Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
Reconsidering late-era Miles Davis is a dicey proposition. On one hand, there are albums like Aura that were largely ignored at the time, but upon revisitation, have proven to be challenging and consequential works. On the other, there are albums like Doo-Bop, which have ... not. (To be fair, much of Miles's post-'50s material took folks a while to warm to, as he was often an artist a few steps ahead of his time.) With that in mind, Merci! Miles Live at Vienne is both a curious time capsule and a bit of a "what if?" game. Recorded in France in July 1991, just a few months before Davis passed away, this relatively brisk set clocks in at just over 70 minutes long. Though Miles's trumpet is something of a spectral presence throughout—only occasionally pushing its way to the front of the proceedings—the audience is intensely and vocally appreciative of his playing and that of the band accompanying him. The energy level throughout is surprisingly high and nearly raucous in moments. And yes, this is the peak of Davis's "modern pop songs should be standards" phase, so both "Time After Time" and "Human Nature" get workouts, with all the popping bass and four-on-the-floor rhythm that implies. Similarly, then-new Davis cuts like "Amandla" and "Hannibal" are here, in all their high-gloss vitality. The inclusion of two songs written by Prince make this set an interesting document. Though the two only performed together once (at a 1987 New Year's Eve show at Paisley Park), they were big fans of one another, with Prince pitching several songs for Miles to record over the years and even building a whole jazz band (Madhouse) with the idea that Miles could collaborate with them. Prince wrote "Penetration" and "Jailbait" for Madhouse and submitted them for Miles's consideration in early 1991; Miles and his band recorded both, but the studio versions have never been released, due to Prince's disinclination to assist with their posthumous production. However, they were both consistently played in concert throughout 1991 and the versions here are excellent, with Miles and his band sticking hard and fast to each song's groove while finding plenty of space to stretch out. Thus, unlike Doo-Bop (the posthumous album they would have appeared on), these songs here spark a bit of an exciting round of "what could have been," which is most definitely not the case for most artists' late-period live albums. But, then again, Miles was always a few steps ahead of the game. © Jason Ferguson/Qobuz
Más información
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 16.190,00/mes
Miles Davis, Trumpet, MainArtist - MARCUS MILLER, Composer - Florence Halfon, Producer - Erin Davis, ExecutiveProducer - Foley, Lead Bass - KENNY GARRETT, Saxophone - Ricky Wellman, Drums - Richard Patterson, Bass - Deron Johnson, Keyboards - Vincent Wilburn Jr., Producer, ExecutiveProducer - John Webber, MasteringEngineer - Cheryl Davis, ExecutiveProducer - Darryl Porter, ExecutiveProducer - Ashley Kahn, Producer - Patrick Savey, MixingEngineer
Marketed by Rhino Entertainment Company., © 2021 Rhino Entertainment Company, a Warner Music Group Company. ℗ 2021 Zycopolis Productions, under exclusive license to Warner Records Inc., a Warner Music Group Company.
Steven Porcaro, Writer - Miles Davis, Trumpet, MainArtist - Florence Halfon, Producer - Erin Davis, ExecutiveProducer - Foley, Lead Bass - KENNY GARRETT, Saxophone - Ricky Wellman, Drums - JOHN BETTIS, Writer - Richard Patterson, Bass - Deron Johnson, Keyboards - Vincent Wilburn Jr., Producer, ExecutiveProducer - John Webber, MasteringEngineer - Cheryl Davis, ExecutiveProducer - Darryl Porter, ExecutiveProducer - Ashley Kahn, Producer - Patrick Savey, MixingEngineer
Marketed by Rhino Entertainment Company., © 2021 Rhino Entertainment Company, a Warner Music Group Company. ℗ 2021 Zycopolis Productions, under exclusive license to Warner Records Inc., a Warner Music Group Company.
Cyndi Lauper, Writer - Robert Hyman, Writer - Miles Davis, Trumpet, MainArtist - Florence Halfon, Producer - Erin Davis, ExecutiveProducer - Foley, Lead Bass - KENNY GARRETT, Saxophone - Ricky Wellman, Drums - Richard Patterson, Bass - Deron Johnson, Keyboards - Vincent Wilburn Jr., Producer, ExecutiveProducer - John Webber, MasteringEngineer - Cheryl Davis, ExecutiveProducer - Darryl Porter, ExecutiveProducer - Ashley Kahn, Producer - Patrick Savey, MixingEngineer
Marketed by Rhino Entertainment Company., © 2021 Rhino Entertainment Company, a Warner Music Group Company. ℗ 2021 Zycopolis Productions, under exclusive license to Warner Records Inc., a Warner Music Group Company.
Prince, Composer - Miles Davis, Trumpet, MainArtist - Florence Halfon, Producer - Erin Davis, ExecutiveProducer - Foley, Lead Bass - KENNY GARRETT, Saxophone - Ricky Wellman, Drums - Richard Patterson, Bass - Deron Johnson, Keyboards - Vincent Wilburn Jr., Producer, ExecutiveProducer - John Webber, MasteringEngineer - Cheryl Davis, ExecutiveProducer - Darryl Porter, ExecutiveProducer - Ashley Kahn, Producer - Patrick Savey, MixingEngineer
Marketed by Rhino Entertainment Company., © 2021 Rhino Entertainment Company, a Warner Music Group Company. ℗ 2021 Zycopolis Productions, under exclusive license to Warner Records Inc., a Warner Music Group Company.
Miles Davis, Trumpet, MainArtist - Florence Halfon, Producer - Erin Davis, Composer, ExecutiveProducer - Randy Hall, Composer - Wayne Linsey, Composer - Zane Giles, Composer - Foley, Lead Bass - KENNY GARRETT, Saxophone - Ricky Wellman, Drums - Richard Patterson, Bass - Deron Johnson, Keyboards - Vincent Wilburn Jr., Producer, ExecutiveProducer - John Webber, MasteringEngineer - Cheryl Davis, ExecutiveProducer - Darryl Porter, ExecutiveProducer - Ashley Kahn, Producer - Patrick Savey, MixingEngineer
Marketed by Rhino Entertainment Company., © 2021 Rhino Entertainment Company, a Warner Music Group Company. ℗ 2021 Zycopolis Productions, under exclusive license to Warner Records Inc., a Warner Music Group Company.
Miles Davis, Trumpet, MainArtist - MARCUS MILLER, Arranger, Writer - Florence Halfon, Producer - Erin Davis, ExecutiveProducer - Foley, Lead Bass - KENNY GARRETT, Saxophone - Ricky Wellman, Drums - Richard Patterson, Bass - Deron Johnson, Keyboards - Vincent Wilburn Jr., Producer, ExecutiveProducer - John Webber, MasteringEngineer - Cheryl Davis, ExecutiveProducer - Darryl Porter, ExecutiveProducer - Ashley Kahn, Producer - Patrick Savey, MixingEngineer
Marketed by Rhino Entertainment Company., © 2021 Rhino Entertainment Company, a Warner Music Group Company. ℗ 2021 Zycopolis Productions, under exclusive license to Warner Records Inc., a Warner Music Group Company.
Prince, Composer - Miles Davis, Trumpet, MainArtist - Florence Halfon, Producer - Erin Davis, ExecutiveProducer - Foley, Lead Bass - KENNY GARRETT, Saxophone - Ricky Wellman, Drums - Richard Patterson, Bass - Deron Johnson, Keyboards - Vincent Wilburn Jr., Producer, ExecutiveProducer - John Webber, MasteringEngineer - Cheryl Davis, ExecutiveProducer - Darryl Porter, ExecutiveProducer - Ashley Kahn, Producer - Patrick Savey, MixingEngineer
Marketed by Rhino Entertainment Company., © 2021 Rhino Entertainment Company, a Warner Music Group Company. ℗ 2021 Zycopolis Productions, under exclusive license to Warner Records Inc., a Warner Music Group Company.
Miles Davis, Trumpet, MainArtist - Florence Halfon, Producer - Erin Davis, ExecutiveProducer - Foley, Lead Bass - KENNY GARRETT, Saxophone - Ricky Wellman, Drums - Richard Patterson, Bass - Deron Johnson, Keyboards - Vincent Wilburn Jr., Producer, ExecutiveProducer - John Webber, MasteringEngineer - Cheryl Davis, ExecutiveProducer - Darryl Porter, ExecutiveProducer - Ashley Kahn, Producer - Patrick Savey, MixingEngineer - Richard D. Wellman, Composer
Marketed by Rhino Entertainment Company., © 2021 Rhino Entertainment Company, a Warner Music Group Company. ℗ 2021 Zycopolis Productions, under exclusive license to Warner Records Inc., a Warner Music Group Company.
Presentación del Álbum
Reconsidering late-era Miles Davis is a dicey proposition. On one hand, there are albums like Aura that were largely ignored at the time, but upon revisitation, have proven to be challenging and consequential works. On the other, there are albums like Doo-Bop, which have ... not. (To be fair, much of Miles's post-'50s material took folks a while to warm to, as he was often an artist a few steps ahead of his time.) With that in mind, Merci! Miles Live at Vienne is both a curious time capsule and a bit of a "what if?" game. Recorded in France in July 1991, just a few months before Davis passed away, this relatively brisk set clocks in at just over 70 minutes long. Though Miles's trumpet is something of a spectral presence throughout—only occasionally pushing its way to the front of the proceedings—the audience is intensely and vocally appreciative of his playing and that of the band accompanying him. The energy level throughout is surprisingly high and nearly raucous in moments. And yes, this is the peak of Davis's "modern pop songs should be standards" phase, so both "Time After Time" and "Human Nature" get workouts, with all the popping bass and four-on-the-floor rhythm that implies. Similarly, then-new Davis cuts like "Amandla" and "Hannibal" are here, in all their high-gloss vitality. The inclusion of two songs written by Prince make this set an interesting document. Though the two only performed together once (at a 1987 New Year's Eve show at Paisley Park), they were big fans of one another, with Prince pitching several songs for Miles to record over the years and even building a whole jazz band (Madhouse) with the idea that Miles could collaborate with them. Prince wrote "Penetration" and "Jailbait" for Madhouse and submitted them for Miles's consideration in early 1991; Miles and his band recorded both, but the studio versions have never been released, due to Prince's disinclination to assist with their posthumous production. However, they were both consistently played in concert throughout 1991 and the versions here are excellent, with Miles and his band sticking hard and fast to each song's groove while finding plenty of space to stretch out. Thus, unlike Doo-Bop (the posthumous album they would have appeared on), these songs here spark a bit of an exciting round of "what could have been," which is most definitely not the case for most artists' late-period live albums. But, then again, Miles was always a few steps ahead of the game. © Jason Ferguson/Qobuz
Acerca del álbum
- 1 disco(s) - 8 pista(s)
- Duración total: 01:20:11
- Artistas principales: Miles Davis
- Compositor: Various Composers
- Sello: Rhino
- Género Jazz
Marketed by Rhino Entertainment Company., © 2021 Rhino Entertainment Company, a Warner Music Group Company. Marketed by Rhino Entertainment Company., ℗ 2021 Rhino Entertainment Company, a Warner Music Group Company.
Mejorar la información del álbum
Playlists