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Social Distortion|White Light White Heat White Trash

White Light White Heat White Trash

Social Distortion

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With White Light, White Heat, White Trash, Social Distortion made a conscious attempt to cash in on the alternative "revolution" of the early '90s." Underneath the layers of glossy hard rock production, the band still hold fast to some of their punk roots, but too often they sound like a heavy hard rock band. Of course, that commercial sheen is intentional -- it's the only way they could appeal to the legions of post-grunge alternative fans who appeared since Social Distortion released Somewhere Between Heaven and Hell in 1991. The problem is, the band doesn't deliver enough songs to justify the production. Mike Ness still wails away and growls out confessional lyrics, but too often they are ham-fisted and clichéd, much like the music that supports them. The band sounds tight and muscular, but the songs have few hooks to make them memorable. In trying to appeal to a wider audience, Social Distortion have lost much of their identity on White Light, White Heat, White Trash.

© Stephen Thomas ErlewineR 7263 /TiVo

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White Light White Heat White Trash

Social Distortion

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1
Dear Lover (Album Version)
00:04:43

M. NESS, Composer - M. NESS, Lyricist - George Marino, Mastering Engineer - John Travis, Mixing Engineer - John Travis, Recording Engineer - Social Distortion, Performer - Mike Ness, Writer - Mike Ness, Mixing Engineer - Michael Beinhorn, Producer

(P) 1996 Sony Music Entertainment Inc.

2
Don't Drag Me Down (Album Version)
00:03:51

George Marino, Mastering Engineer - M. NESS, Lyricist - M. NESS, Composer - John Travis, Mixing Engineer - John Travis, Recording Engineer - Social Distortion, Performer - Mike Ness, Mixing Engineer - Mike Ness, Writer - Michael Beinhorn, Producer

(P) 1996 Sony Music Entertainment Inc.

3
Untitled (Album Version)
00:04:45

M. NESS, Composer - M. NESS, Lyricist - George Marino, Mastering Engineer - John Travis, Mixing Engineer - John Travis, Recording Engineer - Social Distortion, Performer - Mike Ness, Writer - Mike Ness, Mixing Engineer - Michael Beinhorn, Producer

(P) 1996 Sony Music Entertainment Inc.

4
I Was Wrong (Album Version)
00:03:58

George Marino, Mastering Engineer - John Travis, Recording Engineer - Social Distortion, Performer - Mike Ness, Composer - Mike Ness, Mixing Engineer - Mike Ness, Lyricist - Michael Beinhorn, Producer

1996 Sony Music Entertainment Inc.

5
Through These Eyes (Album Version)
00:03:15

M. NESS, Composer - M. NESS, Lyricist - George Marino, Mastering Engineer - John Travis, Mixing Engineer - John Travis, Recording Engineer - Social Distortion, Performer - Mike Ness, Writer - Mike Ness, Mixing Engineer - Michael Beinhorn, Producer

(P) 1996 Sony Music Entertainment Inc.

6
Down On The World Again (Album Version)
00:03:21

M. NESS, Composer - M. NESS, Lyricist - George Marino, Mastering Engineer - John Travis, Mixing Engineer - John Travis, Recording Engineer - Social Distortion, Performer - Mike Ness, Writer - Mike Ness, Mixing Engineer - Michael Beinhorn, Producer

(P) 1996 Sony Music Entertainment Inc.

7
When The Angels Sing (Album Version)
00:04:15

M. NESS, Composer - M. NESS, Lyricist - George Marino, Mastering Engineer - John Travis, Mixing Engineer - John Travis, Recording Engineer - Social Distortion, Performer - Mike Ness, Mixing Engineer - Mike Ness, Writer - Michael Beinhorn, Producer

(P) 1996 Sony Music Entertainment Inc.

8
Gotta Know The Rules (Album Version)
00:03:29

M. NESS, Composer - M. NESS, Lyricist - George Marino, Mastering Engineer - John Travis, Mixing Engineer - John Travis, Recording Engineer - Social Distortion, Performer - Mike Ness, Writer - Mike Ness, Mixing Engineer - Michael Beinhorn, Producer

(P) 1996 Sony Music Entertainment Inc.

9
Crown Of Thorns (Album Version)
00:04:16

M. NESS, Composer - M. NESS, Lyricist - George Marino, Mastering Engineer - John Travis, Mixing Engineer - John Travis, Recording Engineer - Social Distortion, Performer - Mike Ness, Writer - Mike Ness, Mixing Engineer - Michael Beinhorn, Producer

(P) 1996 Sony Music Entertainment Inc.

10
Pleasure Seeker (Album Version)
00:03:33

M. NESS, Composer - M. NESS, Lyricist - George Marino, Mastering Engineer - John Travis, Mixing Engineer - John Travis, Recording Engineer - Social Distortion, Performer - Mike Ness, Writer - Mike Ness, Mixing Engineer - Michael Beinhorn, Producer

(P) 1996 Sony Music Entertainment Inc.

11
Down Here (w/ The Rest Of Us) (Album Version)
00:04:20

M. NESS, Composer - M. NESS, Lyricist - George Marino, Mastering Engineer - John Travis, Recording Engineer - Social Distortion, Performer - Mike Ness, Mixing Engineer - Michael Beinhorn, Producer

(P) 1996 Sony Music Entertainment Inc.

12
Under My Thumb (Album Version)
00:02:50

George Marino, Mastering Engineer - M. Jagger, Composer - M. Jagger, Lyricist - John Travis, Mixing Engineer - John Travis, Recording Engineer - Social Distortion, Performer - Mike Ness, Mixing Engineer - Mike Ness, Writer - Michael Beinhorn, Producer - K. Richards, Composer - K. Richards, Lyricist

(P) 1996 Sony Music Entertainment Inc.

Presentación del Álbum

With White Light, White Heat, White Trash, Social Distortion made a conscious attempt to cash in on the alternative "revolution" of the early '90s." Underneath the layers of glossy hard rock production, the band still hold fast to some of their punk roots, but too often they sound like a heavy hard rock band. Of course, that commercial sheen is intentional -- it's the only way they could appeal to the legions of post-grunge alternative fans who appeared since Social Distortion released Somewhere Between Heaven and Hell in 1991. The problem is, the band doesn't deliver enough songs to justify the production. Mike Ness still wails away and growls out confessional lyrics, but too often they are ham-fisted and clichéd, much like the music that supports them. The band sounds tight and muscular, but the songs have few hooks to make them memorable. In trying to appeal to a wider audience, Social Distortion have lost much of their identity on White Light, White Heat, White Trash.

© Stephen Thomas ErlewineR 7263 /TiVo

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