Categorías:
Carrito 0

Servicio no disponible por el momento

Grace Jones|Nightclubbing

Nightclubbing

Grace Jones

Disponible en
24-Bit/96 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

By all means a phenomenal pop album that hit number nine on the black albums chart and crossed over to penetrate the pop charts at number 32, Nightclubbing saw Grace Jones working once again with Sly Dunbar, Robbie Shakespeare, and the remainder of the Compass Point team. Nightclubbing also continues Jones' tradition of picking excellent songs to reinterpret. This time out, the Police's "Demolition Man," Bill Withers' "Use Me," and Iggy Pop's "Nightclubbing" receive radical reinterpretations; "Nightclubbing" is glacial in both tempo and lack of warmth, while both "Use Me" and "Demolition Man" fit perfectly into Jones' lyrical scheme. Speaking of a lyrical scheme, "Pull Up to the Bumper" (number five black singles, number two club play) is so riddled with naughty double entendres -- or is it just about parallel parking? -- that it renders Musique's "In the Bush" as daring as Paul Anka's "Puppy Love." Drive it in between what, Grace? It's not just lyrics that make the song stick out; jingling spirals of rhythm guitar and a simplistic, squelching, mid-tempo rhythm make the song effective, even without considering Jones' presence. Sly & Robbie provide ideal backdrops for Jones yet again, casting a brisk but not bristly sheen over buoyant structures. Never before and never since has a precisely chipped block of ore been so seductive.

© Andy Kellman /TiVo

Más información

Nightclubbing

Grace Jones

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde $ 16.190,00/mes

1
Walking In The Rain
00:04:18

Harry Vanda, ComposerLyricist - Alex Sadkin, Producer - Sly Dunbar, Drums, AssociatedPerformer - George Redburn Young, ComposerLyricist - CHRIS BLACKWELL, Producer - Wally Badarou, Keyboards, AssociatedPerformer - Mikey Chung, Guitar, AssociatedPerformer - Robbie Shakespeare, Bass Guitar, AssociatedPerformer - Grace Jones, Vocalist, MainArtist, AssociatedPerformer - Barry Reynolds, Guitar, AssociatedPerformer - Uziah Thompson, Percussion, AssociatedPerformer

℗ 1981 Island Records, a division of UMG Recordings, Inc.

2
Pull Up To The Bumper
00:04:41

Dana Manno, ComposerLyricist - Alex Sadkin, Producer - Sly Dunbar, Drums, AssociatedPerformer, ComposerLyricist - CHRIS BLACKWELL, Producer - Wally Badarou, Keyboards, AssociatedPerformer - Mikey Chung, Guitar, AssociatedPerformer - Robbie Shakespeare, Bass Guitar, AssociatedPerformer, ComposerLyricist - Grace Jones, Vocalist, MainArtist, AssociatedPerformer - Barry Reynolds, Guitar, AssociatedPerformer - Uziah Thompson, Percussion, AssociatedPerformer

℗ 1981 UMG Recordings, Inc.

3
Use Me
00:05:05

Alex Sadkin, Producer - Bill Withers, ComposerLyricist - Sly Dunbar, Drums, AssociatedPerformer - CHRIS BLACKWELL, Producer - Wally Badarou, Keyboards, AssociatedPerformer - Mikey Chung, Guitar, AssociatedPerformer - Robbie Shakespeare, Bass Guitar, AssociatedPerformer - Grace Jones, Vocalist, MainArtist, AssociatedPerformer - Barry Reynolds, Guitar, AssociatedPerformer - Uziah Thompson, Percussion, AssociatedPerformer

℗ 1981 The Island Def Jam Music Group

4
Nightclubbing
00:05:07

Iggy Pop, ComposerLyricist - Alex Sadkin, Producer - David Bowie, ComposerLyricist - CHRIS BLACKWELL, Producer - Grace Jones, MainArtist

℗ 1981 The Island Def Jam Music Group

5
Art Groupie
00:02:40

Alex Sadkin, Producer - CHRIS BLACKWELL, Producer - Grace Jones, MainArtist, ComposerLyricist - Barry Reynolds, ComposerLyricist

℗ 1981 The Island Def Jam Music Group

6
I've Seen That Face Before (Libertango)
00:04:30

Alex Sadkin, Producer - Astor Piazzolla, ComposerLyricist - Sly Dunbar, Drums, AssociatedPerformer - CHRIS BLACKWELL, Producer - Wally Badarou, Keyboards, AssociatedPerformer - Mikey Chung, Guitar, AssociatedPerformer - Robbie Shakespeare, Bass Guitar, AssociatedPerformer - Grace Jones, Vocalist, MainArtist, AssociatedPerformer - Barry Reynolds, Guitar, AssociatedPerformer, ComposerLyricist - Dennis Wilkey, ComposerLyricist - Uziah Thompson, Percussion, AssociatedPerformer

℗ 1981 Island Records, a division of UMG Recordings, Inc.

7
Feel Up
00:04:02

Alex Sadkin, Producer - Sly Dunbar, Drums, AssociatedPerformer - CHRIS BLACKWELL, Producer - Wally Badarou, Keyboards, AssociatedPerformer - Mikey Chung, Guitar, AssociatedPerformer - Robbie Shakespeare, Bass Guitar, AssociatedPerformer - Grace Jones, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Barry Reynolds, Guitar, AssociatedPerformer - Uziah Thompson, Percussion, AssociatedPerformer

℗ 1981 The Island Def Jam Music Group

8
Demolition Man
00:04:05

Alex Sadkin, Producer - Sly Dunbar, Drums, AssociatedPerformer - Sting, ComposerLyricist - CHRIS BLACKWELL, Producer - Wally Badarou, Keyboards, AssociatedPerformer - Mikey Chung, Guitar, AssociatedPerformer - Robbie Shakespeare, Bass Guitar, AssociatedPerformer - Grace Jones, Vocalist, MainArtist, AssociatedPerformer - Barry Reynolds, Guitar, AssociatedPerformer - Uziah Thompson, Percussion, AssociatedPerformer

℗ 1981 The Island Def Jam Music Group

9
I've Done It Again
00:03:51

Alex Sadkin, Producer - CHRIS BLACKWELL, Producer - Marianne Faithfull, ComposerLyricist - Grace Jones, MainArtist - Barry Reynolds, ComposerLyricist

℗ 1981 The Island Def Jam Music Group

Presentación del Álbum

By all means a phenomenal pop album that hit number nine on the black albums chart and crossed over to penetrate the pop charts at number 32, Nightclubbing saw Grace Jones working once again with Sly Dunbar, Robbie Shakespeare, and the remainder of the Compass Point team. Nightclubbing also continues Jones' tradition of picking excellent songs to reinterpret. This time out, the Police's "Demolition Man," Bill Withers' "Use Me," and Iggy Pop's "Nightclubbing" receive radical reinterpretations; "Nightclubbing" is glacial in both tempo and lack of warmth, while both "Use Me" and "Demolition Man" fit perfectly into Jones' lyrical scheme. Speaking of a lyrical scheme, "Pull Up to the Bumper" (number five black singles, number two club play) is so riddled with naughty double entendres -- or is it just about parallel parking? -- that it renders Musique's "In the Bush" as daring as Paul Anka's "Puppy Love." Drive it in between what, Grace? It's not just lyrics that make the song stick out; jingling spirals of rhythm guitar and a simplistic, squelching, mid-tempo rhythm make the song effective, even without considering Jones' presence. Sly & Robbie provide ideal backdrops for Jones yet again, casting a brisk but not bristly sheen over buoyant structures. Never before and never since has a precisely chipped block of ore been so seductive.

© Andy Kellman /TiVo

Acerca del álbum

Premios:

Mejorar la información del álbum
Más en Qobuz
Por Grace Jones

The Masters Collection

Grace Jones

To Give

Grace Jones

To Give Grace Jones

Sex Drive

Grace Jones

Sex Drive Grace Jones

Slave To The Rhythm

Grace Jones

Slave To The Rhythm Grace Jones

Private Life: The Compass Point Sessions

Grace Jones

Quizás también le guste...

C'est Chic

Chic

C'est Chic Chic

Born To Be Alive - Single

Patrick Hernandez

Born To Be Alive - Single Patrick Hernandez

Viva la Vida

Fancy

Viva la Vida Fancy

The Dance Collection

Donna Summer

The Dance Collection Donna Summer

Electric Energy

Ariana DeBose

Electric Energy Ariana DeBose