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Neal Casal|Return In Kind

Return In Kind

Neal Casal

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When singer/songwriters cite their influences, they usually run the gamut of performers. However, paying a sincere tribute to these influences in a full-length covers album is often a tricky idea -- sound too much like the original and you become nothing more than a parody; try too hard to make it something you own and fans consider it a disservice to the original performance. Neal Casal has balanced this perfectly for his album Return in Kind, starting off with a tender and heartfelt cover of the Faces' "Debris," which contains some wide-open, vast pedal steel accents alongside Casal's simple but strong delivery. It is definitely in the domain of the Guthries or Ryan Adams circa Gold or Cold Roses. For most of this record, Casal places his own subtle fingerprints on these gems, especially the lovely Gene Clark-penned "With Tomorrow" that has just the ample amount of strings underneath. The only problem with this record is that there is little difference between some songs, although the swaying, soulful, bluesy "Too Late" stands out from the rest. This is outdone, though, by the lovely "Be Real" that is simply Casal's pipes front and center behind some ordinary but deliberate guitar strumming. His piano rendition of Johnny Thunders "It's Not Enough" is, well, not enough to make a lasting impression. However, singer/songwriters or troubadours like Steve Earle and the late Townes Van Zandt immediately come to mind on "Miss Direction," given a hymn-like quality thanks to the organ. Casal opts for a traditional country blueprint à la Hank Williams or Willie Nelson on "The Portland Water," although the organ here shouldn't be included. While Casal has not penned any of these songs, you get the impression he can create songs just as strong as any shown here.
© Jason MacNeil /TiVo

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Return In Kind

Neal Casal

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1
Debris
00:04:15

Neal Casal, MainArtist - Casal, Composer - WB Music Corp. ASCAP, MusicPublisher

2004 Fargo 2004 WB Music Corp. ASCAP

2
With Tomorrow
00:02:37

Neal Casal, MainArtist - Casal, Composer - Cotillon Music/Irving Music, MusicPublisher

2004 Fargo 2004 Cotillon Music/Irving Music

3
Too Late
00:02:31

Neal Casal, MainArtist - Casal, Composer - EMBASSY MUSIC CORP, MusicPublisher

2004 Fargo 2004 Embassy Music Corp

4
Be Real
00:03:16

Neal Casal, MainArtist - Casal, Composer - Souhtern Love Music/Unichappell Music, MusicPublisher

2004 Fargo 2004 Souhtern Love Music/Unichappell Music

5
It's Not Enough
00:03:42

Neal Casal, MainArtist - Casal, Composer - EMI Virgin, MusicPublisher

2004 Fargo 2004 EMI Virgin

6
Miss Direction
00:04:41

Neal Casal, MainArtist - Casal, Composer - BMI, MusicPublisher

2004 Fargo 2004 BMI

7
It Won't Hurt
00:03:35

Neal Casal, MainArtist - Casal, Composer - Golden Braun Maus Music, MusicPublisher

2004 Fargo 2004 Golden Braun Maus Music

8
The Portland Water
00:03:35

Neal Casal, MainArtist - Casal, Composer - Snocko Music, MusicPublisher

2004 Fargo 2004 Snocko Music

9
Yellow Kid
00:02:12

Neal Casal, MainArtist - Casal, Composer - Royal Trux Music / Truxtunes, MusicPublisher

2004 Fargo 2004 Royal Trux Music / Truxtunes

10
There's A Reward
00:03:03

Neal Casal, MainArtist - Casal, Composer - Irving Music, MusicPublisher

2004 Fargo 2004 Irving Music

Presentación del Álbum

When singer/songwriters cite their influences, they usually run the gamut of performers. However, paying a sincere tribute to these influences in a full-length covers album is often a tricky idea -- sound too much like the original and you become nothing more than a parody; try too hard to make it something you own and fans consider it a disservice to the original performance. Neal Casal has balanced this perfectly for his album Return in Kind, starting off with a tender and heartfelt cover of the Faces' "Debris," which contains some wide-open, vast pedal steel accents alongside Casal's simple but strong delivery. It is definitely in the domain of the Guthries or Ryan Adams circa Gold or Cold Roses. For most of this record, Casal places his own subtle fingerprints on these gems, especially the lovely Gene Clark-penned "With Tomorrow" that has just the ample amount of strings underneath. The only problem with this record is that there is little difference between some songs, although the swaying, soulful, bluesy "Too Late" stands out from the rest. This is outdone, though, by the lovely "Be Real" that is simply Casal's pipes front and center behind some ordinary but deliberate guitar strumming. His piano rendition of Johnny Thunders "It's Not Enough" is, well, not enough to make a lasting impression. However, singer/songwriters or troubadours like Steve Earle and the late Townes Van Zandt immediately come to mind on "Miss Direction," given a hymn-like quality thanks to the organ. Casal opts for a traditional country blueprint à la Hank Williams or Willie Nelson on "The Portland Water," although the organ here shouldn't be included. While Casal has not penned any of these songs, you get the impression he can create songs just as strong as any shown here.
© Jason MacNeil /TiVo

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