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Steve Earle & The Dukes|Terraplane

Terraplane

Steve Earle & The Dukes

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"Hell, everybody's sick of all my f---ing happy songs anyway," Steve Earle declares in the liner notes to his 2015 album Terraplane as he explains why he chose to cut a blues album. If you feel like you somehow missed Earle's Pollyanna period, you're not the only one, but if he was motivated to turn to the blues because of personal troubles -- he was going through his seventh divorce while he wrote and recorded these songs -- it sure sounds like he chose the right kind of musical therapy. Terraplane is the most relaxed and least fussed-over album Earle has made in quite some time, and frankly, he sounds like he's having a ball on these sessions; with rare exceptions, this isn't music that ponders the dark night of the soul, but semi-acoustic roadhouse boogie that rocks with a steady roll and gives Earle a chance to crow like a rooster as he ponders broken hearts, long lonesome highways, battles with the forces of destiny, and the enduring appeal of women in go-go boots. Terraplane is just introspective enough to suit the literacy of Earle's lyrical conceits (a wordiness that nearly gets away from him on the grand-scale shaggy dog tale of "The Tennessee Kid"), and he does take the opportunity to bare his soul on "Better Off Alone," but the interplay between Earle and the umpteenth edition of the Dukes (including longtime sidemen Kelly Looney on bass and Will Rigby on drums, as well as fiddler and vocalist Eleanor Whitmore and guitarist Chris Masterson) is downright playful when the tempo picks up a bit, and the good and greasy feel of "The Usual Time," "Ain't Nobody's Daddy Now," and "King of the Blues" is as satisfying as a big slab of smoked brisket. Maybe folks were tired of Earle's happy songs, but if you want to hear the man have a good time while kicking up a fuss in the studio, Terraplane is a ride well worth taking.
© Mark Deming /TiVo

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Terraplane

Steve Earle & The Dukes

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1
Baby Baby Baby (Baby)
00:03:37

Steve Earle & The Dukes, Composer, MainArtist - New West Records, LLC, MusicPublisher

2015 New West Records, LLC 2015 New West Records, LLC

2
You're the Best Lover That I Ever Had
00:04:07

Steve Earle & The Dukes, Composer, MainArtist - New West Records, LLC, MusicPublisher

2015 New West Records, LLC 2015 New West Records, LLC

3
The Tennessee Kid
00:04:05

Steve Earle & The Dukes, Composer, MainArtist - New West Records, LLC, MusicPublisher

2015 New West Records, LLC 2015 New West Records, LLC

4
Ain't Nobody's Daddy Now
00:02:29

Steve Earle & The Dukes, Composer, MainArtist - New West Records, LLC, MusicPublisher

2015 New West Records, LLC 2015 New West Records, LLC

5
Better Off Alone
00:04:25

Steve Earle & The Dukes, Composer, MainArtist - New West Records, LLC, MusicPublisher

2015 New West Records, LLC 2015 New West Records, LLC

6
The Usual Time
00:02:59

Steve Earle & The Dukes, Composer, MainArtist - New West Records, LLC, MusicPublisher

2015 New West Records, LLC 2015 New West Records, LLC

7
Go Go Boots Are Back
00:03:33

Steve Earle & The Dukes, Composer, MainArtist - New West Records, LLC, MusicPublisher

2015 New West Records, LLC 2015 New West Records, LLC

8
Acquainted With the Wind
00:02:20

Steve Earle & The Dukes, Composer, MainArtist - New West Records, LLC, MusicPublisher

2015 New West Records, LLC 2015 New West Records, LLC

9
Baby's Just As Mean As Me (feat. Eleanor Whitmore)
00:02:35

Steve Earle & The Dukes, Composer, MainArtist - New West Records, LLC, MusicPublisher

2015 New West Records, LLC 2015 New West Records, LLC

10
Gamblin' Blues
00:02:04

Steve Earle & The Dukes, Composer, MainArtist - New West Records, LLC, MusicPublisher

2015 New West Records, LLC 2015 New West Records, LLC

11
King of the Blues
00:03:51

Steve Earle & The Dukes, Composer, MainArtist - New West Records, LLC, MusicPublisher

2015 New West Records, LLC 2015 New West Records, LLC

Descripción del álbum

"Hell, everybody's sick of all my f---ing happy songs anyway," Steve Earle declares in the liner notes to his 2015 album Terraplane as he explains why he chose to cut a blues album. If you feel like you somehow missed Earle's Pollyanna period, you're not the only one, but if he was motivated to turn to the blues because of personal troubles -- he was going through his seventh divorce while he wrote and recorded these songs -- it sure sounds like he chose the right kind of musical therapy. Terraplane is the most relaxed and least fussed-over album Earle has made in quite some time, and frankly, he sounds like he's having a ball on these sessions; with rare exceptions, this isn't music that ponders the dark night of the soul, but semi-acoustic roadhouse boogie that rocks with a steady roll and gives Earle a chance to crow like a rooster as he ponders broken hearts, long lonesome highways, battles with the forces of destiny, and the enduring appeal of women in go-go boots. Terraplane is just introspective enough to suit the literacy of Earle's lyrical conceits (a wordiness that nearly gets away from him on the grand-scale shaggy dog tale of "The Tennessee Kid"), and he does take the opportunity to bare his soul on "Better Off Alone," but the interplay between Earle and the umpteenth edition of the Dukes (including longtime sidemen Kelly Looney on bass and Will Rigby on drums, as well as fiddler and vocalist Eleanor Whitmore and guitarist Chris Masterson) is downright playful when the tempo picks up a bit, and the good and greasy feel of "The Usual Time," "Ain't Nobody's Daddy Now," and "King of the Blues" is as satisfying as a big slab of smoked brisket. Maybe folks were tired of Earle's happy songs, but if you want to hear the man have a good time while kicking up a fuss in the studio, Terraplane is a ride well worth taking.
© Mark Deming /TiVo

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