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Yo-Yo Ma|Songs from the Arc of Life

Songs from the Arc of Life

Yo-Yo Ma & Kathryn Stott

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Here's a recording that amply demonstrates why Yo-Yo Ma has reached perhaps a wider public than any other serious classical musician. Over the course of his career he has vastly expanded the classical repertory while still staying true to its core. There has been a profound idealism, a high-mindedness, to what he does, combined with an ability to reach ordinary listeners that the greats of the past often mastered, but that is a rare commodity these days. He has rarely recorded short crowd-pleasers and it is typical of his genius that now, when he does so, he does it in an entirely compelling way. The core of the program consists of well-loved classical tunes, including one of the best-loved of all, the Bach-Gounod Ave Maria. But Ma varies the concept in two ways. The first has to do with the explicit program, depicting the "arc of life." The pieces proceed from childhood to youth, adulthood, and finally "beau soir" and death, and the whole thing is nicely explored in the notes in the form of a conversation between Ma and his longtime accompanist Kathryn Stott. They make these rather generic pieces seem like the most personal thing in the world. Then, on top of this, Ma and Stott pick some pieces that aren't common encores at all, such as the "Louange à l'éternité de Jésus," from the Quartet for the end of time. These are exceptionally well chosen to modulate the moods of the arc of life, and by the final group of pieces even the skeptical may well find themselves hypnotized. Throw in superb sound from perhaps the premier American recording venue, Mechanics Hall in Worcester, Massachusetts, and you have an exceptional package that should rightly put Ma and Stott back at the top of the charts.
© James Manheim /TiVo

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Songs from the Arc of Life

Yo-Yo Ma

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1
Ave Maria
00:02:43

Charles Gounod, Composer - Yo-Yo Ma, Cello, MainArtist - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

2
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]
00:01:49

Johannes Brahms, Composer - Yo-Yo Ma, Cello, MainArtist - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

3
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)
00:01:56

Antonín Dvorák, Composer - Anonymous, Arranger - Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

4
Papillon, Op. 77
00:02:48

Gabriel Fauré, Composer - Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

5
Tango Jalousie
00:03:42

Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Jacob Gade, Composer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

6
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102)
00:03:03

Robert Schumann, Composer - Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

7
Was it a Dream?, Op. 37, No. 4
00:02:16

Jean Sibelius, Composer - Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

8
Après un rêve, Op. 7, No. 1
00:02:40

Gabriel Fauré, Composer - Yo-Yo Ma, Cello, MainArtist - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

9
Salut d'Amour, Op. 12
00:02:44

Edward Elgar, Composer - Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

10
Prelude No. 1 (From "Three Preludes")
00:01:51

George Gershwin, Composer - Yo-Yo Ma, Arranger, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Jascha Heifetz, Arranger - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

11
Romance for Cello and Piano
00:06:25

Frederick Delius, Composer - Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

12
La Gitana
00:03:32

Fritz Kreisler, Composer - Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

13
Il bell'Antonio, Tema III
00:07:34

Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Giovanni Sollima, Composer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

14
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano)
00:02:54

CAMILLE SAINT-SAENS, Composer - Yo-Yo Ma, Cello, MainArtist - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

15
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies")
00:02:29

Edvard Grieg, Composer - Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

16
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano)
00:02:17

Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Pyotr Ilyich Tchaikovsky, Composer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

17
Louange à l'Éternité de Jésus (From "Quartet for the End of Time")
00:10:17

Olivier Messiaen, Composer - Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

18
Beau Soir, L. 6
00:02:31

Claude Debussy, Composer - Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

19
Ave Maria, D. 839, Op. 52, No. 6 (Ellens Gesang III from "Ein Fräulein vom See") [Arr. for Cello and Piano]
00:04:14

Franz Schubert, Composer - Yo-Yo Ma, Cello, MainArtist, AssociatedPerformer - Richard King, Mastering Engineer, Mixing Engineer, Recording Engineer - Steven Epstein, Producer - Kathryn Stott, Piano, MainArtist, AssociatedPerformer - Yo-Yo Ma & Kathryn Stott, AssociatedPerformer - Joseph Chilorio, Assistant Engineer

(P) 2015 Sound Postings LLC

Descripción del álbum

Here's a recording that amply demonstrates why Yo-Yo Ma has reached perhaps a wider public than any other serious classical musician. Over the course of his career he has vastly expanded the classical repertory while still staying true to its core. There has been a profound idealism, a high-mindedness, to what he does, combined with an ability to reach ordinary listeners that the greats of the past often mastered, but that is a rare commodity these days. He has rarely recorded short crowd-pleasers and it is typical of his genius that now, when he does so, he does it in an entirely compelling way. The core of the program consists of well-loved classical tunes, including one of the best-loved of all, the Bach-Gounod Ave Maria. But Ma varies the concept in two ways. The first has to do with the explicit program, depicting the "arc of life." The pieces proceed from childhood to youth, adulthood, and finally "beau soir" and death, and the whole thing is nicely explored in the notes in the form of a conversation between Ma and his longtime accompanist Kathryn Stott. They make these rather generic pieces seem like the most personal thing in the world. Then, on top of this, Ma and Stott pick some pieces that aren't common encores at all, such as the "Louange à l'éternité de Jésus," from the Quartet for the end of time. These are exceptionally well chosen to modulate the moods of the arc of life, and by the final group of pieces even the skeptical may well find themselves hypnotized. Throw in superb sound from perhaps the premier American recording venue, Mechanics Hall in Worcester, Massachusetts, and you have an exceptional package that should rightly put Ma and Stott back at the top of the charts.
© James Manheim /TiVo

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(P) 2015 Sound Postings LLC

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