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This live album, released well after Camarón's death in 1992, comes from the latter stages of his career and features the great flamenco singer accompanied by his second longtime partner, Tomatito. Camarón apparently was suffering health problems at this point, and his voice sounds weak on the opening "Tus Ojillos Negros," especially measured against Tomatito's very strong guitar presence. The arrangements are very spare, foregoing the usual flamenco flourishes -- the unadorned "Sonidos Negros" is more a call-and-response between voice and guitar à la blues than performed together. Camarón picks up vocal strength on "Pañuelo a Rayas" -- it seems like bulerías is the form people unfamiliar with the different varieties of flamenco would recognize and define as "flamenco." "Como el Agua" gets a big audience response from the opening lines (it's also featured as the CD-ROM video track) but weirdly fades out rather than finishing. Much the same happens on "Yo Pienso Como el Ciprés" -- the audience applause is brought up so abruptly and prematurely, it makes you wonder if the producers were covering for a botched ending. Truthfully, you don't get much sense of set dynamics or building momentum to a climax, but París 1987 does close strongly with impassioned singing on "Pañuelo a Rayas 2," "Más Duro Que el Acero," and "Tirititando de Frío." With two songs repeated twice out of only nine tracks, París 1987 isn't essential -- it's more for confirmed fans than people looking to get into Camarón.
© Don Snowden /TiVo
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Tomatito, Guitar, AssociatedPerformer - Jose Monje Cruz, ComposerLyricist - Juan Sueiro, Mastering Engineer, StudioPersonnel - Camarón De La Isla, Voice, MainArtist, AssociatedPerformer - Pomelo Flamenco, Producer - Miguel Valecillo Mata, Producer
℗ 1999 Universal Music Spain, S.L.
Tomatito, Guitar, AssociatedPerformer - Jose Monje Cruz, ComposerLyricist - Juan Sueiro, Mastering Engineer, StudioPersonnel - Camarón De La Isla, Voice, MainArtist, AssociatedPerformer - Pomelo Flamenco, Producer - Miguel Valecillo Mata, Producer
℗ 1999 Universal Music Spain, S.L.
Tomatito, Guitar, AssociatedPerformer - Jose Monje Cruz, ComposerLyricist - Juan Sueiro, Mastering Engineer, StudioPersonnel - Camarón De La Isla, Voice, MainArtist, AssociatedPerformer - Pomelo Flamenco, Producer - Miguel Valecillo Mata, Producer
℗ 1999 Universal Music Spain, S.L.
Tomatito, Guitar, AssociatedPerformer - Juan Sueiro, Mastering Engineer, StudioPersonnel - Camarón De La Isla, Voice, MainArtist, AssociatedPerformer - José Sanchez Gomez Pecino, ComposerLyricist - Pomelo Flamenco, Producer - Miguel Valecillo Mata, Producer
℗ 1999 Universal Music Spain, S.L.
Tomatito, Guitar, AssociatedPerformer - Juan Sueiro, Mastering Engineer, StudioPersonnel - Camarón De La Isla, Voice, MainArtist, AssociatedPerformer - José Sanchez Gomez Pecino, ComposerLyricist - Pomelo Flamenco, Producer - Miguel Valecillo Mata, Producer
℗ 1999 Universal Music Spain, S.L.
Tomatito, Guitar, AssociatedPerformer - Jose Monje Cruz, ComposerLyricist - Juan Sueiro, Mastering Engineer, StudioPersonnel - Camarón De La Isla, Voice, MainArtist, AssociatedPerformer - Pomelo Flamenco, Producer - Miguel Valecillo Mata, Producer
℗ 1999 Universal Music Spain, S.L.
Tomatito, Guitar, AssociatedPerformer - Juan Sueiro, Mastering Engineer, StudioPersonnel - Camarón De La Isla, Voice, MainArtist, AssociatedPerformer - Jose Monge Cruz, ComposerLyricist - Pomelo Flamenco, Producer - Miguel Valecillo Mata, Producer
℗ 1999 Universal Music Spain, S.L.
Tomatito, Guitar, AssociatedPerformer - Jose Monje Cruz, ComposerLyricist - Juan Sueiro, Mastering Engineer, StudioPersonnel - Camarón De La Isla, Voice, MainArtist, AssociatedPerformer - Antonio Humanes Aranzueque, ComposerLyricist - Pomelo Flamenco, Producer - Miguel Valecillo Mata, Producer
℗ 1999 Universal Music Spain, S.L.
Presentación del Álbum
This live album, released well after Camarón's death in 1992, comes from the latter stages of his career and features the great flamenco singer accompanied by his second longtime partner, Tomatito. Camarón apparently was suffering health problems at this point, and his voice sounds weak on the opening "Tus Ojillos Negros," especially measured against Tomatito's very strong guitar presence. The arrangements are very spare, foregoing the usual flamenco flourishes -- the unadorned "Sonidos Negros" is more a call-and-response between voice and guitar à la blues than performed together. Camarón picks up vocal strength on "Pañuelo a Rayas" -- it seems like bulerías is the form people unfamiliar with the different varieties of flamenco would recognize and define as "flamenco." "Como el Agua" gets a big audience response from the opening lines (it's also featured as the CD-ROM video track) but weirdly fades out rather than finishing. Much the same happens on "Yo Pienso Como el Ciprés" -- the audience applause is brought up so abruptly and prematurely, it makes you wonder if the producers were covering for a botched ending. Truthfully, you don't get much sense of set dynamics or building momentum to a climax, but París 1987 does close strongly with impassioned singing on "Pañuelo a Rayas 2," "Más Duro Que el Acero," and "Tirititando de Frío." With two songs repeated twice out of only nine tracks, París 1987 isn't essential -- it's more for confirmed fans than people looking to get into Camarón.
© Don Snowden /TiVo
Acerca del álbum
- 1 disco(s) - 8 pista(s)
- Duración total: 00:49:34
- Artistas principales: Camarón de la Isla
- Compositor: Various Composers
- Sello: Universal Music Spain S.L.
- Género Flamenco
© 2018 Universal Music Spain, S.L. ℗ 2018 Universal Music Spain, S.L.U.
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