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Steve Goodman|The Easter Tapes

The Easter Tapes

STEVE GOODMAN

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Steve Goodman made four guest appearances on disc jockey Vin Scelsa's radio show on WNEW-FM in New York in the mid-'70s, three of them broadcast on successive Easter Sundays in 1976, 1977, and 1978. These airchecks are the source for The Easter Tapes, and they present a charmingly offhand Goodman, whose acoustic performances stand in contrast to the more polished and produced albums he was making for Asylum Records during the same period. Encouraged by Scelsa, Goodman turns in versions of songs from some of those albums -- "This Hotel Room," "I Can't Sleep," "Banana Republics," "Video Tape" -- along with some of his older songs, among them the standard "City of New Orleans," and a bunch of one-off numbers including Irving Berlin's "Blue Skies," Marty Robbins' "Big Iron," and Cole Porter's "Don't Fence Me In." After he performs "Eighteen Yellow Roses" and points out that it was written by Bobby Darin, Scelsa requests Darin's hit "Splish Splash," which Goodman surprises himself by remembering in full. With bits of casual conversation and even a few announcements of upcoming concerts (one of them featuring Goodman, of course), the sessions have a friendly, thrown-together feel that gets even more spontaneous in the hidden track, a medley of "Mama Don't Allow" and "The Saints Go Marching In" that serves as a showcase for multi-instrumentalist sideman David Amram and even gives Scelsa a chance to blow on a saxophone. Those more accustomed to hearing Goodman on his regular albums, which usually feature much more elaborate arrangements, will be impressed with his expert guitar playing

© William Ruhlmann /TiVo

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The Easter Tapes

Steve Goodman

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1
Introduction
00:00:48

STEVE GOODMAN, MainArtist - Unknown Writer, Composer

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

2
Red Red Robin
00:04:16

Harry Woods, Composer - STEVE GOODMAN, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

3
The I Don't Know Where I'm Goin', but I'm Goin' Nowhere In a Hurry Blues
00:03:39

STEVE GOODMAN, Composer, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

4
Blue Skies
00:02:30

Irving Berlin, Composer - STEVE GOODMAN, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

5
This Hotel Room
00:05:17

STEVE GOODMAN, Composer, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

6
I Can't Sleep
00:04:32

STEVE GOODMAN, Composer, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

7
Banana Republics
00:05:54

Steve Burgh, Composer - Jim Rothermel, Composer - STEVE GOODMAN, Composer, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

8
City of New Orleans
00:04:46

STEVE GOODMAN, Composer, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

9
Chicken Cordon Bleus
00:02:59

STEVE GOODMAN, Composer, MainArtist - Patrick Chamberlain, Composer - Paula Ballan, Composer - Tony Mandel, Composer

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

10
It's a Sin to Tell a Lie
00:02:27

William Mayhew, Writer - STEVE GOODMAN, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

11
Easter Parade
00:03:13

Irving Berlin, Composer - STEVE GOODMAN, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

12
Video Tape
00:03:05

STEVE GOODMAN, Composer, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

13
Big Iron
00:05:43

Marty Robbins, Composer - STEVE GOODMAN, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

14
Somebody Else's Troubles
00:03:18

STEVE GOODMAN, Composer, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

15
Don't Fence Me In
00:03:56

Cole Porter, Composer - STEVE GOODMAN, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

16
Eighteen Yellow Roses
00:03:14

Bobby Darin, Composer - STEVE GOODMAN, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

17
Splish Splash
00:03:33

Bobby Darin, Composer - STEVE GOODMAN, MainArtist - Murray Kaufman, Composer

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

18
Rudolph the Red-Nosed (Easter) Reindeer
00:01:59

Johnny Marks, Writer - STEVE GOODMAN, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

19
Runaway
00:10:28

Max Crook, Composer - Del Shannon, Composer - STEVE GOODMAN, MainArtist

© 1998 BMG Rights Management (US) LLC ℗ 1996 BMG Rights Management (US) LLC

Presentación del Álbum

Steve Goodman made four guest appearances on disc jockey Vin Scelsa's radio show on WNEW-FM in New York in the mid-'70s, three of them broadcast on successive Easter Sundays in 1976, 1977, and 1978. These airchecks are the source for The Easter Tapes, and they present a charmingly offhand Goodman, whose acoustic performances stand in contrast to the more polished and produced albums he was making for Asylum Records during the same period. Encouraged by Scelsa, Goodman turns in versions of songs from some of those albums -- "This Hotel Room," "I Can't Sleep," "Banana Republics," "Video Tape" -- along with some of his older songs, among them the standard "City of New Orleans," and a bunch of one-off numbers including Irving Berlin's "Blue Skies," Marty Robbins' "Big Iron," and Cole Porter's "Don't Fence Me In." After he performs "Eighteen Yellow Roses" and points out that it was written by Bobby Darin, Scelsa requests Darin's hit "Splish Splash," which Goodman surprises himself by remembering in full. With bits of casual conversation and even a few announcements of upcoming concerts (one of them featuring Goodman, of course), the sessions have a friendly, thrown-together feel that gets even more spontaneous in the hidden track, a medley of "Mama Don't Allow" and "The Saints Go Marching In" that serves as a showcase for multi-instrumentalist sideman David Amram and even gives Scelsa a chance to blow on a saxophone. Those more accustomed to hearing Goodman on his regular albums, which usually feature much more elaborate arrangements, will be impressed with his expert guitar playing

© William Ruhlmann /TiVo

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