until 1949 -- effectively avoiding Nazi interference with his musical activities. During the 1930s, Jochum continued to champion a number of contemporary composers who had been officially banned by the Nazi party (such as Hindemith and Bartók), though his great love remained the late Romantic repertory.
After forming the Bavarian Radio Symphony Orchestra in 1949, Jochum spent the 1950s developing that organization (in conjunction with his new role as music director for Bavarian radio) and building his stature as a guest conductor around Europe; his Bayreuth debut was in 1953, and he took partial charge of the Concertgebouw Orchestra in Amsterdam from 1961-1964. He conducted the Bamburg Symphony orchestra from 1969 to 1973, and was appointed conductor laureate of the London Symphony Orchestra for the 1978-1979 season. From 1950 on Jochum served as the president of the German chapter of the International Bruckner Society.
Jochum's conducting was marked by a fluent, lyric approach (which nevertheless proved capable of drawing tempestuous results from his players when necessary). Above all else he valued a rich, warm sound perfectly suited to the music of Bruckner and Wagner, though recordings show a wealth of insight into the music of other German masters, notably Beethoven, Bach, and Haydn. Jochum died in 1987, after a decade of semi-retirement.
© TiVo
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Haydn: Symphonies No. 93 & 94
Eugen Jochum, Staatskapelle Dresden
Música sinfónica - Editado por Eterna el 4/11/1970
24-Bit 96.0 kHz - Stereo -
Wagner: Lohengrin, WWV 75
Clásica - Editado por Sony Classical el 7/09/2018
24-Bit 48.0 kHz - Stereo -
Bruckner: Symphonies Nos. 1 - 9
Clásica - Editado por Warner Classics el 1/01/2000
16-Bit CD Quality 44.1 kHz - Stereo -
Bruckner : 9 Symphonies
Berliner Philharmoniker, Symphonieorchester Des Bayerischen Rundfunks, Eugen Jochum
Clásica - Editado por Deutsche Grammophon (DG) el 1/01/2002
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
Anton Bruckner: Symphony No. 5, Te Deum (First Part)
Eugen Jochum, Royal Concertgebouw Orchestra, Berliner Philharmoniker
Sinfonías - Editado por Praga Digitals el 1/04/2017
24-Bit 96.0 kHz - Stereo -
Brahms : Symphonies Nos. 1-4
Berliner Philharmoniker, Eugen Jochum
Clásica - Editado por Deutsche Grammophon (DG) el 1/01/1996
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
Brahms : Symphonies 1-3 & Ouvertures
Clásica - Editado por Warner Classics el 29/08/1996
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
Eugen Jochum - The Orchestral Recordings On Philips
Clásica - Editado por Universal Music Australia Pty. Ltd. el 20/04/2020
16-Bit CD Quality 44.1 kHz - Stereo -
Bruckner by Eugen Jochum: Symphonies Nos.4,6,7,8
Eugen Jochum, Concertgebouworkest
Clásica - Editado por Alexandre Bak - Classical Music Reference Recording el 29/10/2021
16-Bit CD Quality 44.1 kHz - Stereo -
Orff: Carmina burana; Catulli Carmina; Trionfo d'Afrodite
Clásica - Editado por Deutsche Grammophon (DG) el 1/01/2002
16-Bit CD Quality 44.1 kHz - Stereo -
Bruckner : Symphony No. 4 "Romantic"
Berliner Philharmoniker, Symphonieorchester Des Bayerischen Rundfunks, Eugen Jochum
Clásica - Editado por Deutsche Grammophon (DG) el 1/01/1996
16-Bit CD Quality 44.1 kHz - Stereo -
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Boris Godounov (Intégrale)
Integrales de ópera - Editado por Myto Historical el 29/01/2008
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart : Requiem K.626
Clásica - Editado por Deutsche Grammophon (DG) el 1/01/1994
16-Bit CD Quality 44.1 kHz - Stereo -
Premiers enregistrements mondiaux (1980-1982)
Música sinfónica - Editado por INA Mémoire vive el 1/09/1998
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Overtures & Preludes
Eugen Jochum, Karl Böhm, Herbert von Karajan, Rafael Kubelik, Otto Gerdes
Clásica - Editado por Deutsche Grammophon (DG) el 1/01/2005
16-Bit CD Quality 44.1 kHz - Stereo -
Orff: Carmina Burana 'Cantiones profanae cantoribus et choris cantandae'
Eugen Jochum, Symphonieorchester Des Bayerischen Rundfunks, Bavarian Radio Chorus
Clásica - Editado por Alexandre Bak - Classical Music Reference Recording el 30/01/2022
24-Bit 96.0 kHz - Stereo -
Mozart: Symphonies 35, 41, 36, 38 - Posthorn Serenade
Eduard van Beinum, Eugen Jochum, Royal Concertgebouw Orchestra
Sinfonías - Editado por Decca el 8/06/2018
16-Bit CD Quality 44.1 kHz - Stereo -
Eugen Jochum - The Choral Recordings on Philips (Vol. 4: Bach: Christmas Oratorio, BWV 248)
Clásica - Editado por Universal Music Australia Pty. Ltd. el 1/01/1973
16-Bit CD Quality 44.1 kHz - Stereo -
Eugen Jochum - The Choral Recordings on Philips (Vol. 2: Bach: St. Matthew Passion, BWV 244)
Eugen Jochum, Royal Concertgebouw Orchestra
Clásica - Editado por Universal Music Australia Pty. Ltd. el 12/03/2021
16-Bit CD Quality 44.1 kHz - Stereo -
Sibelius: The Storm; Oceanides
Clásica - Editado por Deutsche Grammophon (DG) el 1/01/2005
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo