Ensemble Gilles Binchois
Idioma disponible: inglésAs with so many of the best early music ensembles performing today, the musical performances of the Ensemble Gilles Binchois have been inextricably linked with profound musical scholarship and with the leadership of a single powerful personality. For the Ensemble Gilles Binchois, this personality remains its founder and director, Dominique Vellard. Vellard and some of his close colleagues founded the Ensemble Gilles Binchois in 1978, taking clear positions from the outset that it would perform from original notation and make every effort through its performances to foster a more profound understanding of the structure and function of its music. The ensemble changes its personnel depending upon the repertory: from a handful of male voices for plainchant or early polyphony, to a few mixed singers for chansons, to adding festive instruments for splashier works. One of the most distinctive features of the group's performing style is its thoughtful consideration of, and experimentation with, the ways that indigenous oral traditions might have impacted a more "formal" singing style. Though the Ensemble Gilles Binchois began its career focusing on French music and has most frequently brought out earlier French repertory, the expansion of its personnel to include specialists from other countries has helped them branch out geographically. It regularly performs throughout Europe and has toured throughout the Americas and Asia. The Ensemble Gilles Binchois has been rewarded with the support of a large number of French governmental institutions, including the enthusiastic support of the Musical Affairs Department of the French Ministry of Culture. It retains a relationship with the Center for Medieval Music in Paris, France, as many of the group's performers have taught or studied there. In addition, the ensemble has profited from close collaboration with some of Europe's leading musicologists: Marie-Noël Colette in Paris, and Karen Smith and Wulf Arlt in Basel. The Ensemble Gilles Binchois has released more than 40 recordings across labels such as Cantus, Virgin Classics, Ambroisie, and Glossa. In 2019, under Vellard, it released the album Messes de Barcelone et d'Apt on the Evidence label.
© Timothy Dickey & Keith Finke /TiVo Leer más
As with so many of the best early music ensembles performing today, the musical performances of the Ensemble Gilles Binchois have been inextricably linked with profound musical scholarship and with the leadership of a single powerful personality. For the Ensemble Gilles Binchois, this personality remains its founder and director, Dominique Vellard.
Vellard and some of his close colleagues founded the Ensemble Gilles Binchois in 1978, taking clear positions from the outset that it would perform from original notation and make every effort through its performances to foster a more profound understanding of the structure and function of its music. The ensemble changes its personnel depending upon the repertory: from a handful of male voices for plainchant or early polyphony, to a few mixed singers for chansons, to adding festive instruments for splashier works. One of the most distinctive features of the group's performing style is its thoughtful consideration of, and experimentation with, the ways that indigenous oral traditions might have impacted a more "formal" singing style. Though the Ensemble Gilles Binchois began its career focusing on French music and has most frequently brought out earlier French repertory, the expansion of its personnel to include specialists from other countries has helped them branch out geographically. It regularly performs throughout Europe and has toured throughout the Americas and Asia.
The Ensemble Gilles Binchois has been rewarded with the support of a large number of French governmental institutions, including the enthusiastic support of the Musical Affairs Department of the French Ministry of Culture. It retains a relationship with the Center for Medieval Music in Paris, France, as many of the group's performers have taught or studied there. In addition, the ensemble has profited from close collaboration with some of Europe's leading musicologists: Marie-Noël Colette in Paris, and Karen Smith and Wulf Arlt in Basel.
The Ensemble Gilles Binchois has released more than 40 recordings across labels such as Cantus, Virgin Classics, Ambroisie, and Glossa. In 2019, under Vellard, it released the album Messes de Barcelone et d'Apt on the Evidence label.
© Timothy Dickey & Keith Finke /TiVo
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1160-1245 Pérotin et l'école de Notre Dame
Clásica - Editado por Ambroisie el 15/03/2004
Discoteca Ideal Qobuz16-Bit CD Quality 44.1 kHz - Stereo -
Songs of the Renaissance: France/Spain
Clásica - Editado por Warner Classics el 7/02/2005
16-Bit CD Quality 44.1 kHz - Stereo -
Gilles Binchois - Chansons
Ensemble Gilles Binchois, Dominique Vellard
Clásica - Editado por Warner Classics el 2/02/1998
16-Bit CD Quality 44.1 kHz - Stereo -
Machaut: Messe de Nostre Dame
Ensemble Gilles Binchois|Dominique Vellard
Clásica - Editado por Cantus Records el 16/10/1999
16-Bit CD Quality 44.1 kHz - Stereo -
Early French Polyphony
Ensemble Gilles Binchois, Dominique Vellard
Clásica - Editado por Warner Classics el 6/08/2001
16-Bit CD Quality 44.1 kHz - Stereo -
Canto gregoriano, les tons de la musique
Ensemble Gilles Binchois|Dominique Vellard
Clásica - Editado por Cantus Records el 1/01/2003
16-Bit CD Quality 44.1 kHz - Stereo -
Le chant des cathédrales
Ensemble Gilles Binchois|Dominique Vellard
Clásica - Editado por Cantus Records el 21/10/2003
16-Bit CD Quality 44.1 kHz - Stereo -
Les escholiers de Paris (Motets, chansons et estampies)
Ensemble Gilles Binchois|Dominique Vellard
Clásica - Editado por Cantus Records el 3/07/1999
16-Bit CD Quality 44.1 kHz - Stereo -
Isaac: Missa Virgo Prudentissima
Ensemble Gilles Binchois, Dominique Vellard
Misas, Pasiones, Réquiems - Editado por Evidence (LTR) el 1/04/2016
24-Bit 44.1 kHz - Stereo -
Dufay: Le Prince d'amours
Ensemble Gilles Binchois, Dominique Vellard
Música para conjuntos vocales - Editado por Evidence (LTR) el 20/08/2021
24-Bit 96.0 kHz - Stereo -
Machaut: Le vray remède d'amour
Ensemble Gilles Binchois|Dominique Vellard
Clásica - Editado por Cantus Records el 12/07/1999
16-Bit CD Quality 44.1 kHz - Stereo -
Liszt: Septem Sacramenta
Ensemble Gilles Binchois, Dominique Vellard, Chœur Altitude
Música vocal sacra - Editado por Evidence (LTR) el 29/04/2022
24-Bit 96.0 kHz - Stereo -
Machaut: Le jugement du roi de Navarre
Ensemble Gilles Binchois|Dominique Vellard
Clásica - Editado por Cantus Records el 1/02/1999
16-Bit CD Quality 44.1 kHz - Stereo -
Messes de Barcelone et d'Apt
Ensemble Gilles Binchois, Dominique Vellard
Misas, Pasiones, Réquiems - Editado por Evidence (LTR) el 24/05/2019
24-Bit 96.0 kHz - Stereo -
Fons luminis: Codex Las Huelgas (Sacred Vocal Music from the 13th Century)
Ensemble Gilles Binchois, Dominique Vellard
Música coral (para coro) - Editado por Evidence (LTR) el 1/06/2018
24-Bit 96.0 kHz - Stereo -
Jehan de Lescurel - Fontaine de Grace (Ballades, virelais et rondeaux)
Ensemble Gilles Binchois, Dominique Vellard
Clásica - Editado por Warner Classics el 13/03/1995
16-Bit CD Quality 44.1 kHz - Stereo -
Claude Le Jeune: Le Printemps
Ensemble Gilles Binchois, Dominique Vellard
Música para conjuntos vocales - Editado por Evidence (LTR) el 24/04/2020
24-Bit 44.1 kHz - Stereo -
Escobar/Penalosa/Anchieta
Ensemble Gilles Binchois, Dominique Vellard
Clásica - Editado por Warner Classics el 25/11/2005
16-Bit CD Quality 44.1 kHz - Stereo -
Le Banquet de voeu
Ensemble Gilles Binchois, Dominique Vellard
Clásica - Editado por Warner Classics el 28/11/2005
16-Bit CD Quality 44.1 kHz - Stereo -
Alphonse X el Sabio
Clásica - Editado por Ambroisie - naïve el 24/02/2005
16-Bit CD Quality 44.1 kHz - Stereo -
Voix du Ciel: Polyphonies médiévales et chants sacrés
Ensemble Gilles Binchois, Dominique Vellard
Música para conjuntos vocales - Editado por Evidence (LTR) el 6/12/2019
16-Bit CD Quality 44.1 kHz - Stereo